The horror film:
Gespeichert in:
Format: | Elektronisch E-Book |
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Sprache: | English |
Veröffentlicht: |
New Brunswick, N.J.
Rutgers University Press
©2004
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Schriftenreihe: | Rutgers depth of field series
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Schlagworte: | |
Online-Zugang: | FAW01 FAW02 Volltext |
Beschreibung: | Includes bibliographical references and index Introduction: The Dark Genre and Its Paradoxes; The Silent and Classical Hollywood Eras; Shadow-Souls and Strange Adventures: Horror and the Supernatural in European Silent Film; Before Sound: Universal, Silent Cinema, and the Last of the Horror-Spectaculars; Children of the Night; The Horrors of War; The Modern Era; Postmodern Elements of the Contemporary Horror Film; Dread, Taboo, and The Thing: Toward a Social Theory of the Horror Film; Toward an Aesthetics of Cinematic Horror; Scraping Bottom: Splatter and the Herschell Gordon Lewis Oeuvre; Mondo Horror: Carnivalizing the Taboo In this volume, Stephen Prince has collected essays reviewing the history of the horror film and the psychological reasons for its persistent appeal, as well as discussions of the developmental responses of young adult viewers and children to the genre. The book focuses on recent postmodern examples such as The Blair Witch Project. In a daring move, the volume also examines Holocaust films in relation to horror. Part One features essays on the silent and classical Hollywood eras. Part Two covers the postWorld War II era and discusses the historical, aesthetic, and psychological charact |
Beschreibung: | 1 Online-Ressource (vi, 272 pages) |
ISBN: | 0813533635 081354257X 9780813533636 9780813542577 |
Internformat
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500 | |a In this volume, Stephen Prince has collected essays reviewing the history of the horror film and the psychological reasons for its persistent appeal, as well as discussions of the developmental responses of young adult viewers and children to the genre. The book focuses on recent postmodern examples such as The Blair Witch Project. In a daring move, the volume also examines Holocaust films in relation to horror. Part One features essays on the silent and classical Hollywood eras. Part Two covers the postWorld War II era and discusses the historical, aesthetic, and psychological charact | ||
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Datensatz im Suchindex
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dewey-ones | 791 - Public performances |
dewey-raw | 791.43/6164 |
dewey-search | 791.43/6164 |
dewey-sort | 3791.43 46164 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
format | Electronic eBook |
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isbn | 0813533635 081354257X 9780813533636 9780813542577 |
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spelling | The horror film edited and with an introduction by Stephen Prince New Brunswick, N.J. Rutgers University Press ©2004 1 Online-Ressource (vi, 272 pages) txt rdacontent c rdamedia cr rdacarrier Rutgers depth of field series Includes bibliographical references and index Introduction: The Dark Genre and Its Paradoxes; The Silent and Classical Hollywood Eras; Shadow-Souls and Strange Adventures: Horror and the Supernatural in European Silent Film; Before Sound: Universal, Silent Cinema, and the Last of the Horror-Spectaculars; Children of the Night; The Horrors of War; The Modern Era; Postmodern Elements of the Contemporary Horror Film; Dread, Taboo, and The Thing: Toward a Social Theory of the Horror Film; Toward an Aesthetics of Cinematic Horror; Scraping Bottom: Splatter and the Herschell Gordon Lewis Oeuvre; Mondo Horror: Carnivalizing the Taboo In this volume, Stephen Prince has collected essays reviewing the history of the horror film and the psychological reasons for its persistent appeal, as well as discussions of the developmental responses of young adult viewers and children to the genre. The book focuses on recent postmodern examples such as The Blair Witch Project. In a daring move, the volume also examines Holocaust films in relation to horror. Part One features essays on the silent and classical Hollywood eras. Part Two covers the postWorld War II era and discusses the historical, aesthetic, and psychological charact ART / Film & Video bisacsh PERFORMING ARTS / Film & Video / Reference bisacsh Horror films fast Horror films History and criticism Horrorfilm (DE-588)4127415-5 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Horrorfilm (DE-588)4127415-5 s 2\p DE-604 Prince, Stephen Sonstige oth Erscheint auch als Druckausgabe 0-8135-3362-7 Erscheint auch als Druckausgabe 978-0-8135-3362-9 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=470685 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | The horror film ART / Film & Video bisacsh PERFORMING ARTS / Film & Video / Reference bisacsh Horror films fast Horror films History and criticism Horrorfilm (DE-588)4127415-5 gnd |
subject_GND | (DE-588)4127415-5 (DE-588)4143413-4 |
title | The horror film |
title_auth | The horror film |
title_exact_search | The horror film |
title_full | The horror film edited and with an introduction by Stephen Prince |
title_fullStr | The horror film edited and with an introduction by Stephen Prince |
title_full_unstemmed | The horror film edited and with an introduction by Stephen Prince |
title_short | The horror film |
title_sort | the horror film |
topic | ART / Film & Video bisacsh PERFORMING ARTS / Film & Video / Reference bisacsh Horror films fast Horror films History and criticism Horrorfilm (DE-588)4127415-5 gnd |
topic_facet | ART / Film & Video PERFORMING ARTS / Film & Video / Reference Horror films Horror films History and criticism Horrorfilm Aufsatzsammlung |
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