Irony's edge: the theory and politics of irony
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London
Routledge
©1995
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Includes bibliographical references (pages 210-238) and index There is the growing sense that irony has emerged as a mode of expression that is strangely out of vogue. The popular press has veritably written it off as a means of critique. Politicians and pundits seldom use it. And when they do, it tends either to miss its intended mark or, for that matter, induce widespread cognitive failure. Yet, irony is a complex rhetorical move. It depends on deep and shared levels of understanding, knowing namely, that one means what one doesn't mean and that that actually means something else completely. It produces a "scene." In Irony's edge, Linda Hutcheon examines the nature of this "scene." She explores what constitutes irony, how irony functions, in what ways it is political, and how it disrupts the space between expression and understanding. She examines irony not only as an intercommunicative act, but as a discursive practice that is, in many ways, a cultural event, which happens in discrete and often sophisticated ways. She analyzes irony's logic and the way in which it operates in relations to concepts of difference and identity, intentionality and interpretation, and the inappropriate and the appropriate. She examines these concerns vis-a-vis an array of references gathered from contemporary and modern culture. She looks at works such as the novels of Umberto Eco, the operas and symphonies of Richard Wagner, and the art of Anselm Kiefer. She focuses on popular cultural figures such as Madonna and the recent film of Shakespeare's Henry V. Her book is one of the first synthesized theoretical accounts of the cultural phenomenology of irony. In Irony's edge, Hutcheon elaborates upon her earlier work on parody (A theory of parody) and scrutinizes the mechanics of irony in fundamentally salient and critical ways |
| Beschreibung: | 1 Online-Ressource (viii, 248 pages) |
| ISBN: | 0203359259 9780203359259 |
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Datensatz im Suchindex
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| dewey-ones | 128 - Humankind |
| dewey-raw | 128/.4 |
| dewey-search | 128/.4 |
| dewey-sort | 3128 14 |
| dewey-tens | 120 - Epistemology, causation, humankind |
| discipline | Philosophie |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:18:51Z |
| institution | BVB |
| isbn | 0203359259 9780203359259 |
| language | English |
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| spelling | Hutcheon, Linda Verfasser aut Irony's edge the theory and politics of irony Linda Hutcheon London Routledge ©1995 1 Online-Ressource (viii, 248 pages) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references (pages 210-238) and index There is the growing sense that irony has emerged as a mode of expression that is strangely out of vogue. The popular press has veritably written it off as a means of critique. Politicians and pundits seldom use it. And when they do, it tends either to miss its intended mark or, for that matter, induce widespread cognitive failure. Yet, irony is a complex rhetorical move. It depends on deep and shared levels of understanding, knowing namely, that one means what one doesn't mean and that that actually means something else completely. It produces a "scene." In Irony's edge, Linda Hutcheon examines the nature of this "scene." She explores what constitutes irony, how irony functions, in what ways it is political, and how it disrupts the space between expression and understanding. She examines irony not only as an intercommunicative act, but as a discursive practice that is, in many ways, a cultural event, which happens in discrete and often sophisticated ways. She analyzes irony's logic and the way in which it operates in relations to concepts of difference and identity, intentionality and interpretation, and the inappropriate and the appropriate. She examines these concerns vis-a-vis an array of references gathered from contemporary and modern culture. She looks at works such as the novels of Umberto Eco, the operas and symphonies of Richard Wagner, and the art of Anselm Kiefer. She focuses on popular cultural figures such as Madonna and the recent film of Shakespeare's Henry V. Her book is one of the first synthesized theoretical accounts of the cultural phenomenology of irony. In Irony's edge, Hutcheon elaborates upon her earlier work on parody (A theory of parody) and scrutinizes the mechanics of irony in fundamentally salient and critical ways Ironie PHILOSOPHY / Movements / Humanism bisacsh Irony fast Irony Ironie (DE-588)4027676-4 gnd rswk-swf Ironie (DE-588)4027676-4 s 1\p DE-604 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=95700 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Hutcheon, Linda Irony's edge the theory and politics of irony Ironie PHILOSOPHY / Movements / Humanism bisacsh Irony fast Irony Ironie (DE-588)4027676-4 gnd |
| subject_GND | (DE-588)4027676-4 |
| title | Irony's edge the theory and politics of irony |
| title_auth | Irony's edge the theory and politics of irony |
| title_exact_search | Irony's edge the theory and politics of irony |
| title_full | Irony's edge the theory and politics of irony Linda Hutcheon |
| title_fullStr | Irony's edge the theory and politics of irony Linda Hutcheon |
| title_full_unstemmed | Irony's edge the theory and politics of irony Linda Hutcheon |
| title_short | Irony's edge |
| title_sort | irony s edge the theory and politics of irony |
| title_sub | the theory and politics of irony |
| topic | Ironie PHILOSOPHY / Movements / Humanism bisacsh Irony fast Irony Ironie (DE-588)4027676-4 gnd |
| topic_facet | Ironie PHILOSOPHY / Movements / Humanism Irony |
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