Cinema, emergence, and the films of Satyajit Ray:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Berkeley
University of California Press
©2010
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Includes bibliographical references (pages 241-251) and index Introduction : the light of the new moon -- Catastrophe and utopia : Ghare Baire, or the household goddess -- The (un)moving image : visuality and the modern in Charulata -- Devi : documenting the decadent, incarnating the modern -- The music room revisited : Jalsaghar, attraction, perception -- Take two : Mahanagar and cinematic imperfection -- Cinema and universality : Apur Sansar -- Conclusion : lateness and cinema Although revered as one of the world's great filmmakers, the Indian director Satyajit Ray is described either in narrowly nationalistic terms or as an artist whose critique of modernity is largely derived from European ideas. Rarely is he seen as an influential modernist in his own right whose contributions to world cinema remain unsurpassed. In this benchmark study, Keya Ganguly situates Ray's work within the internationalist spirit of the twentieth century, arguing that his film experiments revive the category of political or "committed" art. She suggests that in their depictions of Indian l |
| Beschreibung: | 1 Online-Ressource (xiii, 258 pages) |
| ISBN: | 0520946049 9780520946040 |
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| 500 | |a Includes bibliographical references (pages 241-251) and index | ||
| 500 | |a Introduction : the light of the new moon -- Catastrophe and utopia : Ghare Baire, or the household goddess -- The (un)moving image : visuality and the modern in Charulata -- Devi : documenting the decadent, incarnating the modern -- The music room revisited : Jalsaghar, attraction, perception -- Take two : Mahanagar and cinematic imperfection -- Cinema and universality : Apur Sansar -- Conclusion : lateness and cinema | ||
| 500 | |a Although revered as one of the world's great filmmakers, the Indian director Satyajit Ray is described either in narrowly nationalistic terms or as an artist whose critique of modernity is largely derived from European ideas. Rarely is he seen as an influential modernist in his own right whose contributions to world cinema remain unsurpassed. In this benchmark study, Keya Ganguly situates Ray's work within the internationalist spirit of the twentieth century, arguing that his film experiments revive the category of political or "committed" art. She suggests that in their depictions of Indian l | ||
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Datensatz im Suchindex
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| any_adam_object | |
| author | Ganguly, Keya |
| author_GND | (DE-588)124065643 |
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4312/33092 |
| dewey-search | 791.4312/33092 |
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| discipline | Allgemeines |
| format | Electronic eBook |
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| isbn | 0520946049 9780520946040 |
| language | English |
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| spelling | Ganguly, Keya Verfasser (DE-588)124065643 aut Cinema, emergence, and the films of Satyajit Ray Keya Ganguly Berkeley University of California Press ©2010 1 Online-Ressource (xiii, 258 pages) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references (pages 241-251) and index Introduction : the light of the new moon -- Catastrophe and utopia : Ghare Baire, or the household goddess -- The (un)moving image : visuality and the modern in Charulata -- Devi : documenting the decadent, incarnating the modern -- The music room revisited : Jalsaghar, attraction, perception -- Take two : Mahanagar and cinematic imperfection -- Cinema and universality : Apur Sansar -- Conclusion : lateness and cinema Although revered as one of the world's great filmmakers, the Indian director Satyajit Ray is described either in narrowly nationalistic terms or as an artist whose critique of modernity is largely derived from European ideas. Rarely is he seen as an influential modernist in his own right whose contributions to world cinema remain unsurpassed. In this benchmark study, Keya Ganguly situates Ray's work within the internationalist spirit of the twentieth century, arguing that his film experiments revive the category of political or "committed" art. She suggests that in their depictions of Indian l Ray, Satyajit / 1921-1992 fast Ray, Satyajit 1921-1992 Criticism and interpretation Ray, Satyajit 1921-1992 (DE-588)11926529X gnd rswk-swf 1921-1992 Criticism and interpretation Ray, Satyajit / Criticism and interpretation Ray, Satyajit Fine Arts PERFORMING ARTS / Film & Video / Reference bisacsh PERFORMING ARTS / Film & Video / General bisacsh Film (DE-588)4017102-4 gnd rswk-swf 1\p (DE-588)4006804-3 Biografie gnd-content Ray, Satyajit 1921-1992 (DE-588)11926529X p Film (DE-588)4017102-4 s 2\p DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 0-520-26216-6 Erscheint auch als Druck-Ausgabe, Paperback 0-520-26217-4 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-520-26216-4 Erscheint auch als Druck-Ausgabe, Paperback 978-0-520-26217-1 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=330906 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Ganguly, Keya Cinema, emergence, and the films of Satyajit Ray Ray, Satyajit / 1921-1992 fast Ray, Satyajit 1921-1992 Criticism and interpretation Ray, Satyajit 1921-1992 (DE-588)11926529X gnd 1921-1992 Criticism and interpretation Ray, Satyajit / Criticism and interpretation Ray, Satyajit Fine Arts PERFORMING ARTS / Film & Video / Reference bisacsh PERFORMING ARTS / Film & Video / General bisacsh Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)11926529X (DE-588)4017102-4 (DE-588)4006804-3 |
| title | Cinema, emergence, and the films of Satyajit Ray |
| title_auth | Cinema, emergence, and the films of Satyajit Ray |
| title_exact_search | Cinema, emergence, and the films of Satyajit Ray |
| title_full | Cinema, emergence, and the films of Satyajit Ray Keya Ganguly |
| title_fullStr | Cinema, emergence, and the films of Satyajit Ray Keya Ganguly |
| title_full_unstemmed | Cinema, emergence, and the films of Satyajit Ray Keya Ganguly |
| title_short | Cinema, emergence, and the films of Satyajit Ray |
| title_sort | cinema emergence and the films of satyajit ray |
| topic | Ray, Satyajit / 1921-1992 fast Ray, Satyajit 1921-1992 Criticism and interpretation Ray, Satyajit 1921-1992 (DE-588)11926529X gnd 1921-1992 Criticism and interpretation Ray, Satyajit / Criticism and interpretation Ray, Satyajit Fine Arts PERFORMING ARTS / Film & Video / Reference bisacsh PERFORMING ARTS / Film & Video / General bisacsh Film (DE-588)4017102-4 gnd |
| topic_facet | Ray, Satyajit / 1921-1992 Ray, Satyajit 1921-1992 Criticism and interpretation Ray, Satyajit 1921-1992 1921-1992 Criticism and interpretation Ray, Satyajit / Criticism and interpretation Ray, Satyajit Fine Arts PERFORMING ARTS / Film & Video / Reference PERFORMING ARTS / Film & Video / General Film Biografie |
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