Screening Shakespeare in the twenty-first century:
Gespeichert in:
Format: | Elektronisch E-Book |
---|---|
Sprache: | English |
Veröffentlicht: |
Edinburgh
Edinburgh University Press
c2006
|
Schlagworte: | |
Online-Zugang: | FAW01 FAW02 Volltext |
Beschreibung: | "Early versions of some of these chapters were given as papers at the Newcastle-upon-Tyne meeting of the British Shakespeare Association"--Acknowledgements. - Includes index. - Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 Cover -- COVER -- Contents -- Acknowledgements -- Introduction -- 1 8216;If I8217;m right8217;58; Michael Wood8217;s In Search of Shakespeare -- 2 8216;I see my father8217; in 8216;my mind8217;s eye8217;58; Surveillance and the Filmic Hamlet -- 3 Backstage Pass40;ing41;58; Stage Beauty44; Othello and the Make45;up of Race -- 4 The Postnostalgic Renaissance58; The 8216;Place8217; of Liverpool in Don Boyd8217;s My Kingdom -- 5 Our Shakespeares58; British Television and the Strains of Multiculturalism -- 6 Looking for Shylock58; Stephen Greenblatt44; Michael Radford and Al Pacino -- 7 Speaking Maori Shakespeare58; The Maori Merchant of Venice and the Legacy of Colonisation -- 8 8216;Into a thousand parts divide one man8217;58; Dehumanised Metafiction and Fragmented Documentary in Peter Babakitis8217; Henry V -- 9 Screening the McShakespeare in Post45;Millennial Shakespeare Cinema -- 10 Shakespeare and the Singletons44; or44; Beatrice Meets Bridget Jones58; Post45;Feminism44; Popular Culture and 8216;Shakespea40;Re41;45;Told8217; -- Notes on Contributors -- Index -- Last Page This bold new collection offers an innovative discussion of Shakespeare on screen after the millennium. Cutting-edge, and fully up-to-date, it surveys the rich field of Bardic film representations, from Michael Almereyda's Hamlet to the BBC 'Shakespea(Re)-Told' season, from Michael Radford's The Merchant of Venice to Peter Babakitis' Henry V. In addition to offering in-depth analyses of all the major productions, Screening Shakespeare in the Twenty-First Century includes reflections upon the less well-known filmic 'Shakespeares', which encompass cinema advertisements, appropriations, post-colonial reinventions and mass media citations, and which move across and between genres and mediums |
Beschreibung: | 1 Online-Ressource (iv, 218 p.) |
ISBN: | 0748623507 0748630082 9780748623501 9780748630080 |
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500 | |a Cover -- COVER -- Contents -- Acknowledgements -- Introduction -- 1 8216;If I8217;m right8217;58; Michael Wood8217;s In Search of Shakespeare -- 2 8216;I see my father8217; in 8216;my mind8217;s eye8217;58; Surveillance and the Filmic Hamlet -- 3 Backstage Pass40;ing41;58; Stage Beauty44; Othello and the Make45;up of Race -- 4 The Postnostalgic Renaissance58; The 8216;Place8217; of Liverpool in Don Boyd8217;s My Kingdom -- 5 Our Shakespeares58; British Television and the Strains of Multiculturalism -- 6 Looking for Shylock58; Stephen Greenblatt44; Michael Radford and Al Pacino -- 7 Speaking Maori Shakespeare58; The Maori Merchant of Venice and the Legacy of Colonisation -- 8 8216;Into a thousand parts divide one man8217;58; Dehumanised Metafiction and Fragmented Documentary in Peter Babakitis8217; Henry V -- 9 Screening the McShakespeare in Post45;Millennial Shakespeare Cinema -- 10 Shakespeare and the Singletons44; or44; Beatrice Meets Bridget Jones58; Post45;Feminism44; Popular Culture and 8216;Shakespea40;Re41;45;Told8217; -- Notes on Contributors -- Index -- Last Page | ||
500 | |a This bold new collection offers an innovative discussion of Shakespeare on screen after the millennium. Cutting-edge, and fully up-to-date, it surveys the rich field of Bardic film representations, from Michael Almereyda's Hamlet to the BBC 'Shakespea(Re)-Told' season, from Michael Radford's The Merchant of Venice to Peter Babakitis' Henry V. In addition to offering in-depth analyses of all the major productions, Screening Shakespeare in the Twenty-First Century includes reflections upon the less well-known filmic 'Shakespeares', which encompass cinema advertisements, appropriations, post-colonial reinventions and mass media citations, and which move across and between genres and mediums | ||
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Datensatz im Suchindex
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collection | ZDB-4-EBA |
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dewey-sort | 3822.3 13 |
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era | Geschichte 2000-2005 gnd |
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format | Electronic eBook |
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spelling | Screening Shakespeare in the twenty-first century edited by Mark Thornton Burnett and Ramona Wray Edinburgh Edinburgh University Press c2006 1 Online-Ressource (iv, 218 p.) txt rdacontent c rdamedia cr rdacarrier "Early versions of some of these chapters were given as papers at the Newcastle-upon-Tyne meeting of the British Shakespeare Association"--Acknowledgements. - Includes index. - Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 Cover -- COVER -- Contents -- Acknowledgements -- Introduction -- 1 8216;If I8217;m right8217;58; Michael Wood8217;s In Search of Shakespeare -- 2 8216;I see my father8217; in 8216;my mind8217;s eye8217;58; Surveillance and the Filmic Hamlet -- 3 Backstage Pass40;ing41;58; Stage Beauty44; Othello and the Make45;up of Race -- 4 The Postnostalgic Renaissance58; The 8216;Place8217; of Liverpool in Don Boyd8217;s My Kingdom -- 5 Our Shakespeares58; British Television and the Strains of Multiculturalism -- 6 Looking for Shylock58; Stephen Greenblatt44; Michael Radford and Al Pacino -- 7 Speaking Maori Shakespeare58; The Maori Merchant of Venice and the Legacy of Colonisation -- 8 8216;Into a thousand parts divide one man8217;58; Dehumanised Metafiction and Fragmented Documentary in Peter Babakitis8217; Henry V -- 9 Screening the McShakespeare in Post45;Millennial Shakespeare Cinema -- 10 Shakespeare and the Singletons44; or44; Beatrice Meets Bridget Jones58; Post45;Feminism44; Popular Culture and 8216;Shakespea40;Re41;45;Told8217; -- Notes on Contributors -- Index -- Last Page This bold new collection offers an innovative discussion of Shakespeare on screen after the millennium. Cutting-edge, and fully up-to-date, it surveys the rich field of Bardic film representations, from Michael Almereyda's Hamlet to the BBC 'Shakespea(Re)-Told' season, from Michael Radford's The Merchant of Venice to Peter Babakitis' Henry V. In addition to offering in-depth analyses of all the major productions, Screening Shakespeare in the Twenty-First Century includes reflections upon the less well-known filmic 'Shakespeares', which encompass cinema advertisements, appropriations, post-colonial reinventions and mass media citations, and which move across and between genres and mediums Shakespeare, William / 1564-1616 / Film adaptations / Congresses Shakespeare, William 1564-1616 Film adaptations Congresses Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Geschichte 2000-2005 gnd rswk-swf LITERARY CRITICISM / Shakespeare bisacsh DRAMA / Shakespeare bisacsh English drama Film adaptations Congresses Film adaptations History and criticism Congresses Film (DE-588)4017102-4 gnd rswk-swf (DE-588)1071861417 Konferenzschrift gnd-content Shakespeare, William 1564-1616 (DE-588)118613723 p Film (DE-588)4017102-4 s Geschichte 2000-2005 z 1\p DE-604 Burnett, Mark Thornton Sonstige oth Wray, Ramona Sonstige oth Erscheint auch als Druck-Ausgabe, Paperback 0-7486-2351-5 Erscheint auch als Druck-Ausgabe, Paperback 978-0-7486-2351-8 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=175462 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Screening Shakespeare in the twenty-first century Shakespeare, William / 1564-1616 / Film adaptations / Congresses Shakespeare, William 1564-1616 Film adaptations Congresses Shakespeare, William 1564-1616 (DE-588)118613723 gnd LITERARY CRITICISM / Shakespeare bisacsh DRAMA / Shakespeare bisacsh English drama Film adaptations Congresses Film adaptations History and criticism Congresses Film (DE-588)4017102-4 gnd |
subject_GND | (DE-588)118613723 (DE-588)4017102-4 (DE-588)1071861417 |
title | Screening Shakespeare in the twenty-first century |
title_auth | Screening Shakespeare in the twenty-first century |
title_exact_search | Screening Shakespeare in the twenty-first century |
title_full | Screening Shakespeare in the twenty-first century edited by Mark Thornton Burnett and Ramona Wray |
title_fullStr | Screening Shakespeare in the twenty-first century edited by Mark Thornton Burnett and Ramona Wray |
title_full_unstemmed | Screening Shakespeare in the twenty-first century edited by Mark Thornton Burnett and Ramona Wray |
title_short | Screening Shakespeare in the twenty-first century |
title_sort | screening shakespeare in the twenty first century |
topic | Shakespeare, William / 1564-1616 / Film adaptations / Congresses Shakespeare, William 1564-1616 Film adaptations Congresses Shakespeare, William 1564-1616 (DE-588)118613723 gnd LITERARY CRITICISM / Shakespeare bisacsh DRAMA / Shakespeare bisacsh English drama Film adaptations Congresses Film adaptations History and criticism Congresses Film (DE-588)4017102-4 gnd |
topic_facet | Shakespeare, William / 1564-1616 / Film adaptations / Congresses Shakespeare, William 1564-1616 Film adaptations Congresses Shakespeare, William 1564-1616 LITERARY CRITICISM / Shakespeare DRAMA / Shakespeare English drama Film adaptations Congresses Film adaptations History and criticism Congresses Film Konferenzschrift |
url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=175462 |
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