Dark energy: Hitchcock's absolute camera and the physics of cinematic spacetime
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
Bloomsbury
2013
|
| Schlagworte: | |
| Online-Zugang: | UBT01 URL des Erstveröffentlichers Volltext |
| Beschreibung: | Includes bibliographical references (p.163-167) and index Introduction: searching for light in the darkness -- In search of light and enlightenment -- Hitchcock's "absolute camera" -- Rear window: the apotheosis of the absolute camera -- Two princes of dark energy -- Psycho: a new paradigm -- The quantum universe of Vertigo -- The physicists speak -- Epilogue "Alfred Hitchcock and the cinema grew up together. Born in 1899, four years after the first 'official' film showing in Paris, Hitchcock demonstrated an early fascination with the new art of the cinema. He entered the film industry in 1920, and by 1925, he had directed his first feature-length film, The Pleasure Garden. His subsequent film career paralleled the phenomenal growth of the film industry during the years 1925-1976, the year of his last film. In the same way, Hitchcock's films are consonant with the revolutionary theories in the fields of physics and cosmology that were transforming the twentieth century, personified by the genius of Albert Einstein. Philip Skerry's book applies the theories of dark energy, entropy, black holes, and quantum mechanics to Hitchcock's technological genius and camera aesthetics, helping to explain the concept of 'pure cinema' and providing verification for its remarkable power. Including interviews with influential physicists, this study opens up new ways of analyzing Hitchcock's art." -- Publisher's website |
| Beschreibung: | 1 Online-Ressource (xxii, 175 Seiten) |
| ISBN: | 9781628928631 9781623564216 |
| DOI: | 10.5040/9781628928631 |
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Datensatz im Suchindex
| _version_ | 1804175634002345984 |
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| any_adam_object | |
| author | Skerry, Philip J. |
| author_facet | Skerry, Philip J. |
| author_role | aut |
| author_sort | Skerry, Philip J. |
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| dewey-raw | 791.4302/33092 |
| dewey-search | 791.4302/33092 |
| dewey-sort | 3791.4302 533092 |
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| discipline | Allgemeines |
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| indexdate | 2024-07-10T07:19:24Z |
| institution | BVB |
| isbn | 9781628928631 9781623564216 |
| language | English |
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| spelling | Skerry, Philip J. Verfasser aut Dark energy Hitchcock's absolute camera and the physics of cinematic spacetime Philip J. Skerry New York Bloomsbury 2013 1 Online-Ressource (xxii, 175 Seiten) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references (p.163-167) and index Introduction: searching for light in the darkness -- In search of light and enlightenment -- Hitchcock's "absolute camera" -- Rear window: the apotheosis of the absolute camera -- Two princes of dark energy -- Psycho: a new paradigm -- The quantum universe of Vertigo -- The physicists speak -- Epilogue "Alfred Hitchcock and the cinema grew up together. Born in 1899, four years after the first 'official' film showing in Paris, Hitchcock demonstrated an early fascination with the new art of the cinema. He entered the film industry in 1920, and by 1925, he had directed his first feature-length film, The Pleasure Garden. His subsequent film career paralleled the phenomenal growth of the film industry during the years 1925-1976, the year of his last film. In the same way, Hitchcock's films are consonant with the revolutionary theories in the fields of physics and cosmology that were transforming the twentieth century, personified by the genius of Albert Einstein. Philip Skerry's book applies the theories of dark energy, entropy, black holes, and quantum mechanics to Hitchcock's technological genius and camera aesthetics, helping to explain the concept of 'pure cinema' and providing verification for its remarkable power. Including interviews with influential physicists, this study opens up new ways of analyzing Hitchcock's art." -- Publisher's website Hitchcock, Alfred / 1899-1980 fast Hitchcock, Alfred 1899-1980 Criticism and interpretation Hitchcock, Alfred 1899-1980 (DE-588)118551647 gnd rswk-swf PERFORMING ARTS / Film & Video / Direction & Production bisacsh Cinematography fast Cinematography Film (DE-588)4017102-4 gnd rswk-swf Kameraarbeit (DE-588)4536859-4 gnd rswk-swf Physik (DE-588)4045956-1 gnd rswk-swf Hitchcock, Alfred 1899-1980 (DE-588)118551647 p Film (DE-588)4017102-4 s Kameraarbeit (DE-588)4536859-4 s Physik (DE-588)4045956-1 s DE-604 Erscheint auch als Druck-Ausgabe, Festeinband 978-1-4411-8401-6 Erscheint auch als Druck-Ausgabe, Broschur 978-1-4411-8945-5 https://doi.org/10.5040/9781628928631 Verlag URL des Erstveröffentlichers Volltext http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=602501 Aggregator Volltext |
| spellingShingle | Skerry, Philip J. Dark energy Hitchcock's absolute camera and the physics of cinematic spacetime Hitchcock, Alfred / 1899-1980 fast Hitchcock, Alfred 1899-1980 Criticism and interpretation Hitchcock, Alfred 1899-1980 (DE-588)118551647 gnd PERFORMING ARTS / Film & Video / Direction & Production bisacsh Cinematography fast Cinematography Film (DE-588)4017102-4 gnd Kameraarbeit (DE-588)4536859-4 gnd Physik (DE-588)4045956-1 gnd |
| subject_GND | (DE-588)118551647 (DE-588)4017102-4 (DE-588)4536859-4 (DE-588)4045956-1 |
| title | Dark energy Hitchcock's absolute camera and the physics of cinematic spacetime |
| title_auth | Dark energy Hitchcock's absolute camera and the physics of cinematic spacetime |
| title_exact_search | Dark energy Hitchcock's absolute camera and the physics of cinematic spacetime |
| title_full | Dark energy Hitchcock's absolute camera and the physics of cinematic spacetime Philip J. Skerry |
| title_fullStr | Dark energy Hitchcock's absolute camera and the physics of cinematic spacetime Philip J. Skerry |
| title_full_unstemmed | Dark energy Hitchcock's absolute camera and the physics of cinematic spacetime Philip J. Skerry |
| title_short | Dark energy |
| title_sort | dark energy hitchcock s absolute camera and the physics of cinematic spacetime |
| title_sub | Hitchcock's absolute camera and the physics of cinematic spacetime |
| topic | Hitchcock, Alfred / 1899-1980 fast Hitchcock, Alfred 1899-1980 Criticism and interpretation Hitchcock, Alfred 1899-1980 (DE-588)118551647 gnd PERFORMING ARTS / Film & Video / Direction & Production bisacsh Cinematography fast Cinematography Film (DE-588)4017102-4 gnd Kameraarbeit (DE-588)4536859-4 gnd Physik (DE-588)4045956-1 gnd |
| topic_facet | Hitchcock, Alfred / 1899-1980 Hitchcock, Alfred 1899-1980 Criticism and interpretation Hitchcock, Alfred 1899-1980 PERFORMING ARTS / Film & Video / Direction & Production Cinematography Film Kameraarbeit Physik |
| url | https://doi.org/10.5040/9781628928631 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=602501 |
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