No innocent bystanders: performance art and audience
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Hannover, New Hampshire
Dartmouth College Press
2012
|
| Schriftenreihe: | Interfaces, studies in visual culture
|
| Schlagworte: | |
| Online-Zugang: | DE-1046 DE-1047 DE-188 DE-29 Volltext |
| Beschreibung: | Includes bibliographical references and index Introduction: reimagining the audience -- Performance after minimalism: fantasies of public and private -- Acconci: "Public space is wishful thinking" -- Burden: "I'd set it up by telling a bunch of people, and that would make it -- Happen" -- Abramovi?: "You can stop. you don't have to do this." -- Hsieh: "For me, the audience is secondary. however, without them my performances couldn't exist" "At a moment when performance art and performance generally are at the center of the international art world, Frazer Ward offers us insightful readings of major performance pieces by the likes of Acconci, Burden, Abramovi , and Hsieh, and confronts the twisting and troubled relationship that performance art has had with the spectator and the public sphere. Ward contends that the ethical challenges with which performance art confronts its viewers speak to the reimagining of the audience, in terms that suggest the collapse of notions like 'public' and 'community.' A thoughtful, even urgent discussion of the relationship between art and the audience that will appeal to a broad range of art historians, artists, and others interested in constructions of the public sphere"--Provided by publisher |
| Beschreibung: | 1 Online-Ressource (205 S.) Ill. |
| ISBN: | 161168336X 9781611683363 |
Internformat
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| 490 | 0 | |a Interfaces, studies in visual culture | |
| 500 | |a Includes bibliographical references and index | ||
| 500 | |a Introduction: reimagining the audience -- Performance after minimalism: fantasies of public and private -- Acconci: "Public space is wishful thinking" -- Burden: "I'd set it up by telling a bunch of people, and that would make it -- Happen" -- Abramovi?: "You can stop. you don't have to do this." -- Hsieh: "For me, the audience is secondary. however, without them my performances couldn't exist" | ||
| 500 | |a "At a moment when performance art and performance generally are at the center of the international art world, Frazer Ward offers us insightful readings of major performance pieces by the likes of Acconci, Burden, Abramovi , and Hsieh, and confronts the twisting and troubled relationship that performance art has had with the spectator and the public sphere. Ward contends that the ethical challenges with which performance art confronts its viewers speak to the reimagining of the audience, in terms that suggest the collapse of notions like 'public' and 'community.' A thoughtful, even urgent discussion of the relationship between art and the audience that will appeal to a broad range of art historians, artists, and others interested in constructions of the public sphere"--Provided by publisher | ||
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| 650 | 7 | |a Performing arts / Audiences |2 fast | |
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Datensatz im Suchindex
| _version_ | 1811335412487028736 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Ward, Frazer |
| author_facet | Ward, Frazer |
| author_role | aut |
| author_sort | Ward, Frazer |
| author_variant | f w fw |
| building | Verbundindex |
| bvnumber | BV043166779 |
| collection | ZDB-4-EBA |
| ctrlnum | (OCoLC)818733962 (DE-599)BVBBV043166779 |
| dewey-full | 709.04/0755 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 709 - History, geographic treatment, biography |
| dewey-raw | 709.04/0755 |
| dewey-search | 709.04/0755 |
| dewey-sort | 3709.04 3755 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
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| illustrated | Illustrated |
| indexdate | 2024-09-27T08:01:01Z |
| institution | BVB |
| isbn | 161168336X 9781611683363 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028590970 |
| oclc_num | 818733962 |
| open_access_boolean | |
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| owner_facet | DE-1046 DE-1047 DE-29 DE-188 |
| physical | 1 Online-Ressource (205 S.) Ill. |
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| publisher | Dartmouth College Press |
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| series2 | Interfaces, studies in visual culture |
| spelling | Ward, Frazer Verfasser aut No innocent bystanders performance art and audience Frazer Ward Hannover, New Hampshire Dartmouth College Press 2012 1 Online-Ressource (205 S.) Ill. txt rdacontent c rdamedia cr rdacarrier Interfaces, studies in visual culture Includes bibliographical references and index Introduction: reimagining the audience -- Performance after minimalism: fantasies of public and private -- Acconci: "Public space is wishful thinking" -- Burden: "I'd set it up by telling a bunch of people, and that would make it -- Happen" -- Abramovi?: "You can stop. you don't have to do this." -- Hsieh: "For me, the audience is secondary. however, without them my performances couldn't exist" "At a moment when performance art and performance generally are at the center of the international art world, Frazer Ward offers us insightful readings of major performance pieces by the likes of Acconci, Burden, Abramovi , and Hsieh, and confronts the twisting and troubled relationship that performance art has had with the spectator and the public sphere. Ward contends that the ethical challenges with which performance art confronts its viewers speak to the reimagining of the audience, in terms that suggest the collapse of notions like 'public' and 'community.' A thoughtful, even urgent discussion of the relationship between art and the audience that will appeal to a broad range of art historians, artists, and others interested in constructions of the public sphere"--Provided by publisher ART / Conceptual bisacsh Performance art fast Performing arts / Audiences fast Performance art Performing arts Audiences Publikum (DE-588)4047764-2 gnd rswk-swf Performance Künste (DE-588)4173750-7 gnd rswk-swf Performance Künste (DE-588)4173750-7 s Publikum (DE-588)4047764-2 s DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 1-61168-334-3 Erscheint auch als Druck-Ausgabe, Paperback 1-61168-335-1 Erscheint auch als Druck-Ausgabe, Hardcover 978-1-61168-334-9 Erscheint auch als Druck-Ausgabe, Paperback 978-1-61168-335-6 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=506051 Aggregator Volltext |
| spellingShingle | Ward, Frazer No innocent bystanders performance art and audience ART / Conceptual bisacsh Performance art fast Performing arts / Audiences fast Performance art Performing arts Audiences Publikum (DE-588)4047764-2 gnd Performance Künste (DE-588)4173750-7 gnd |
| subject_GND | (DE-588)4047764-2 (DE-588)4173750-7 |
| title | No innocent bystanders performance art and audience |
| title_auth | No innocent bystanders performance art and audience |
| title_exact_search | No innocent bystanders performance art and audience |
| title_full | No innocent bystanders performance art and audience Frazer Ward |
| title_fullStr | No innocent bystanders performance art and audience Frazer Ward |
| title_full_unstemmed | No innocent bystanders performance art and audience Frazer Ward |
| title_short | No innocent bystanders |
| title_sort | no innocent bystanders performance art and audience |
| title_sub | performance art and audience |
| topic | ART / Conceptual bisacsh Performance art fast Performing arts / Audiences fast Performance art Performing arts Audiences Publikum (DE-588)4047764-2 gnd Performance Künste (DE-588)4173750-7 gnd |
| topic_facet | ART / Conceptual Performance art Performing arts / Audiences Performing arts Audiences Publikum Performance Künste |
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