How did poetry survive?: the making of modern American verse
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Urbana
University of Illinois Press
c2012
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Includes bibliographical references (p. [303]-326) and index Introduction. A modernism of the city -- Part I: Inventing the new verse. American poetry on the brink, 1905-1912 ; Poetry's opening door : Harriet Monroe and American modernism ; Young, blithe, and whimsical : the avant-gardism of the masses ; There is always others : experimental verse and "ulterior social result" ; Volunteers of America, 1917 : the seven arts and the Great War -- Part II: Keys to the city. Gutter and skyline : the new verse and the metropolitan cityscape ; Footprints of the 20th century : American skyscrapers, modern poems ; Subway fare : toward a poetics of rapid transit How Did Poetry Survive? traces the emergence of modern American poetry at the turn of the nineteenth century. American poetry had stalled: a small group of recently deceased New England poets still held sway, and few outlets existed for living poets. However, the United States' quickly accelerating urbanization in the early twentieth century opened new opportunities, as it allowed the rise of publications focused on promoting the work of living writers of all kinds. The urban scene also influenced the work of poets, shifting away from traditional subjects and forms to reflect the rise of buildings and the increasingly busy bustle of the city. Change was everywhere: new forms of architecture and transportation, new immigrants, new professions, new tastes, new worries. This urbanized world called for a new poetry, and a group of new magazines entirely or chiefly devoted to exploring modern themes and forms led the way. Avant-garde "little magazines" succeeded not by ignoring or rejecting the busy commercial world that surrounded them, but by adapting its technologies of production and strategies of marketing for their own purposes |
| Beschreibung: | 1 Online-Ressource (xi, 338 p.) |
| ISBN: | 0252036794 0252093909 1283993546 9780252036798 9780252093906 9781283993548 |
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| 500 | |a Includes bibliographical references (p. [303]-326) and index | ||
| 500 | |a Introduction. A modernism of the city -- Part I: Inventing the new verse. American poetry on the brink, 1905-1912 ; Poetry's opening door : Harriet Monroe and American modernism ; Young, blithe, and whimsical : the avant-gardism of the masses ; There is always others : experimental verse and "ulterior social result" ; Volunteers of America, 1917 : the seven arts and the Great War -- Part II: Keys to the city. Gutter and skyline : the new verse and the metropolitan cityscape ; Footprints of the 20th century : American skyscrapers, modern poems ; Subway fare : toward a poetics of rapid transit | ||
| 500 | |a How Did Poetry Survive? traces the emergence of modern American poetry at the turn of the nineteenth century. American poetry had stalled: a small group of recently deceased New England poets still held sway, and few outlets existed for living poets. However, the United States' quickly accelerating urbanization in the early twentieth century opened new opportunities, as it allowed the rise of publications focused on promoting the work of living writers of all kinds. The urban scene also influenced the work of poets, shifting away from traditional subjects and forms to reflect the rise of buildings and the increasingly busy bustle of the city. Change was everywhere: new forms of architecture and transportation, new immigrants, new professions, new tastes, new worries. This urbanized world called for a new poetry, and a group of new magazines entirely or chiefly devoted to exploring modern themes and forms led the way. Avant-garde "little magazines" succeeded not by ignoring or rejecting the busy commercial world that surrounded them, but by adapting its technologies of production and strategies of marketing for their own purposes | ||
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| 650 | 4 | |a Poets, American |y 20th century |x Psychology | |
| 650 | 4 | |a Social change in literature | |
| 650 | 4 | |a Social conflict in literature | |
| 650 | 4 | |a City and town life in literature | |
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Datensatz im Suchindex
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| author | Newcomb, John Timberman |
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| author_variant | j t n jt jtn |
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| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 811 - American poetry in English |
| dewey-raw | 811/.5209 |
| dewey-search | 811/.5209 |
| dewey-sort | 3811 45209 |
| dewey-tens | 810 - American literature in English |
| discipline | Anglistik / Amerikanistik |
| era | Geschichte 1900-2000 Geschichte 1900-1920 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1900-1920 |
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| spelling | Newcomb, John Timberman Verfasser aut How did poetry survive? the making of modern American verse John Timberman Newcomb Making of modern American verse Urbana University of Illinois Press c2012 1 Online-Ressource (xi, 338 p.) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references (p. [303]-326) and index Introduction. A modernism of the city -- Part I: Inventing the new verse. American poetry on the brink, 1905-1912 ; Poetry's opening door : Harriet Monroe and American modernism ; Young, blithe, and whimsical : the avant-gardism of the masses ; There is always others : experimental verse and "ulterior social result" ; Volunteers of America, 1917 : the seven arts and the Great War -- Part II: Keys to the city. Gutter and skyline : the new verse and the metropolitan cityscape ; Footprints of the 20th century : American skyscrapers, modern poems ; Subway fare : toward a poetics of rapid transit How Did Poetry Survive? traces the emergence of modern American poetry at the turn of the nineteenth century. American poetry had stalled: a small group of recently deceased New England poets still held sway, and few outlets existed for living poets. However, the United States' quickly accelerating urbanization in the early twentieth century opened new opportunities, as it allowed the rise of publications focused on promoting the work of living writers of all kinds. The urban scene also influenced the work of poets, shifting away from traditional subjects and forms to reflect the rise of buildings and the increasingly busy bustle of the city. Change was everywhere: new forms of architecture and transportation, new immigrants, new professions, new tastes, new worries. This urbanized world called for a new poetry, and a group of new magazines entirely or chiefly devoted to exploring modern themes and forms led the way. Avant-garde "little magazines" succeeded not by ignoring or rejecting the busy commercial world that surrounded them, but by adapting its technologies of production and strategies of marketing for their own purposes Geschichte 1900-2000 Geschichte 1900-1920 gnd rswk-swf POETRY / American / General bisacsh LITERARY CRITICISM / American / General bisacsh Psychologie American poetry 20th century History and criticism Modernism (Literature) United States Poetry Authorship Psychological aspects Poets, American 20th century Psychology Social change in literature Social conflict in literature City and town life in literature Technology in literature Lyrik (DE-588)4036774-5 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Lyrik (DE-588)4036774-5 s Geschichte 1900-1920 z 1\p DE-604 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=569549 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Newcomb, John Timberman How did poetry survive? the making of modern American verse POETRY / American / General bisacsh LITERARY CRITICISM / American / General bisacsh Psychologie American poetry 20th century History and criticism Modernism (Literature) United States Poetry Authorship Psychological aspects Poets, American 20th century Psychology Social change in literature Social conflict in literature City and town life in literature Technology in literature Lyrik (DE-588)4036774-5 gnd |
| subject_GND | (DE-588)4036774-5 (DE-588)4078704-7 |
| title | How did poetry survive? the making of modern American verse |
| title_alt | Making of modern American verse |
| title_auth | How did poetry survive? the making of modern American verse |
| title_exact_search | How did poetry survive? the making of modern American verse |
| title_full | How did poetry survive? the making of modern American verse John Timberman Newcomb |
| title_fullStr | How did poetry survive? the making of modern American verse John Timberman Newcomb |
| title_full_unstemmed | How did poetry survive? the making of modern American verse John Timberman Newcomb |
| title_short | How did poetry survive? |
| title_sort | how did poetry survive the making of modern american verse |
| title_sub | the making of modern American verse |
| topic | POETRY / American / General bisacsh LITERARY CRITICISM / American / General bisacsh Psychologie American poetry 20th century History and criticism Modernism (Literature) United States Poetry Authorship Psychological aspects Poets, American 20th century Psychology Social change in literature Social conflict in literature City and town life in literature Technology in literature Lyrik (DE-588)4036774-5 gnd |
| topic_facet | POETRY / American / General LITERARY CRITICISM / American / General Psychologie American poetry 20th century History and criticism Modernism (Literature) United States Poetry Authorship Psychological aspects Poets, American 20th century Psychology Social change in literature Social conflict in literature City and town life in literature Technology in literature Lyrik USA |
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