Harm:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Berkeley
University of California Press
2007
|
| Schriftenreihe: | New California poetry
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Part I; what little fountains we are; (Only Life . . .); Craftiquel Row (Side-Song); Permission To Die; With Slight Matter (Currents); Part II; How To Read " Harm" (This Book); Continental Blue; And Being Imaginable; Deliciae, Solaciolum; -- less; Shingle Mirror, Average Bark; Shadows (Numbers) Tell It (To The Executioner); Board Of Rites; Dial " O"; Curved Glide Of Glazed Ambiguity; Heart Like A Drum; Immediately Thinking; Part III; Old Hours; Bear And Policeman II: " Fairest, Lord Jesus"; The Iliad And The Odyssey; Dark Drop Hook; Process Arquero; Candied Mai'nhood; Part IV. EnduresCarmellathons; But They Know; Why To Talk, What To Say; Stranded Voice/Deliciae; Parking Timbre; Cutting White Boxes; Butterfly Steak; Part V; (Crinkled); Not Ever = Not Now; Ideas (Denuded); The Calm Repairs; (Invendavel); To Skystars, To Churchmouse; Is There Anything Nugget Can Do?; Ed Palestrina; Where They'll Bury Me; Seven Pebbles; -- less; Acknowledgments This debut volume establishes Steve Willard as a true original, an artist whose kinetic sense of wordplay is deft, smart, and unfailingly provocative. Intended to be read in repeated passes, these poems are Cubist in feel, multifaceted in syntax, and brilliant in coloration. By turns disjunctive, narrative, plaintive, and disruptive, Harm. makes use of a wide formal range in reaching toward its ambition, which is nothing short of reclaiming lost human potentiality from current norms. Syntax flexes and the world is refigured, observed as if through a different camera's open aperture, drawing th |
| Beschreibung: | 1 Online-Ressource (77 pages) |
| ISBN: | 0520940237 9780520940239 |
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| 500 | |a Part I; what little fountains we are; (Only Life . . .); Craftiquel Row (Side-Song); Permission To Die; With Slight Matter (Currents); Part II; How To Read " Harm" (This Book); Continental Blue; And Being Imaginable; Deliciae, Solaciolum; -- less; Shingle Mirror, Average Bark; Shadows (Numbers) Tell It (To The Executioner); Board Of Rites; Dial " O"; Curved Glide Of Glazed Ambiguity; Heart Like A Drum; Immediately Thinking; Part III; Old Hours; Bear And Policeman II: " Fairest, Lord Jesus"; The Iliad And The Odyssey; Dark Drop Hook; Process Arquero; Candied Mai'nhood; Part IV. | ||
| 500 | |a EnduresCarmellathons; But They Know; Why To Talk, What To Say; Stranded Voice/Deliciae; Parking Timbre; Cutting White Boxes; Butterfly Steak; Part V; (Crinkled); Not Ever = Not Now; Ideas (Denuded); The Calm Repairs; (Invendavel); To Skystars, To Churchmouse; Is There Anything Nugget Can Do?; Ed Palestrina; Where They'll Bury Me; Seven Pebbles; -- less; Acknowledgments | ||
| 500 | |a This debut volume establishes Steve Willard as a true original, an artist whose kinetic sense of wordplay is deft, smart, and unfailingly provocative. Intended to be read in repeated passes, these poems are Cubist in feel, multifaceted in syntax, and brilliant in coloration. By turns disjunctive, narrative, plaintive, and disruptive, Harm. makes use of a wide formal range in reaching toward its ambition, which is nothing short of reclaiming lost human potentiality from current norms. Syntax flexes and the world is refigured, observed as if through a different camera's open aperture, drawing th | ||
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Datensatz im Suchindex
| _version_ | 1804175632086597632 |
|---|---|
| any_adam_object | |
| author | Willard, Steve |
| author_facet | Willard, Steve |
| author_role | aut |
| author_sort | Willard, Steve |
| author_variant | s w sw |
| building | Verbundindex |
| bvnumber | BV043161415 |
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| ctrlnum | (OCoLC)794663682 (DE-599)BVBBV043161415 |
| dewey-full | 811.6 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 811 - American poetry in English |
| dewey-raw | 811.6 |
| dewey-search | 811.6 |
| dewey-sort | 3811.6 |
| dewey-tens | 810 - American literature in English |
| discipline | Anglistik / Amerikanistik |
| format | Electronic eBook |
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| id | DE-604.BV043161415 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:19:22Z |
| institution | BVB |
| isbn | 0520940237 9780520940239 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028585606 |
| oclc_num | 794663682 |
| open_access_boolean | |
| owner | DE-1046 DE-1047 |
| owner_facet | DE-1046 DE-1047 |
| physical | 1 Online-Ressource (77 pages) |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | University of California Press |
| record_format | marc |
| series2 | New California poetry |
| spelling | Willard, Steve Verfasser aut Harm Berkeley University of California Press 2007 1 Online-Ressource (77 pages) txt rdacontent c rdamedia cr rdacarrier New California poetry Part I; what little fountains we are; (Only Life . . .); Craftiquel Row (Side-Song); Permission To Die; With Slight Matter (Currents); Part II; How To Read " Harm" (This Book); Continental Blue; And Being Imaginable; Deliciae, Solaciolum; -- less; Shingle Mirror, Average Bark; Shadows (Numbers) Tell It (To The Executioner); Board Of Rites; Dial " O"; Curved Glide Of Glazed Ambiguity; Heart Like A Drum; Immediately Thinking; Part III; Old Hours; Bear And Policeman II: " Fairest, Lord Jesus"; The Iliad And The Odyssey; Dark Drop Hook; Process Arquero; Candied Mai'nhood; Part IV. EnduresCarmellathons; But They Know; Why To Talk, What To Say; Stranded Voice/Deliciae; Parking Timbre; Cutting White Boxes; Butterfly Steak; Part V; (Crinkled); Not Ever = Not Now; Ideas (Denuded); The Calm Repairs; (Invendavel); To Skystars, To Churchmouse; Is There Anything Nugget Can Do?; Ed Palestrina; Where They'll Bury Me; Seven Pebbles; -- less; Acknowledgments This debut volume establishes Steve Willard as a true original, an artist whose kinetic sense of wordplay is deft, smart, and unfailingly provocative. Intended to be read in repeated passes, these poems are Cubist in feel, multifaceted in syntax, and brilliant in coloration. By turns disjunctive, narrative, plaintive, and disruptive, Harm. makes use of a wide formal range in reaching toward its ambition, which is nothing short of reclaiming lost human potentiality from current norms. Syntax flexes and the world is refigured, observed as if through a different camera's open aperture, drawing th Nature / Poetry Poems Poetry Literature POETRY / American / General bisacsh POETRY / General bisacsh Nature fast Literatur Nature Poetry http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=306122 Aggregator Volltext |
| spellingShingle | Willard, Steve Harm Nature / Poetry Poems Poetry Literature POETRY / American / General bisacsh POETRY / General bisacsh Nature fast Literatur Nature Poetry |
| title | Harm |
| title_auth | Harm |
| title_exact_search | Harm |
| title_full | Harm |
| title_fullStr | Harm |
| title_full_unstemmed | Harm |
| title_short | Harm |
| title_sort | harm |
| topic | Nature / Poetry Poems Poetry Literature POETRY / American / General bisacsh POETRY / General bisacsh Nature fast Literatur Nature Poetry |
| topic_facet | Nature / Poetry Poems Poetry Literature POETRY / American / General POETRY / General Nature Literatur Nature Poetry |
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