Cinema After Deleuze:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London
Continuum International Pub.
2012
|
| Schriftenreihe: | Deleuze Encounters
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Beschreibung: | Title page; Copyright page; Contents; Acknowledgements; Chapter 1: What Questions does Deleuze's Philosophy of Cinema Answer?; What are the Questions?; Chapter 2: The Movement-Image (I): Griffith, Eisenstein, Gance, Lang; The Movement-Image; D.W. Griffith; Eisenstein and Soviet Montage; Abel Gance and French Impressionism; Fritz Lang and German Expressionism; Chapter 3: The Movement-Image (II): Ford and Kazan; Perception, Action, Affection; The Large Form of the Action-Image: John Ford; Kazan and the American Dream; Chapter 4: The Movement-Image (III): Hawks and Hitchcock The Small Form of the Action-Image: Howard HawksThe Relation-Image: Alfred Hitchcock; On Vertigo; Chapter 5: The Time-Image (I): Italian Neorealism and After; What is the Time-Image?; Italian Neorealism; Antonioni; Chapter 6: The Time-Image (II): Ophüls and Fellini; The Time of the Time-Image; Time, Memory and the Past; Max Ophüls: Letter from an Unknown Woman, Lola Montès, La ronde; The Crystal-Image; Federico Fellini; Chapter 7: The Time-Image (III): Welles and Resnais; The Actual and the Virtual; Dreaming of an American Uncle Actual and Virtual, Past and Present: Last Year in Marienbad (1961)Chapter 8: Thought and Cinema; Eisenstein: A Shock to Thought; Godard: To Believe in this World; Belief in this World; Chapter 9: Cinema After Deleuze (I): The Persistence of the Movement-Image; Steven Spielberg: Echoes of the Large Form; Martin Scorsese: Picking up the Pieces of the Small Form; Luc Besson: The Cinéma du Look or the Spectacle-Image; Chapter 10: Cinema After Deleuze (II): Recent Elements of the Time-Image; Lars von Trier: A Cinema Against Ethics; Wong Kar-Wai: The Floating-Image Abbas Kiarostami: The Open ImageNotes; Chapter 4; Chapter 6; Chapter 7; Chapter 8; Chapter 10; Filmography; Index CinemaAfter Deleuzeoffers a clear and lucid introduction to Deleuzes writings on cinema whichwill appeal both to undergraduates and specialists in film studies andphilosophy. The book provides explanations of the many categories andclassifications found in Deleuzes two landmark books on cinema and offersassessments of a range of films, including works by John Ford, SergeiEisenstein, Alfred Hitchcock, Michelangelo Antonioni, Alain Resnais and others. Contemporary directors such as Steven Spielberg, Lars von Trier, MartinScorsese and Wong Kar-wai are also examined in the light of Deleuzes theorie |
| Beschreibung: | 1 Online-Ressource (185 pages) |
| ISBN: | 9781441182883 1441182888 |
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| 490 | 0 | |a Deleuze Encounters | |
| 500 | |a Title page; Copyright page; Contents; Acknowledgements; Chapter 1: What Questions does Deleuze's Philosophy of Cinema Answer?; What are the Questions?; Chapter 2: The Movement-Image (I): Griffith, Eisenstein, Gance, Lang; The Movement-Image; D.W. Griffith; Eisenstein and Soviet Montage; Abel Gance and French Impressionism; Fritz Lang and German Expressionism; Chapter 3: The Movement-Image (II): Ford and Kazan; Perception, Action, Affection; The Large Form of the Action-Image: John Ford; Kazan and the American Dream; Chapter 4: The Movement-Image (III): Hawks and Hitchcock | ||
| 500 | |a The Small Form of the Action-Image: Howard HawksThe Relation-Image: Alfred Hitchcock; On Vertigo; Chapter 5: The Time-Image (I): Italian Neorealism and After; What is the Time-Image?; Italian Neorealism; Antonioni; Chapter 6: The Time-Image (II): Ophüls and Fellini; The Time of the Time-Image; Time, Memory and the Past; Max Ophüls: Letter from an Unknown Woman, Lola Montès, La ronde; The Crystal-Image; Federico Fellini; Chapter 7: The Time-Image (III): Welles and Resnais; The Actual and the Virtual; Dreaming of an American Uncle | ||
| 500 | |a Actual and Virtual, Past and Present: Last Year in Marienbad (1961)Chapter 8: Thought and Cinema; Eisenstein: A Shock to Thought; Godard: To Believe in this World; Belief in this World; Chapter 9: Cinema After Deleuze (I): The Persistence of the Movement-Image; Steven Spielberg: Echoes of the Large Form; Martin Scorsese: Picking up the Pieces of the Small Form; Luc Besson: The Cinéma du Look or the Spectacle-Image; Chapter 10: Cinema After Deleuze (II): Recent Elements of the Time-Image; Lars von Trier: A Cinema Against Ethics; Wong Kar-Wai: The Floating-Image | ||
| 500 | |a Abbas Kiarostami: The Open ImageNotes; Chapter 4; Chapter 6; Chapter 7; Chapter 8; Chapter 10; Filmography; Index | ||
| 500 | |a CinemaAfter Deleuzeoffers a clear and lucid introduction to Deleuzes writings on cinema whichwill appeal both to undergraduates and specialists in film studies andphilosophy. The book provides explanations of the many categories andclassifications found in Deleuzes two landmark books on cinema and offersassessments of a range of films, including works by John Ford, SergeiEisenstein, Alfred Hitchcock, Michelangelo Antonioni, Alain Resnais and others. Contemporary directors such as Steven Spielberg, Lars von Trier, MartinScorsese and Wong Kar-wai are also examined in the light of Deleuzes theorie | ||
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Datensatz im Suchindex
| _version_ | 1821773228059656192 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Rushton, Richard |
| author_facet | Rushton, Richard |
| author_role | aut |
| author_sort | Rushton, Richard |
| author_variant | r r rr |
| building | Verbundindex |
| bvnumber | BV043150403 |
| collection | ZDB-4-EBA |
| ctrlnum | (OCoLC)787843590 (DE-599)BVBBV043150403 |
| dewey-full | 791.4301 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4301 |
| dewey-search | 791.4301 |
| dewey-sort | 3791.4301 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| id | DE-604.BV043150403 |
| illustrated | Not Illustrated |
| indexdate | 2025-01-20T13:05:36Z |
| institution | BVB |
| isbn | 9781441182883 1441182888 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028574594 |
| oclc_num | 787843590 |
| open_access_boolean | |
| physical | 1 Online-Ressource (185 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | Continuum International Pub. |
| record_format | marc |
| series2 | Deleuze Encounters |
| spelling | Rushton, Richard Verfasser aut Cinema After Deleuze London Continuum International Pub. 2012 1 Online-Ressource (185 pages) txt rdacontent c rdamedia cr rdacarrier Deleuze Encounters Title page; Copyright page; Contents; Acknowledgements; Chapter 1: What Questions does Deleuze's Philosophy of Cinema Answer?; What are the Questions?; Chapter 2: The Movement-Image (I): Griffith, Eisenstein, Gance, Lang; The Movement-Image; D.W. Griffith; Eisenstein and Soviet Montage; Abel Gance and French Impressionism; Fritz Lang and German Expressionism; Chapter 3: The Movement-Image (II): Ford and Kazan; Perception, Action, Affection; The Large Form of the Action-Image: John Ford; Kazan and the American Dream; Chapter 4: The Movement-Image (III): Hawks and Hitchcock The Small Form of the Action-Image: Howard HawksThe Relation-Image: Alfred Hitchcock; On Vertigo; Chapter 5: The Time-Image (I): Italian Neorealism and After; What is the Time-Image?; Italian Neorealism; Antonioni; Chapter 6: The Time-Image (II): Ophüls and Fellini; The Time of the Time-Image; Time, Memory and the Past; Max Ophüls: Letter from an Unknown Woman, Lola Montès, La ronde; The Crystal-Image; Federico Fellini; Chapter 7: The Time-Image (III): Welles and Resnais; The Actual and the Virtual; Dreaming of an American Uncle Actual and Virtual, Past and Present: Last Year in Marienbad (1961)Chapter 8: Thought and Cinema; Eisenstein: A Shock to Thought; Godard: To Believe in this World; Belief in this World; Chapter 9: Cinema After Deleuze (I): The Persistence of the Movement-Image; Steven Spielberg: Echoes of the Large Form; Martin Scorsese: Picking up the Pieces of the Small Form; Luc Besson: The Cinéma du Look or the Spectacle-Image; Chapter 10: Cinema After Deleuze (II): Recent Elements of the Time-Image; Lars von Trier: A Cinema Against Ethics; Wong Kar-Wai: The Floating-Image Abbas Kiarostami: The Open ImageNotes; Chapter 4; Chapter 6; Chapter 7; Chapter 8; Chapter 10; Filmography; Index CinemaAfter Deleuzeoffers a clear and lucid introduction to Deleuzes writings on cinema whichwill appeal both to undergraduates and specialists in film studies andphilosophy. The book provides explanations of the many categories andclassifications found in Deleuzes two landmark books on cinema and offersassessments of a range of films, including works by John Ford, SergeiEisenstein, Alfred Hitchcock, Michelangelo Antonioni, Alain Resnais and others. Contemporary directors such as Steven Spielberg, Lars von Trier, MartinScorsese and Wong Kar-wai are also examined in the light of Deleuzes theorie Deleuze, Gilles / 1925-1995 fast Deleuze, Gilles 1925-1995 Criticism and interpretation Deleuze, Gilles 1925-1995 (DE-588)118524534 gnd rswk-swf Deleuze, Gilles, 1925-1995 / Criticism and interpretation Fine Arts PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures / Philosophy fast Film Philosophie Motion pictures Philosophy Film (DE-588)4017102-4 gnd rswk-swf Philosophie (DE-588)4045791-6 gnd rswk-swf Film (DE-588)4017102-4 s Philosophie (DE-588)4045791-6 s Deleuze, Gilles 1925-1995 (DE-588)118524534 p 1\p DE-604 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=450963 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Rushton, Richard Cinema After Deleuze Deleuze, Gilles / 1925-1995 fast Deleuze, Gilles 1925-1995 Criticism and interpretation Deleuze, Gilles 1925-1995 (DE-588)118524534 gnd Deleuze, Gilles, 1925-1995 / Criticism and interpretation Fine Arts PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures / Philosophy fast Film Philosophie Motion pictures Philosophy Film (DE-588)4017102-4 gnd Philosophie (DE-588)4045791-6 gnd |
| subject_GND | (DE-588)118524534 (DE-588)4017102-4 (DE-588)4045791-6 |
| title | Cinema After Deleuze |
| title_auth | Cinema After Deleuze |
| title_exact_search | Cinema After Deleuze |
| title_full | Cinema After Deleuze |
| title_fullStr | Cinema After Deleuze |
| title_full_unstemmed | Cinema After Deleuze |
| title_short | Cinema After Deleuze |
| title_sort | cinema after deleuze |
| topic | Deleuze, Gilles / 1925-1995 fast Deleuze, Gilles 1925-1995 Criticism and interpretation Deleuze, Gilles 1925-1995 (DE-588)118524534 gnd Deleuze, Gilles, 1925-1995 / Criticism and interpretation Fine Arts PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures / Philosophy fast Film Philosophie Motion pictures Philosophy Film (DE-588)4017102-4 gnd Philosophie (DE-588)4045791-6 gnd |
| topic_facet | Deleuze, Gilles / 1925-1995 Deleuze, Gilles 1925-1995 Criticism and interpretation Deleuze, Gilles 1925-1995 Deleuze, Gilles, 1925-1995 / Criticism and interpretation Fine Arts PERFORMING ARTS / Film & Video / History & Criticism Motion pictures / Philosophy Film Philosophie Motion pictures Philosophy |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=450963 |
| work_keys_str_mv | AT rushtonrichard cinemaafterdeleuze |