Teaching dancing with ideokinetic principles:
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Urbana, IL
University of Illinois Press
©2011
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Schlagworte: | |
Online-Zugang: | FAW01 FAW02 Volltext |
Beschreibung: | Includes bibliographical references (pages 119-122) and indexes "In examining ideokinesis and its application to the teaching and practice of dancing, Drid Williams introduces readers to the work of Dr. Lulu Sweigard (1895-1974), a pioneer of ideokinetic principles. Drawing on her experiences during private instructional sessions with Sweigard over a two-year span, Williams discusses methods using imagery for improving body posture and alignment for ease of movement. Central to Williams's own teaching methods is the application of Sweigard's principles and general anatomical instruction, including how she used visual imagery to help prevent bodily injuries and increasing body awareness relative to movement. Williams also emphasizes the differences between kinesthetic (internal) and mirror (external) imagery and shares reactions from professional dancers who were taught using ideokinesis. Williams's account of teaching and practicing ideokinesis is supplemented with essays by Sweigard, William James, and Jean-Georges Noverre on dancing, posture, and habits. Teaching Dancing with Ideokinetic Principles offers an important historical perspective and valuable insights from years of teaching experience into how ideokinesis can shape a larger philosophy of the dance"--Provided by publisher |
Beschreibung: | 1 Online-Ressource (xiii, 128 pages) |
ISBN: | 0252036085 0252077997 0252093062 9780252036088 9780252077999 9780252093067 |
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spelling | Williams, Drid Verfasser aut Teaching dancing with ideokinetic principles Drid Williams Urbana, IL University of Illinois Press ©2011 1 Online-Ressource (xiii, 128 pages) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references (pages 119-122) and indexes "In examining ideokinesis and its application to the teaching and practice of dancing, Drid Williams introduces readers to the work of Dr. Lulu Sweigard (1895-1974), a pioneer of ideokinetic principles. Drawing on her experiences during private instructional sessions with Sweigard over a two-year span, Williams discusses methods using imagery for improving body posture and alignment for ease of movement. Central to Williams's own teaching methods is the application of Sweigard's principles and general anatomical instruction, including how she used visual imagery to help prevent bodily injuries and increasing body awareness relative to movement. Williams also emphasizes the differences between kinesthetic (internal) and mirror (external) imagery and shares reactions from professional dancers who were taught using ideokinesis. Williams's account of teaching and practicing ideokinesis is supplemented with essays by Sweigard, William James, and Jean-Georges Noverre on dancing, posture, and habits. Teaching Dancing with Ideokinetic Principles offers an important historical perspective and valuable insights from years of teaching experience into how ideokinesis can shape a larger philosophy of the dance"--Provided by publisher PERFORMING ARTS / Dance / General bisacsh EDUCATION / Teaching Methods & Materials / Arts & Humanities bisacsh PERFORMING ARTS / Dance / Classical & Ballet bisacsh PERFORMING ARTS / Dance / Modern bisacsh PERFORMING ARTS / Dance / Reference bisacsh Dance / Physiological aspects fast Dance / Study and teaching fast Human mechanics fast Movement, Aesthetics of fast Dance Study and teaching Dance Physiological aspects Human mechanics Movement, Aesthetics of http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=569688 Aggregator Volltext |
spellingShingle | Williams, Drid Teaching dancing with ideokinetic principles PERFORMING ARTS / Dance / General bisacsh EDUCATION / Teaching Methods & Materials / Arts & Humanities bisacsh PERFORMING ARTS / Dance / Classical & Ballet bisacsh PERFORMING ARTS / Dance / Modern bisacsh PERFORMING ARTS / Dance / Reference bisacsh Dance / Physiological aspects fast Dance / Study and teaching fast Human mechanics fast Movement, Aesthetics of fast Dance Study and teaching Dance Physiological aspects Human mechanics Movement, Aesthetics of |
title | Teaching dancing with ideokinetic principles |
title_auth | Teaching dancing with ideokinetic principles |
title_exact_search | Teaching dancing with ideokinetic principles |
title_full | Teaching dancing with ideokinetic principles Drid Williams |
title_fullStr | Teaching dancing with ideokinetic principles Drid Williams |
title_full_unstemmed | Teaching dancing with ideokinetic principles Drid Williams |
title_short | Teaching dancing with ideokinetic principles |
title_sort | teaching dancing with ideokinetic principles |
topic | PERFORMING ARTS / Dance / General bisacsh EDUCATION / Teaching Methods & Materials / Arts & Humanities bisacsh PERFORMING ARTS / Dance / Classical & Ballet bisacsh PERFORMING ARTS / Dance / Modern bisacsh PERFORMING ARTS / Dance / Reference bisacsh Dance / Physiological aspects fast Dance / Study and teaching fast Human mechanics fast Movement, Aesthetics of fast Dance Study and teaching Dance Physiological aspects Human mechanics Movement, Aesthetics of |
topic_facet | PERFORMING ARTS / Dance / General EDUCATION / Teaching Methods & Materials / Arts & Humanities PERFORMING ARTS / Dance / Classical & Ballet PERFORMING ARTS / Dance / Modern PERFORMING ARTS / Dance / Reference Dance / Physiological aspects Dance / Study and teaching Human mechanics Movement, Aesthetics of Dance Study and teaching Dance Physiological aspects |
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