Scotland: global cinema : genres, modes and identities
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
© 2009
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Includes bibliographical references (pages 236-243) and index Introduction: Fantasy Scotlands -- 1. Comedy: Global/local identities. Gregory's Two Girls (1999), Festival (2005) -- 2. Road movie: Scotland in the world. Soft Top, Hard Shoulder (1993), Carla's Song (1996), Tickets (2005) -- 3. Bollywood: Non-resident Indian-Scotland. Kuch Kuch Hota Hai (1998), Kandukondain Kandukondain (2000), Pyaar Ishq aur Mohabbat (2001), Nina's Heavenly Delights (2006) -- 4. (Loch Ness) Monster movie: A return to primal Scotland. The Secret of the Loch (1934), Loch Ness (1996), The Water Horse (2007) -- 5. Horror film: History Hydes in the Highlands. Dog Soldiers (2002), Wild Country (2005) -- 6. Costume drama: From men in kilts to developing diasporas. The Governess (1998) -- 7. Gangster film: Glasgow's transnational identities. American Cousins (2003), Danny the Dog (2005) -- Female friendship/ US Indie: Women talking. Women Talking Dirty (1999), Beautiful Creatures (2000) -- 10. Art Cinema: the Global limits of cinematic Scotland. Red Road (2006), Young Adam (2003) -- Conclusion What is your favourite fantasy Scotland? Perhaps you enjoyed Whisky Galore! or Brigadoon, or maybe The Wicker Man is to your taste, Local Hero or Highlander? Yet have you also considered Kuch Kuch Hota Hai, Rob Roy, Dog Soldiers, Danny the Dog, Festival, The Water Horse, Carla's Song, Trainspotting and Red Road? Scotland: Global Cinema is the first book to focus exclusively on the unprecedented explosion of filmmaking in Scotland in the 1990s and 2000s. It explores the various cinematic fantasies of Scotland created by contemporary filmmakers from all over the world - including Scotland, England, France, the United States and India - who braved the weather to shoot in Scotland. Significantly broadening the scope of previous debates, Scotland: Global Cinema provides analysis of ten different genres and modes prevalent in the 1990s/2000s: the comedy, road movie, Bollywood extravaganza, (Loch Ness) monster movie, horror film, costume drama, gangster flick, social realist melodrama, female friendship/US indie movie, and art cinema. These various chapters suggest a wealth of different histories of cinema in Scotland, and uncover the numerous identities - national, transnational, diasporic, global/local, gendered, sexual, religious - created by these approaches. Cinema in Scotland is situated in a global context through analysis of the intersection of transversal flows of filmmaking, tourism, trade and transnational fantasy typical of globalization, as they meet and mingle against the world famous cinematic landscapes of Scotland |
| Beschreibung: | 1 Online-Ressource (ix, 254 pages) |
| ISBN: | 074863391X 0748633936 9780748633913 9780748633937 |
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| 500 | |a Includes bibliographical references (pages 236-243) and index | ||
| 500 | |a Introduction: Fantasy Scotlands -- 1. Comedy: Global/local identities. Gregory's Two Girls (1999), Festival (2005) -- 2. Road movie: Scotland in the world. Soft Top, Hard Shoulder (1993), Carla's Song (1996), Tickets (2005) -- 3. Bollywood: Non-resident Indian-Scotland. Kuch Kuch Hota Hai (1998), Kandukondain Kandukondain (2000), Pyaar Ishq aur Mohabbat (2001), Nina's Heavenly Delights (2006) -- 4. (Loch Ness) Monster movie: A return to primal Scotland. The Secret of the Loch (1934), Loch Ness (1996), The Water Horse (2007) -- 5. Horror film: History Hydes in the Highlands. Dog Soldiers (2002), Wild Country (2005) -- 6. Costume drama: From men in kilts to developing diasporas. The Governess (1998) -- 7. Gangster film: Glasgow's transnational identities. American Cousins (2003), Danny the Dog (2005) -- Female friendship/ US Indie: Women talking. Women Talking Dirty (1999), Beautiful Creatures (2000) -- 10. Art Cinema: the Global limits of cinematic Scotland. Red Road (2006), Young Adam (2003) -- Conclusion | ||
| 500 | |a What is your favourite fantasy Scotland? Perhaps you enjoyed Whisky Galore! or Brigadoon, or maybe The Wicker Man is to your taste, Local Hero or Highlander? Yet have you also considered Kuch Kuch Hota Hai, Rob Roy, Dog Soldiers, Danny the Dog, Festival, The Water Horse, Carla's Song, Trainspotting and Red Road? Scotland: Global Cinema is the first book to focus exclusively on the unprecedented explosion of filmmaking in Scotland in the 1990s and 2000s. It explores the various cinematic fantasies of Scotland created by contemporary filmmakers from all over the world - including Scotland, England, France, the United States and India - who braved the weather to shoot in Scotland. Significantly broadening the scope of previous debates, Scotland: Global Cinema provides analysis of ten different genres and modes prevalent in the 1990s/2000s: the comedy, road movie, Bollywood extravaganza, (Loch Ness) monster movie, horror film, costume drama, gangster flick, social realist melodrama, female friendship/US indie movie, and art cinema. These various chapters suggest a wealth of different histories of cinema in Scotland, and uncover the numerous identities - national, transnational, diasporic, global/local, gendered, sexual, religious - created by these approaches. Cinema in Scotland is situated in a global context through analysis of the intersection of transversal flows of filmmaking, tourism, trade and transnational fantasy typical of globalization, as they meet and mingle against the world famous cinematic landscapes of Scotland | ||
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Datensatz im Suchindex
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| any_adam_object | |
| author | Martin-Jones, David 1974- |
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| indexdate | 2024-07-10T07:19:09Z |
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| isbn | 074863391X 0748633936 9780748633913 9780748633937 |
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| publisher | Edinburgh University Press |
| record_format | marc |
| spelling | Martin-Jones, David 1974- Verfasser (DE-588)138203725 aut Scotland global cinema : genres, modes and identities David Martin-Jones Edinburgh Edinburgh University Press © 2009 1 Online-Ressource (ix, 254 pages) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references (pages 236-243) and index Introduction: Fantasy Scotlands -- 1. Comedy: Global/local identities. Gregory's Two Girls (1999), Festival (2005) -- 2. Road movie: Scotland in the world. Soft Top, Hard Shoulder (1993), Carla's Song (1996), Tickets (2005) -- 3. Bollywood: Non-resident Indian-Scotland. Kuch Kuch Hota Hai (1998), Kandukondain Kandukondain (2000), Pyaar Ishq aur Mohabbat (2001), Nina's Heavenly Delights (2006) -- 4. (Loch Ness) Monster movie: A return to primal Scotland. The Secret of the Loch (1934), Loch Ness (1996), The Water Horse (2007) -- 5. Horror film: History Hydes in the Highlands. Dog Soldiers (2002), Wild Country (2005) -- 6. Costume drama: From men in kilts to developing diasporas. The Governess (1998) -- 7. Gangster film: Glasgow's transnational identities. American Cousins (2003), Danny the Dog (2005) -- Female friendship/ US Indie: Women talking. Women Talking Dirty (1999), Beautiful Creatures (2000) -- 10. Art Cinema: the Global limits of cinematic Scotland. Red Road (2006), Young Adam (2003) -- Conclusion What is your favourite fantasy Scotland? Perhaps you enjoyed Whisky Galore! or Brigadoon, or maybe The Wicker Man is to your taste, Local Hero or Highlander? Yet have you also considered Kuch Kuch Hota Hai, Rob Roy, Dog Soldiers, Danny the Dog, Festival, The Water Horse, Carla's Song, Trainspotting and Red Road? Scotland: Global Cinema is the first book to focus exclusively on the unprecedented explosion of filmmaking in Scotland in the 1990s and 2000s. It explores the various cinematic fantasies of Scotland created by contemporary filmmakers from all over the world - including Scotland, England, France, the United States and India - who braved the weather to shoot in Scotland. Significantly broadening the scope of previous debates, Scotland: Global Cinema provides analysis of ten different genres and modes prevalent in the 1990s/2000s: the comedy, road movie, Bollywood extravaganza, (Loch Ness) monster movie, horror film, costume drama, gangster flick, social realist melodrama, female friendship/US indie movie, and art cinema. These various chapters suggest a wealth of different histories of cinema in Scotland, and uncover the numerous identities - national, transnational, diasporic, global/local, gendered, sexual, religious - created by these approaches. Cinema in Scotland is situated in a global context through analysis of the intersection of transversal flows of filmmaking, tourism, trade and transnational fantasy typical of globalization, as they meet and mingle against the world famous cinematic landscapes of Scotland Geschichte 1993-2007 gnd rswk-swf PERFORMING ARTS / Film & Video / Reference bisacsh PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion picture industry fast Motion pictures fast Film swd Film Geschichte Motion pictures Scotland History Motion picture industry Scotland History Film (DE-588)4017102-4 gnd rswk-swf Filmproduktion (DE-588)4124971-9 gnd rswk-swf Schottland Schottland (DE-588)4053233-1 gnd rswk-swf Schottland (DE-588)4053233-1 g Film (DE-588)4017102-4 s Geschichte 1993-2007 z 1\p DE-604 Filmproduktion (DE-588)4124971-9 s 2\p DE-604 Erscheint auch als Druck-Ausgabe, Paperback 0-7486-3392-8 Erscheint auch als Druck-Ausgabe, Paperback 978-0-7486-3392-0 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=324999 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Martin-Jones, David 1974- Scotland global cinema : genres, modes and identities PERFORMING ARTS / Film & Video / Reference bisacsh PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion picture industry fast Motion pictures fast Film swd Film Geschichte Motion pictures Scotland History Motion picture industry Scotland History Film (DE-588)4017102-4 gnd Filmproduktion (DE-588)4124971-9 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4124971-9 (DE-588)4053233-1 |
| title | Scotland global cinema : genres, modes and identities |
| title_auth | Scotland global cinema : genres, modes and identities |
| title_exact_search | Scotland global cinema : genres, modes and identities |
| title_full | Scotland global cinema : genres, modes and identities David Martin-Jones |
| title_fullStr | Scotland global cinema : genres, modes and identities David Martin-Jones |
| title_full_unstemmed | Scotland global cinema : genres, modes and identities David Martin-Jones |
| title_short | Scotland |
| title_sort | scotland global cinema genres modes and identities |
| title_sub | global cinema : genres, modes and identities |
| topic | PERFORMING ARTS / Film & Video / Reference bisacsh PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion picture industry fast Motion pictures fast Film swd Film Geschichte Motion pictures Scotland History Motion picture industry Scotland History Film (DE-588)4017102-4 gnd Filmproduktion (DE-588)4124971-9 gnd |
| topic_facet | PERFORMING ARTS / Film & Video / Reference PERFORMING ARTS / Film & Video / History & Criticism Motion picture industry Motion pictures Film Geschichte Motion pictures Scotland History Motion picture industry Scotland History Filmproduktion Schottland |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=324999 |
| work_keys_str_mv | AT martinjonesdavid scotlandglobalcinemagenresmodesandidentities |