National performance: representing Quebec from Expo 67 to Céline Dion
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Toronto [Ont.]
University of Toronto Press
©2010 (2011)
|
| Schriftenreihe: | Cultural spaces
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Includes bibliographical references and index Introduction -- Marginals, metaphors, and mimesis -- National construction : Quebec's modernity at Expo 67 -- National reflection : Michel Tremblay's Les belles-soeurs and le nouvesu théâtre québécois -- National simulation : Marco Micone's culture imigrée -- National metonymy : arresting images in the devised works of Carbone 14 -- Naional affection : Céline Dion -- Conclusion : feminist (re)production In National Performance, Erin Hurley examines the complex relationship between performance and national identity. How do theatrical performances represent the nation in which they were created? How is Quebecois performance used to define Quebec as a nation and to cultivate a sense of 'Quebec-ness' for audiences both within and outside the province? In exploring Expo 67, the critical response to Michel Tremblay's Les Belles Soeurs, Carbone 14's image-theatre, Marco Micone's writing practices, Cľine Dion's popular music, and feminist performance of the 1970s and 80s, Hurley reveals the ways in which certain performances come to be understood as 'national' while others are relegated to sub-national or outsider status. Each chapter focuses on a particular historical moment in Quebec's modern history and a genre of performance emblematic of the moment, and uses these to elaborate the nature of the national performances. Winner of the Northeast Modern Language Association's Book Prize, National Performance is sophisticated yet accessible, seeking to enlarge the parameters of what counts as 'Quebecois' performance, while providing a thorough introduction to changing discourses of nation-ness in Quebec |
| Beschreibung: | 1 Online-Ressource (ix, 244 pages) |
| ISBN: | 1442686340 9781442640955 9781442686342 |
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Datensatz im Suchindex
| _version_ | 1804175609988907008 |
|---|---|
| any_adam_object | |
| author | Hurley, Erin |
| author_facet | Hurley, Erin |
| author_role | aut |
| author_sort | Hurley, Erin |
| author_variant | e h eh |
| building | Verbundindex |
| bvnumber | BV043150697 |
| classification_rvk | MS 1235 NK 5260 |
| collection | ZDB-4-EBA |
| ctrlnum | (OCoLC)755882630 (DE-599)BVBBV043150697 |
| dewey-full | 792.09714 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.09714 |
| dewey-search | 792.09714 |
| dewey-sort | 3792.09714 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines Soziologie Geschichte |
| era | Geschichte 1967-2010 gnd |
| era_facet | Geschichte 1967-2010 |
| format | Electronic eBook |
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| geographic_facet | Québec Provinz |
| id | DE-604.BV043150697 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:19:01Z |
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| isbn | 1442686340 9781442640955 9781442686342 |
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| spelling | Hurley, Erin Verfasser aut National performance representing Quebec from Expo 67 to Céline Dion Erin Hurley Toronto [Ont.] University of Toronto Press ©2010 (2011) 1 Online-Ressource (ix, 244 pages) txt rdacontent c rdamedia cr rdacarrier Cultural spaces Includes bibliographical references and index Introduction -- Marginals, metaphors, and mimesis -- National construction : Quebec's modernity at Expo 67 -- National reflection : Michel Tremblay's Les belles-soeurs and le nouvesu théâtre québécois -- National simulation : Marco Micone's culture imigrée -- National metonymy : arresting images in the devised works of Carbone 14 -- Naional affection : Céline Dion -- Conclusion : feminist (re)production In National Performance, Erin Hurley examines the complex relationship between performance and national identity. How do theatrical performances represent the nation in which they were created? How is Quebecois performance used to define Quebec as a nation and to cultivate a sense of 'Quebec-ness' for audiences both within and outside the province? In exploring Expo 67, the critical response to Michel Tremblay's Les Belles Soeurs, Carbone 14's image-theatre, Marco Micone's writing practices, Cľine Dion's popular music, and feminist performance of the 1970s and 80s, Hurley reveals the ways in which certain performances come to be understood as 'national' while others are relegated to sub-national or outsider status. Each chapter focuses on a particular historical moment in Quebec's modern history and a genre of performance emblematic of the moment, and uses these to elaborate the nature of the national performances. Winner of the Northeast Modern Language Association's Book Prize, National Performance is sophisticated yet accessible, seeking to enlarge the parameters of what counts as 'Quebecois' performance, while providing a thorough introduction to changing discourses of nation-ness in Quebec Includes some text in French Geschichte 1967-2010 gnd rswk-swf PERFORMING ARTS / Theater / History & Criticism bisacsh Nationalism fast Performing arts / Audiences fast Performing arts / Social aspects fast Theater and society fast Theater audiences / Psychology fast Gesellschaft Nationalismus Theater audiences Québec (Province) Psychology Theater and society Québec (Province) Performing arts Social aspects Québec (Province) Performing arts Audiences Québec (Province) Nationalism Québec (Province) Kulturelle Identität (DE-588)4033542-2 gnd rswk-swf Nationalbewusstsein (DE-588)4041282-9 gnd rswk-swf Darstellende Kunst (DE-588)4129566-3 gnd rswk-swf Québec Provinz (DE-588)4048030-6 gnd rswk-swf Québec Provinz (DE-588)4048030-6 g Darstellende Kunst (DE-588)4129566-3 s Kulturelle Identität (DE-588)4033542-2 s Nationalbewusstsein (DE-588)4041282-9 s Geschichte 1967-2010 z 1\p DE-604 Erscheint auch als Druckausgabe 1-4426-4095-2 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=483327 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Hurley, Erin National performance representing Quebec from Expo 67 to Céline Dion PERFORMING ARTS / Theater / History & Criticism bisacsh Nationalism fast Performing arts / Audiences fast Performing arts / Social aspects fast Theater and society fast Theater audiences / Psychology fast Gesellschaft Nationalismus Theater audiences Québec (Province) Psychology Theater and society Québec (Province) Performing arts Social aspects Québec (Province) Performing arts Audiences Québec (Province) Nationalism Québec (Province) Kulturelle Identität (DE-588)4033542-2 gnd Nationalbewusstsein (DE-588)4041282-9 gnd Darstellende Kunst (DE-588)4129566-3 gnd |
| subject_GND | (DE-588)4033542-2 (DE-588)4041282-9 (DE-588)4129566-3 (DE-588)4048030-6 |
| title | National performance representing Quebec from Expo 67 to Céline Dion |
| title_auth | National performance representing Quebec from Expo 67 to Céline Dion |
| title_exact_search | National performance representing Quebec from Expo 67 to Céline Dion |
| title_full | National performance representing Quebec from Expo 67 to Céline Dion Erin Hurley |
| title_fullStr | National performance representing Quebec from Expo 67 to Céline Dion Erin Hurley |
| title_full_unstemmed | National performance representing Quebec from Expo 67 to Céline Dion Erin Hurley |
| title_short | National performance |
| title_sort | national performance representing quebec from expo 67 to celine dion |
| title_sub | representing Quebec from Expo 67 to Céline Dion |
| topic | PERFORMING ARTS / Theater / History & Criticism bisacsh Nationalism fast Performing arts / Audiences fast Performing arts / Social aspects fast Theater and society fast Theater audiences / Psychology fast Gesellschaft Nationalismus Theater audiences Québec (Province) Psychology Theater and society Québec (Province) Performing arts Social aspects Québec (Province) Performing arts Audiences Québec (Province) Nationalism Québec (Province) Kulturelle Identität (DE-588)4033542-2 gnd Nationalbewusstsein (DE-588)4041282-9 gnd Darstellende Kunst (DE-588)4129566-3 gnd |
| topic_facet | PERFORMING ARTS / Theater / History & Criticism Nationalism Performing arts / Audiences Performing arts / Social aspects Theater and society Theater audiences / Psychology Gesellschaft Nationalismus Theater audiences Québec (Province) Psychology Theater and society Québec (Province) Performing arts Social aspects Québec (Province) Performing arts Audiences Québec (Province) Nationalism Québec (Province) Kulturelle Identität Nationalbewusstsein Darstellende Kunst Québec Provinz |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=483327 |
| work_keys_str_mv | AT hurleyerin nationalperformancerepresentingquebecfromexpo67tocelinedion |