Well met: Renaissance faires and the American counterculture
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
New York University Press
c2012
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Title from PDF title page (viewed on Dec. 5, 2012) Includes bibliographical references and index "Welcome to the sixties!" -- Artisans of the realm : crafters at the faire -- Shakespeare, he's in the alley : performing at the faire -- "A place to be out" : playing at the faire -- Every day is gay day, here : hating the faire -- Hard day's knight : faire fictions "The Renaissance Faire--a 50 year-long party, communal ritual, political challenge and cultural wellspring--receives its first sustained historical attention with Well Met. Beginning with the chaotic communal moment of its founding and early development in the 1960s through its incorporation as a major 'family friendly' leisure site in the 2000s, Well Met tells the story of the thinkers, artists, clowns, mimes, and others performers who make the Faire. Well Met approaches the Faire from the perspective of labor, education, aesthetics, business, the opposition it faced, and the key figures involved. Drawing upon vibrant interview material and deep archival research, Rachel Lee Rubin reveals the way the faires established themselves as a pioneering and highly visible counter cultural referendum on how we live now--our family and sexual arrangements, our relationship to consumer goods, and our corporate entertainments. In order to understand the meaning of the faire to its devoted participants,both workers and visitors, Rubin has compiled a dazzling array of testimony, from extensive conversations with Faire founder Phyllis Patterson to interviews regarding the contemporary scene with performers, crafters, booth workers and 'playtrons.' Well Met pays equal attention what came out of the faire--the transforming gifts bestowed by the faire's innovations and experiments upon the broader American culture: the underground press of the 1960s and 1970s, experimentation with 'ethnic' musical instruments and styles in popular music, the craft revival, and various forms of immersive theater are all connected back to their roots in the faire. Original, intrepid, and richly illustrated, Well Met puts the Renaissance Faire back at the historical center of the American counterculture"--Provided by publisher |
| Beschreibung: | 1 Online-Ressource |
| ISBN: | 0814738109 0814763855 0814771386 9780814738108 9780814763858 9780814771389 |
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Datensatz im Suchindex
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| any_adam_object | |
| author | Rubin, Rachel |
| author_facet | Rubin, Rachel |
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| author_sort | Rubin, Rachel |
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| dewey-ones | 394 - General customs |
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| discipline | Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft |
| era | 1900 - 1999 fast Geschichte 1900-2000 |
| era_facet | 1900 - 1999 Geschichte 1900-2000 |
| format | Electronic eBook |
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| language | English |
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| spelling | Rubin, Rachel Verfasser aut Well met Renaissance faires and the American counterculture Rachel Lee Rubin Renaissance faires and the American counterculture New York New York University Press c2012 1 Online-Ressource txt rdacontent c rdamedia cr rdacarrier Title from PDF title page (viewed on Dec. 5, 2012) Includes bibliographical references and index "Welcome to the sixties!" -- Artisans of the realm : crafters at the faire -- Shakespeare, he's in the alley : performing at the faire -- "A place to be out" : playing at the faire -- Every day is gay day, here : hating the faire -- Hard day's knight : faire fictions "The Renaissance Faire--a 50 year-long party, communal ritual, political challenge and cultural wellspring--receives its first sustained historical attention with Well Met. Beginning with the chaotic communal moment of its founding and early development in the 1960s through its incorporation as a major 'family friendly' leisure site in the 2000s, Well Met tells the story of the thinkers, artists, clowns, mimes, and others performers who make the Faire. Well Met approaches the Faire from the perspective of labor, education, aesthetics, business, the opposition it faced, and the key figures involved. Drawing upon vibrant interview material and deep archival research, Rachel Lee Rubin reveals the way the faires established themselves as a pioneering and highly visible counter cultural referendum on how we live now--our family and sexual arrangements, our relationship to consumer goods, and our corporate entertainments. In order to understand the meaning of the faire to its devoted participants,both workers and visitors, Rubin has compiled a dazzling array of testimony, from extensive conversations with Faire founder Phyllis Patterson to interviews regarding the contemporary scene with performers, crafters, booth workers and 'playtrons.' Well Met pays equal attention what came out of the faire--the transforming gifts bestowed by the faire's innovations and experiments upon the broader American culture: the underground press of the 1960s and 1970s, experimentation with 'ethnic' musical instruments and styles in popular music, the craft revival, and various forms of immersive theater are all connected back to their roots in the faire. Original, intrepid, and richly illustrated, Well Met puts the Renaissance Faire back at the historical center of the American counterculture"--Provided by publisher 1900 - 1999 fast Geschichte 1900-2000 POLITICAL SCIENCE / Government / National bisacsh Counterculture fast Renaissance fairs fast Geschichte Renaissance fairs United States History 20th century Counterculture United States History 20th century Jahrmarkt (DE-588)4028423-2 gnd rswk-swf Renaissance (DE-588)4049450-0 gnd rswk-swf Gegenkultur (DE-588)4130375-1 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Jahrmarkt (DE-588)4028423-2 s Renaissance (DE-588)4049450-0 s Gegenkultur (DE-588)4130375-1 s 1\p DE-604 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=502695 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Rubin, Rachel Well met Renaissance faires and the American counterculture POLITICAL SCIENCE / Government / National bisacsh Counterculture fast Renaissance fairs fast Geschichte Renaissance fairs United States History 20th century Counterculture United States History 20th century Jahrmarkt (DE-588)4028423-2 gnd Renaissance (DE-588)4049450-0 gnd Gegenkultur (DE-588)4130375-1 gnd |
| subject_GND | (DE-588)4028423-2 (DE-588)4049450-0 (DE-588)4130375-1 (DE-588)4078704-7 |
| title | Well met Renaissance faires and the American counterculture |
| title_alt | Renaissance faires and the American counterculture |
| title_auth | Well met Renaissance faires and the American counterculture |
| title_exact_search | Well met Renaissance faires and the American counterculture |
| title_full | Well met Renaissance faires and the American counterculture Rachel Lee Rubin |
| title_fullStr | Well met Renaissance faires and the American counterculture Rachel Lee Rubin |
| title_full_unstemmed | Well met Renaissance faires and the American counterculture Rachel Lee Rubin |
| title_short | Well met |
| title_sort | well met renaissance faires and the american counterculture |
| title_sub | Renaissance faires and the American counterculture |
| topic | POLITICAL SCIENCE / Government / National bisacsh Counterculture fast Renaissance fairs fast Geschichte Renaissance fairs United States History 20th century Counterculture United States History 20th century Jahrmarkt (DE-588)4028423-2 gnd Renaissance (DE-588)4049450-0 gnd Gegenkultur (DE-588)4130375-1 gnd |
| topic_facet | POLITICAL SCIENCE / Government / National Counterculture Renaissance fairs Geschichte Renaissance fairs United States History 20th century Counterculture United States History 20th century Jahrmarkt Renaissance Gegenkultur USA |
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