Unmarked: the politics of performance
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
London
Routledge
1993
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Schlagworte: | |
Online-Zugang: | FAW01 FAW02 Volltext |
Beschreibung: | Includes bibliographical references (pages 195-202) and index Book Cover; Title; Contents; List of figures; Acknowledgements; Broken symmetries: memory, sight, love; Developing the negative: Mapplethorpe, Schor, and Sherman; Spatial envy: Yvonne Rainer's The Man Who Envied Women; The golden apple: Jennie Livingston's Paris Is Burning; Theatre and its mother: Tom Stoppard's Hapgood; White men and pregnancy: discovering the body to be rescued; The ontology of performance: representation without reproduction; Afterword: notes on hope; Notes; Bibliography; Index Written from and for the Left, Unmarked rethinks the claims of visibility politics through a feminist psychoanalytic examination of specific performance texts - including photography, painting, film and theatre |
Beschreibung: | 1 Online-Ressource (xi, 207 pages) |
ISBN: | 0203359437 0415068215 9780203359433 9780415068215 |
Internformat
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500 | |a Includes bibliographical references (pages 195-202) and index | ||
500 | |a Book Cover; Title; Contents; List of figures; Acknowledgements; Broken symmetries: memory, sight, love; Developing the negative: Mapplethorpe, Schor, and Sherman; Spatial envy: Yvonne Rainer's The Man Who Envied Women; The golden apple: Jennie Livingston's Paris Is Burning; Theatre and its mother: Tom Stoppard's Hapgood; White men and pregnancy: discovering the body to be rescued; The ontology of performance: representation without reproduction; Afterword: notes on hope; Notes; Bibliography; Index | ||
500 | |a Written from and for the Left, Unmarked rethinks the claims of visibility politics through a feminist psychoanalytic examination of specific performance texts - including photography, painting, film and theatre | ||
648 | 7 | |a 1900 - 1999 |2 fast | |
648 | 4 | |a Geschichte 1900-2000 | |
650 | 7 | |a ART / Reference |2 bisacsh | |
650 | 7 | |a ART / Performance |2 bisacsh | |
650 | 7 | |a Arts, Modern |2 fast | |
650 | 7 | |a Arts / Political aspects |2 fast | |
650 | 7 | |a Feminism and the arts |2 fast | |
650 | 7 | |a Performance art |2 fast | |
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650 | 4 | |a Politik | |
650 | 4 | |a Arts |x Political aspects | |
650 | 4 | |a Arts, Modern |y 20th century | |
650 | 4 | |a Feminism and the arts | |
650 | 4 | |a Performance art | |
650 | 4 | |a Politics in art | |
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Datensatz im Suchindex
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any_adam_object | |
author | Phelan, Peggy 1948- |
author_GND | (DE-588)138220247 |
author_facet | Phelan, Peggy 1948- |
author_role | aut |
author_sort | Phelan, Peggy 1948- |
author_variant | p p pp |
building | Verbundindex |
bvnumber | BV043144892 |
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collection | ZDB-4-EBA |
ctrlnum | (OCoLC)191931706 (DE-599)BVBBV043144892 |
dewey-full | 700/.1/03 |
dewey-hundreds | 700 - The arts |
dewey-ones | 700 - The arts |
dewey-raw | 700/.1/03 |
dewey-search | 700/.1/03 |
dewey-sort | 3700 11 13 |
dewey-tens | 700 - The arts |
discipline | Kunstgeschichte Soziologie Musikwissenschaft |
era | 1900 - 1999 fast Geschichte 1900-2000 |
era_facet | 1900 - 1999 Geschichte 1900-2000 |
format | Electronic eBook |
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id | DE-604.BV043144892 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T07:18:50Z |
institution | BVB |
isbn | 0203359437 0415068215 9780203359433 9780415068215 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028569083 |
oclc_num | 191931706 |
open_access_boolean | |
owner | DE-1046 DE-1047 |
owner_facet | DE-1046 DE-1047 |
physical | 1 Online-Ressource (xi, 207 pages) |
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publishDate | 1993 |
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publishDateSort | 1993 |
publisher | Routledge |
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spelling | Phelan, Peggy 1948- Verfasser (DE-588)138220247 aut Unmarked the politics of performance Peggy Phelan London Routledge 1993 1 Online-Ressource (xi, 207 pages) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references (pages 195-202) and index Book Cover; Title; Contents; List of figures; Acknowledgements; Broken symmetries: memory, sight, love; Developing the negative: Mapplethorpe, Schor, and Sherman; Spatial envy: Yvonne Rainer's The Man Who Envied Women; The golden apple: Jennie Livingston's Paris Is Burning; Theatre and its mother: Tom Stoppard's Hapgood; White men and pregnancy: discovering the body to be rescued; The ontology of performance: representation without reproduction; Afterword: notes on hope; Notes; Bibliography; Index Written from and for the Left, Unmarked rethinks the claims of visibility politics through a feminist psychoanalytic examination of specific performance texts - including photography, painting, film and theatre 1900 - 1999 fast Geschichte 1900-2000 ART / Reference bisacsh ART / Performance bisacsh Arts, Modern fast Arts / Political aspects fast Feminism and the arts fast Performance art fast Politics in art fast Politik Arts Political aspects Arts, Modern 20th century Feminism and the arts Performance art Politics in art Darstellende Kunst (DE-588)4129566-3 gnd rswk-swf Darstellende Kunst (DE-588)4129566-3 s 1\p DE-604 Erscheint auch als Druck-Ausgabe, Paperback 0-415-06822-3 Erscheint auch als Druck-Ausgabe, Paperback 978-0-415-06822-2 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=98098 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Phelan, Peggy 1948- Unmarked the politics of performance ART / Reference bisacsh ART / Performance bisacsh Arts, Modern fast Arts / Political aspects fast Feminism and the arts fast Performance art fast Politics in art fast Politik Arts Political aspects Arts, Modern 20th century Feminism and the arts Performance art Politics in art Darstellende Kunst (DE-588)4129566-3 gnd |
subject_GND | (DE-588)4129566-3 |
title | Unmarked the politics of performance |
title_auth | Unmarked the politics of performance |
title_exact_search | Unmarked the politics of performance |
title_full | Unmarked the politics of performance Peggy Phelan |
title_fullStr | Unmarked the politics of performance Peggy Phelan |
title_full_unstemmed | Unmarked the politics of performance Peggy Phelan |
title_short | Unmarked |
title_sort | unmarked the politics of performance |
title_sub | the politics of performance |
topic | ART / Reference bisacsh ART / Performance bisacsh Arts, Modern fast Arts / Political aspects fast Feminism and the arts fast Performance art fast Politics in art fast Politik Arts Political aspects Arts, Modern 20th century Feminism and the arts Performance art Politics in art Darstellende Kunst (DE-588)4129566-3 gnd |
topic_facet | ART / Reference ART / Performance Arts, Modern Arts / Political aspects Feminism and the arts Performance art Politics in art Politik Arts Political aspects Arts, Modern 20th century Darstellende Kunst |
url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=98098 |
work_keys_str_mv | AT phelanpeggy unmarkedthepoliticsofperformance |