Carl Theodor Dreyer's Gertrud: the moving word
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Seattle
University of Washington Press
©2008
|
Schlagworte: | |
Online-Zugang: | FAW01 FAW02 Volltext |
Beschreibung: | "A McLellan book." Why a book about Gertrud? -- If Gertrud is such a great failure, how is it so great? -- What does the "real" have to do with Gertrud's "talkiness"? -- Why was Dreyer so fascinated with the "real" Gertrud? -- Why can't images and words (and men and women) stay married in Gertrud? -- Why are Dreyer's images, when they "quote," so obscene? -- So what, after all, is the tapestry quoting? -- Is Gertrud an ekphrastic film? -- At last, here's Dreyer's probable source-but does it matter that we found it? -- Is Dreyer quoting Botticelli? -- What is Dreyer teaching us about the history of perspective, and how is Gertrud so interesting a contributor to this topic? -- What does perspective have to do with free will? -- How is Gertrud a kind of remake of The Passion of Joan of Arc? -- How did the Virgin Mary really get pregnant (and is that why Gertrud is childless)? -- Why are Joan and Gertrud so "hysterical"? -- How does the struggle between Dreyer's words and images open us up to the real? Includes bibliographical references (pages 105-109) and index |
Beschreibung: | 1 Online-Ressource (x, 117 pages) |
ISBN: | 0295801484 9780295801483 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV043156867 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | cr|uuu---uuuuu | ||
008 | 151126s2008 |||| o||u| ||||||eng d | ||
020 | |a 0295801484 |c electronic bk. |9 0-295-80148-4 | ||
020 | |a 9780295801483 |c electronic bk. |9 978-0-295-80148-3 | ||
035 | |a (OCoLC)741928337 | ||
035 | |a (DE-599)BVBBV043156867 | ||
040 | |a DE-604 |b ger |e aacr | ||
041 | 0 | |a eng | |
049 | |a DE-1046 |a DE-1047 | ||
082 | 0 | |a 791.43/75 |2 22 | |
100 | 1 | |a Schamus, James |e Verfasser |4 aut | |
245 | 1 | 0 | |a Carl Theodor Dreyer's Gertrud |b the moving word |c James Schamus |
264 | 1 | |a Seattle |b University of Washington Press |c ©2008 | |
300 | |a 1 Online-Ressource (x, 117 pages) | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
500 | |a "A McLellan book." | ||
500 | |a Why a book about Gertrud? -- If Gertrud is such a great failure, how is it so great? -- What does the "real" have to do with Gertrud's "talkiness"? -- Why was Dreyer so fascinated with the "real" Gertrud? -- Why can't images and words (and men and women) stay married in Gertrud? -- Why are Dreyer's images, when they "quote," so obscene? -- So what, after all, is the tapestry quoting? -- Is Gertrud an ekphrastic film? -- At last, here's Dreyer's probable source-but does it matter that we found it? -- Is Dreyer quoting Botticelli? -- What is Dreyer teaching us about the history of perspective, and how is Gertrud so interesting a contributor to this topic? -- What does perspective have to do with free will? -- How is Gertrud a kind of remake of The Passion of Joan of Arc? -- How did the Virgin Mary really get pregnant (and is that why Gertrud is childless)? -- Why are Joan and Gertrud so "hysterical"? -- How does the struggle between Dreyer's words and images open us up to the real? | ||
500 | |a Includes bibliographical references (pages 105-109) and index | ||
630 | 0 | 4 | |a Gertrud (Motion picture) |
630 | 0 | 7 | |a Gertrud |g Film, 1964 |0 (DE-588)4816718-6 |2 gnd |9 rswk-swf |
650 | 4 | |a Gertrud (Motion picture) | |
650 | 7 | |a PERFORMING ARTS / Film & Video / Guides & Reviews |2 bisacsh | |
650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism |2 bisacsh | |
650 | 7 | |a Gertrud (Motion picture) |2 fast | |
689 | 0 | 0 | |a Gertrud |g Film, 1964 |0 (DE-588)4816718-6 |D u |
689 | 0 | |8 1\p |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Paperback |z 0-295-98854-1 |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Paperback |z 978-0-295-98854-2 |
856 | 4 | 0 | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=411000 |x Aggregator |3 Volltext |
912 | |a ZDB-4-EBA | ||
999 | |a oai:aleph.bib-bvb.de:BVB01-028581058 | ||
883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=411000 |l FAW01 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=411000 |l FAW02 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext |
Datensatz im Suchindex
_version_ | 1804175622896877568 |
---|---|
any_adam_object | |
author | Schamus, James |
author_facet | Schamus, James |
author_role | aut |
author_sort | Schamus, James |
author_variant | j s js |
building | Verbundindex |
bvnumber | BV043156867 |
collection | ZDB-4-EBA |
ctrlnum | (OCoLC)741928337 (DE-599)BVBBV043156867 |
dewey-full | 791.43/75 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.43/75 |
dewey-search | 791.43/75 |
dewey-sort | 3791.43 275 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03149nmm a2200493zc 4500</leader><controlfield tag="001">BV043156867</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">151126s2008 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0295801484</subfield><subfield code="c">electronic bk.</subfield><subfield code="9">0-295-80148-4</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780295801483</subfield><subfield code="c">electronic bk.</subfield><subfield code="9">978-0-295-80148-3</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)741928337</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043156867</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-1047</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.43/75</subfield><subfield code="2">22</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Schamus, James</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Carl Theodor Dreyer's Gertrud</subfield><subfield code="b">the moving word</subfield><subfield code="c">James Schamus</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Seattle</subfield><subfield code="b">University of Washington Press</subfield><subfield code="c">©2008</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (x, 117 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">"A McLellan book."</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Why a book about Gertrud? -- If Gertrud is such a great failure, how is it so great? -- What does the "real" have to do with Gertrud's "talkiness"? -- Why was Dreyer so fascinated with the "real" Gertrud? -- Why can't images and words (and men and women) stay married in Gertrud? -- Why are Dreyer's images, when they "quote," so obscene? -- So what, after all, is the tapestry quoting? -- Is Gertrud an ekphrastic film? -- At last, here's Dreyer's probable source-but does it matter that we found it? -- Is Dreyer quoting Botticelli? -- What is Dreyer teaching us about the history of perspective, and how is Gertrud so interesting a contributor to this topic? -- What does perspective have to do with free will? -- How is Gertrud a kind of remake of The Passion of Joan of Arc? -- How did the Virgin Mary really get pregnant (and is that why Gertrud is childless)? -- Why are Joan and Gertrud so "hysterical"? -- How does the struggle between Dreyer's words and images open us up to the real?</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (pages 105-109) and index</subfield></datafield><datafield tag="630" ind1="0" ind2="4"><subfield code="a">Gertrud (Motion picture)</subfield></datafield><datafield tag="630" ind1="0" ind2="7"><subfield code="a">Gertrud</subfield><subfield code="g">Film, 1964</subfield><subfield code="0">(DE-588)4816718-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Gertrud (Motion picture)</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / Guides & Reviews</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / History & Criticism</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Gertrud (Motion picture)</subfield><subfield code="2">fast</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Gertrud</subfield><subfield code="g">Film, 1964</subfield><subfield code="0">(DE-588)4816718-6</subfield><subfield code="D">u</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Paperback</subfield><subfield code="z">0-295-98854-1</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Paperback</subfield><subfield code="z">978-0-295-98854-2</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=411000</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-028581058</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=411000</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=411000</subfield><subfield code="l">FAW02</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV043156867 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T07:19:13Z |
institution | BVB |
isbn | 0295801484 9780295801483 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028581058 |
oclc_num | 741928337 |
open_access_boolean | |
owner | DE-1046 DE-1047 |
owner_facet | DE-1046 DE-1047 |
physical | 1 Online-Ressource (x, 117 pages) |
psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
publishDate | 2008 |
publishDateSearch | 2008 |
publishDateSort | 2008 |
publisher | University of Washington Press |
record_format | marc |
spelling | Schamus, James Verfasser aut Carl Theodor Dreyer's Gertrud the moving word James Schamus Seattle University of Washington Press ©2008 1 Online-Ressource (x, 117 pages) txt rdacontent c rdamedia cr rdacarrier "A McLellan book." Why a book about Gertrud? -- If Gertrud is such a great failure, how is it so great? -- What does the "real" have to do with Gertrud's "talkiness"? -- Why was Dreyer so fascinated with the "real" Gertrud? -- Why can't images and words (and men and women) stay married in Gertrud? -- Why are Dreyer's images, when they "quote," so obscene? -- So what, after all, is the tapestry quoting? -- Is Gertrud an ekphrastic film? -- At last, here's Dreyer's probable source-but does it matter that we found it? -- Is Dreyer quoting Botticelli? -- What is Dreyer teaching us about the history of perspective, and how is Gertrud so interesting a contributor to this topic? -- What does perspective have to do with free will? -- How is Gertrud a kind of remake of The Passion of Joan of Arc? -- How did the Virgin Mary really get pregnant (and is that why Gertrud is childless)? -- Why are Joan and Gertrud so "hysterical"? -- How does the struggle between Dreyer's words and images open us up to the real? Includes bibliographical references (pages 105-109) and index Gertrud (Motion picture) Gertrud Film, 1964 (DE-588)4816718-6 gnd rswk-swf PERFORMING ARTS / Film & Video / Guides & Reviews bisacsh PERFORMING ARTS / Film & Video / History & Criticism bisacsh Gertrud (Motion picture) fast Gertrud Film, 1964 (DE-588)4816718-6 u 1\p DE-604 Erscheint auch als Druck-Ausgabe, Paperback 0-295-98854-1 Erscheint auch als Druck-Ausgabe, Paperback 978-0-295-98854-2 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=411000 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Schamus, James Carl Theodor Dreyer's Gertrud the moving word Gertrud (Motion picture) Gertrud Film, 1964 (DE-588)4816718-6 gnd PERFORMING ARTS / Film & Video / Guides & Reviews bisacsh PERFORMING ARTS / Film & Video / History & Criticism bisacsh Gertrud (Motion picture) fast |
subject_GND | (DE-588)4816718-6 |
title | Carl Theodor Dreyer's Gertrud the moving word |
title_auth | Carl Theodor Dreyer's Gertrud the moving word |
title_exact_search | Carl Theodor Dreyer's Gertrud the moving word |
title_full | Carl Theodor Dreyer's Gertrud the moving word James Schamus |
title_fullStr | Carl Theodor Dreyer's Gertrud the moving word James Schamus |
title_full_unstemmed | Carl Theodor Dreyer's Gertrud the moving word James Schamus |
title_short | Carl Theodor Dreyer's Gertrud |
title_sort | carl theodor dreyer s gertrud the moving word |
title_sub | the moving word |
topic | Gertrud (Motion picture) Gertrud Film, 1964 (DE-588)4816718-6 gnd PERFORMING ARTS / Film & Video / Guides & Reviews bisacsh PERFORMING ARTS / Film & Video / History & Criticism bisacsh Gertrud (Motion picture) fast |
topic_facet | Gertrud (Motion picture) Gertrud Film, 1964 PERFORMING ARTS / Film & Video / Guides & Reviews PERFORMING ARTS / Film & Video / History & Criticism |
url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=411000 |
work_keys_str_mv | AT schamusjames carltheodordreyersgertrudthemovingword |