Photography, early cinema and colonial modernity: Frank Hurley's synchronized lecture entertainments
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London
Anthem Press
©2012
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| Schriftenreihe: | Anthem Australian humanities research series
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Includes bibliographical references (pages 239-246) and index Introduction: Australia's Embrace of Colonial Modernity -- 1. 'The Home of the Blizzard': Douglas Mawson's synchronized lecture entertainment -- 2. Guided spectatorship: exhibiting the Great War -- 3. Touring the nation: Shackleton's 'Marvellous Moving Pictures' and the Australian season of 'In the Grip of the Polar Pack-Ice' -- 4. Entr'acte: 'Sir Ross Smith's Flight', aerial vision and colonial modernity -- 5. Colonial modernity and its sthers: 'Pearls and Savages' as a multi-media project "Australian photographer and film maker Frank Hurley became an international celebrity through his reporting of the Mawson and Shackleton Antarctic Expeditions, the First and Second World Wars, the England-Australia air race of 1919, and his own expeditions to Papua in the 1920s. This book is an account of his stage and screen practice in the context of early twentieth-century mass media. 'Photography, Early Cinema and Colonial Modernity' is not a biography of Frank Hurley the man; it is instead an examination of the social life of the many marvellous and meaningful things he made as a professional photographer and film maker in the early twentieth century: the negatives, photographic prints, lantern slides, stereographs, films, diaries and newspaper articles. His stage and screen practices offer an insight into Australia's engagement with the romance and wonder of international modernity in the early years of the twentieth century. The level of description at which this volume works is not that of personality or the originary events of Hurley's life - the Mawson and Shackleton Antarctic Expeditions, and the First and Second World Wars - but the media events he worked so hard and so professionally to create. He called them his 'synchronized lecture entertainments'. [NP] These media events were at once national and international; they involved Hurley in an entire culture industry comprising many kinds of personnel, practices and texts that were constantly in movement along global lines of travel and communication, and in a variety of institutional locations around the world. This raises complex questions both about the authorship of Hurley's photographic and filmic texts - which were often produced and presented by other people - and about their ontology, since they were in a more or less constant state of re-assemblage in response to changing market opportunities. This unique study re-imagines, from inside the quiet and stillness of the archive, the prior social life of Hurley's creations as they were once accelerated through the complicated topography of the early twentieth century's rapidly internationalizing mass media landscape. As a way to conceive of that space and the social life of the people and things within it, this study uses the concept of 'colonial modernity'."-- "'Photography, Early Cinema and Colonial Modernity' is not a biography of Frank Hurley the man; it is instead an examination of the social life of the many marvellous and meaningful things he made as a professional photographer and film maker in the early twentieth century: the negatives, photographic prints, lantern slides, stereographs, films, diaries and newspaper articles. His stage and screen practices offer an insight into Australia's engagement with the romance and wonder of international modernity in the early years of the twentieth century. The level of description at which this volume works is not that of personality or the originary events of Hurley's life - the Mawson and Shackleton Antarctic Expeditions, and the First and Second World Wars - but the media events he worked so hard and so professionally to create. He called them his 'synchronized lecture entertainments'"-- |
| Beschreibung: | 1 Online-Ressource (xxxi, 256 pages) |
| ISBN: | 0857287958 1843317591 9780857287953 9781843317593 |
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| 500 | |a Includes bibliographical references (pages 239-246) and index | ||
| 500 | |a Introduction: Australia's Embrace of Colonial Modernity -- 1. 'The Home of the Blizzard': Douglas Mawson's synchronized lecture entertainment -- 2. Guided spectatorship: exhibiting the Great War -- 3. Touring the nation: Shackleton's 'Marvellous Moving Pictures' and the Australian season of 'In the Grip of the Polar Pack-Ice' -- 4. Entr'acte: 'Sir Ross Smith's Flight', aerial vision and colonial modernity -- 5. Colonial modernity and its sthers: 'Pearls and Savages' as a multi-media project | ||
| 500 | |a "Australian photographer and film maker Frank Hurley became an international celebrity through his reporting of the Mawson and Shackleton Antarctic Expeditions, the First and Second World Wars, the England-Australia air race of 1919, and his own expeditions to Papua in the 1920s. This book is an account of his stage and screen practice in the context of early twentieth-century mass media. 'Photography, Early Cinema and Colonial Modernity' is not a biography of Frank Hurley the man; it is instead an examination of the social life of the many marvellous and meaningful things he made as a professional photographer and film maker in the early twentieth century: the negatives, photographic prints, lantern slides, stereographs, films, diaries and newspaper articles. His stage and screen practices offer an insight into Australia's engagement with the romance and wonder of international modernity in the early years of the twentieth century. | ||
| 500 | |a The level of description at which this volume works is not that of personality or the originary events of Hurley's life - the Mawson and Shackleton Antarctic Expeditions, and the First and Second World Wars - but the media events he worked so hard and so professionally to create. He called them his 'synchronized lecture entertainments'. [NP] These media events were at once national and international; they involved Hurley in an entire culture industry comprising many kinds of personnel, practices and texts that were constantly in movement along global lines of travel and communication, and in a variety of institutional locations around the world. This raises complex questions both about the authorship of Hurley's photographic and filmic texts - which were often produced and presented by other people - and about their ontology, since they were in a more or less constant state of re-assemblage in response to changing market opportunities. | ||
| 500 | |a This unique study re-imagines, from inside the quiet and stillness of the archive, the prior social life of Hurley's creations as they were once accelerated through the complicated topography of the early twentieth century's rapidly internationalizing mass media landscape. As a way to conceive of that space and the social life of the people and things within it, this study uses the concept of 'colonial modernity'."-- | ||
| 500 | |a "'Photography, Early Cinema and Colonial Modernity' is not a biography of Frank Hurley the man; it is instead an examination of the social life of the many marvellous and meaningful things he made as a professional photographer and film maker in the early twentieth century: the negatives, photographic prints, lantern slides, stereographs, films, diaries and newspaper articles. His stage and screen practices offer an insight into Australia's engagement with the romance and wonder of international modernity in the early years of the twentieth century. The level of description at which this volume works is not that of personality or the originary events of Hurley's life - the Mawson and Shackleton Antarctic Expeditions, and the First and Second World Wars - but the media events he worked so hard and so professionally to create. He called them his 'synchronized lecture entertainments'"-- | ||
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Datensatz im Suchindex
| _version_ | 1804175618015756288 |
|---|---|
| any_adam_object | |
| author | Dixon, Robert |
| author_facet | Dixon, Robert |
| author_role | aut |
| author_sort | Dixon, Robert |
| author_variant | r d rd |
| building | Verbundindex |
| bvnumber | BV043154450 |
| collection | ZDB-4-EBA |
| ctrlnum | (OCoLC)781851575 (DE-599)BVBBV043154450 |
| dewey-full | 770.92 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 770 - Photography, computer art, cinematography |
| dewey-raw | 770.92 |
| dewey-search | 770.92 |
| dewey-sort | 3770.92 |
| dewey-tens | 770 - Photography, computer art, cinematography |
| discipline | Kunstgeschichte |
| era | 1900 - 1999 fast Geschichte 1900-2000 |
| era_facet | 1900 - 1999 Geschichte 1900-2000 |
| format | Electronic eBook |
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| genre | (DE-588)4006804-3 Biografie gnd-content |
| genre_facet | Biografie |
| geographic | Australien Australien (DE-588)4003900-6 gnd |
| geographic_facet | Australien |
| id | DE-604.BV043154450 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:19:09Z |
| institution | BVB |
| isbn | 0857287958 1843317591 9780857287953 9781843317593 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028578641 |
| oclc_num | 781851575 |
| open_access_boolean | |
| owner | DE-1046 DE-1047 |
| owner_facet | DE-1046 DE-1047 |
| physical | 1 Online-Ressource (xxxi, 256 pages) |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | Anthem Press |
| record_format | marc |
| series2 | Anthem Australian humanities research series |
| spelling | Dixon, Robert Verfasser aut Photography, early cinema and colonial modernity Frank Hurley's synchronized lecture entertainments Robert Dixon London Anthem Press ©2012 1 Online-Ressource (xxxi, 256 pages) txt rdacontent c rdamedia cr rdacarrier Anthem Australian humanities research series Includes bibliographical references (pages 239-246) and index Introduction: Australia's Embrace of Colonial Modernity -- 1. 'The Home of the Blizzard': Douglas Mawson's synchronized lecture entertainment -- 2. Guided spectatorship: exhibiting the Great War -- 3. Touring the nation: Shackleton's 'Marvellous Moving Pictures' and the Australian season of 'In the Grip of the Polar Pack-Ice' -- 4. Entr'acte: 'Sir Ross Smith's Flight', aerial vision and colonial modernity -- 5. Colonial modernity and its sthers: 'Pearls and Savages' as a multi-media project "Australian photographer and film maker Frank Hurley became an international celebrity through his reporting of the Mawson and Shackleton Antarctic Expeditions, the First and Second World Wars, the England-Australia air race of 1919, and his own expeditions to Papua in the 1920s. This book is an account of his stage and screen practice in the context of early twentieth-century mass media. 'Photography, Early Cinema and Colonial Modernity' is not a biography of Frank Hurley the man; it is instead an examination of the social life of the many marvellous and meaningful things he made as a professional photographer and film maker in the early twentieth century: the negatives, photographic prints, lantern slides, stereographs, films, diaries and newspaper articles. His stage and screen practices offer an insight into Australia's engagement with the romance and wonder of international modernity in the early years of the twentieth century. The level of description at which this volume works is not that of personality or the originary events of Hurley's life - the Mawson and Shackleton Antarctic Expeditions, and the First and Second World Wars - but the media events he worked so hard and so professionally to create. He called them his 'synchronized lecture entertainments'. [NP] These media events were at once national and international; they involved Hurley in an entire culture industry comprising many kinds of personnel, practices and texts that were constantly in movement along global lines of travel and communication, and in a variety of institutional locations around the world. This raises complex questions both about the authorship of Hurley's photographic and filmic texts - which were often produced and presented by other people - and about their ontology, since they were in a more or less constant state of re-assemblage in response to changing market opportunities. This unique study re-imagines, from inside the quiet and stillness of the archive, the prior social life of Hurley's creations as they were once accelerated through the complicated topography of the early twentieth century's rapidly internationalizing mass media landscape. As a way to conceive of that space and the social life of the people and things within it, this study uses the concept of 'colonial modernity'."-- "'Photography, Early Cinema and Colonial Modernity' is not a biography of Frank Hurley the man; it is instead an examination of the social life of the many marvellous and meaningful things he made as a professional photographer and film maker in the early twentieth century: the negatives, photographic prints, lantern slides, stereographs, films, diaries and newspaper articles. His stage and screen practices offer an insight into Australia's engagement with the romance and wonder of international modernity in the early years of the twentieth century. The level of description at which this volume works is not that of personality or the originary events of Hurley's life - the Mawson and Shackleton Antarctic Expeditions, and the First and Second World Wars - but the media events he worked so hard and so professionally to create. He called them his 'synchronized lecture entertainments'"-- Hurley, Frank / 1885-1962 fast Hurley, Frank 1885-1962 Hurley, Frank 1885-1962 (DE-588)118863789 gnd rswk-swf 1900 - 1999 fast Geschichte 1900-2000 PHOTOGRAPHY / Individual Photographers / Monographs bisacsh BIOGRAPHY & AUTOBIOGRAPHY / General bisacsh PHOTOGRAPHY / Criticism bisacsh PHOTOGRAPHY / Individual Photographers / Essays bisacsh Cinematography fast Civilization, Modern fast Photographers fast Photography fast Photography / Social aspects fast Geschichte Gesellschaft Photographers Australia Biography Photography History 20th century Cinematography History 20th century Photography Social aspects Civilization, Modern Kulturwissenschaften (DE-588)4033597-5 gnd rswk-swf Krieg Motiv (DE-588)4136410-7 gnd rswk-swf Filmtechnik (DE-588)4017144-9 gnd rswk-swf Kolonialismus (DE-588)4073624-6 gnd rswk-swf Fotografie (DE-588)4045895-7 gnd rswk-swf Australien Australien (DE-588)4003900-6 gnd rswk-swf (DE-588)4006804-3 Biografie gnd-content Hurley, Frank 1885-1962 (DE-588)118863789 p Australien (DE-588)4003900-6 g Fotografie (DE-588)4045895-7 s Filmtechnik (DE-588)4017144-9 s Kolonialismus (DE-588)4073624-6 s Krieg Motiv (DE-588)4136410-7 s Kulturwissenschaften (DE-588)4033597-5 s 1\p DE-604 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=439295 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Dixon, Robert Photography, early cinema and colonial modernity Frank Hurley's synchronized lecture entertainments Hurley, Frank / 1885-1962 fast Hurley, Frank 1885-1962 Hurley, Frank 1885-1962 (DE-588)118863789 gnd PHOTOGRAPHY / Individual Photographers / Monographs bisacsh BIOGRAPHY & AUTOBIOGRAPHY / General bisacsh PHOTOGRAPHY / Criticism bisacsh PHOTOGRAPHY / Individual Photographers / Essays bisacsh Cinematography fast Civilization, Modern fast Photographers fast Photography fast Photography / Social aspects fast Geschichte Gesellschaft Photographers Australia Biography Photography History 20th century Cinematography History 20th century Photography Social aspects Civilization, Modern Kulturwissenschaften (DE-588)4033597-5 gnd Krieg Motiv (DE-588)4136410-7 gnd Filmtechnik (DE-588)4017144-9 gnd Kolonialismus (DE-588)4073624-6 gnd Fotografie (DE-588)4045895-7 gnd |
| subject_GND | (DE-588)118863789 (DE-588)4033597-5 (DE-588)4136410-7 (DE-588)4017144-9 (DE-588)4073624-6 (DE-588)4045895-7 (DE-588)4003900-6 (DE-588)4006804-3 |
| title | Photography, early cinema and colonial modernity Frank Hurley's synchronized lecture entertainments |
| title_auth | Photography, early cinema and colonial modernity Frank Hurley's synchronized lecture entertainments |
| title_exact_search | Photography, early cinema and colonial modernity Frank Hurley's synchronized lecture entertainments |
| title_full | Photography, early cinema and colonial modernity Frank Hurley's synchronized lecture entertainments Robert Dixon |
| title_fullStr | Photography, early cinema and colonial modernity Frank Hurley's synchronized lecture entertainments Robert Dixon |
| title_full_unstemmed | Photography, early cinema and colonial modernity Frank Hurley's synchronized lecture entertainments Robert Dixon |
| title_short | Photography, early cinema and colonial modernity |
| title_sort | photography early cinema and colonial modernity frank hurley s synchronized lecture entertainments |
| title_sub | Frank Hurley's synchronized lecture entertainments |
| topic | Hurley, Frank / 1885-1962 fast Hurley, Frank 1885-1962 Hurley, Frank 1885-1962 (DE-588)118863789 gnd PHOTOGRAPHY / Individual Photographers / Monographs bisacsh BIOGRAPHY & AUTOBIOGRAPHY / General bisacsh PHOTOGRAPHY / Criticism bisacsh PHOTOGRAPHY / Individual Photographers / Essays bisacsh Cinematography fast Civilization, Modern fast Photographers fast Photography fast Photography / Social aspects fast Geschichte Gesellschaft Photographers Australia Biography Photography History 20th century Cinematography History 20th century Photography Social aspects Civilization, Modern Kulturwissenschaften (DE-588)4033597-5 gnd Krieg Motiv (DE-588)4136410-7 gnd Filmtechnik (DE-588)4017144-9 gnd Kolonialismus (DE-588)4073624-6 gnd Fotografie (DE-588)4045895-7 gnd |
| topic_facet | Hurley, Frank / 1885-1962 Hurley, Frank 1885-1962 PHOTOGRAPHY / Individual Photographers / Monographs BIOGRAPHY & AUTOBIOGRAPHY / General PHOTOGRAPHY / Criticism PHOTOGRAPHY / Individual Photographers / Essays Cinematography Civilization, Modern Photographers Photography Photography / Social aspects Geschichte Gesellschaft Photographers Australia Biography Photography History 20th century Cinematography History 20th century Photography Social aspects Kulturwissenschaften Krieg Motiv Filmtechnik Kolonialismus Fotografie Australien Biografie |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=439295 |
| work_keys_str_mv | AT dixonrobert photographyearlycinemaandcolonialmodernityfrankhurleyssynchronizedlectureentertainments |