The Nashville sound: authenticity, commercialization, and country music
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Nashville
Vanderbilt University Press
1998
|
| Ausgabe: | 1st ed |
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Includes bibliographical references (pages 200-209) and index "This book is about the value that an audience places on a commercial cultural product like country music. It explores why the concept of authenticity in country music is so crucial to so many of its fans. It does this by examining the dramatic changes that occurred in country music in the 1950s and 1960s, when one popular style - honky-tonk - was effectively supplanted by another - the smoother, more broadly accessible "Nashville Sound" associated with producers Owen Bradley, Chet Atkins, and others." "Author Joli Jensen shows how this change was an inventive compromise, a way to maintain the most important aspects of the music's roots while broadening its appeal. She documents this musical and cultural transition in a chapter focusing on the remarkable recording career of Nashville Sound artist Patsy Cline, the artist who most fully embodies these tensions." "Jensen explores a variety of far-reaching questions: What does it mean when we label a commercial music "authentic" or "traditional"? Why should an audience value one style of music over another? And, ultimately, what does this expression of taste - the choosing of a commercial musical style - tell us about ourselves, not only as consumers but also as human beings trying to find meaning in a transient world?"--Jacket |
| Beschreibung: | 1 Online-Ressource (x, 218 pages, [8] pages of plates) |
| ISBN: | 0585146837 9780585146836 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV043141918 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 151126s1998 |||| o||u| ||||||eng d | ||
| 020 | |a 0585146837 |c electronic bk. |9 0-585-14683-7 | ||
| 020 | |a 9780585146836 |c electronic bk. |9 978-0-585-14683-6 | ||
| 035 | |a (OCoLC)44959370 | ||
| 035 | |a (DE-599)BVBBV043141918 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1046 |a DE-1047 | ||
| 082 | 0 | |a 781.642 |2 21 | |
| 100 | 1 | |a Jensen, Joli |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a The Nashville sound |b authenticity, commercialization, and country music |c Joli Jensen |
| 250 | |a 1st ed | ||
| 264 | 1 | |a Nashville |b Vanderbilt University Press |c 1998 | |
| 300 | |a 1 Online-Ressource (x, 218 pages, [8] pages of plates) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Includes bibliographical references (pages 200-209) and index | ||
| 500 | |a "This book is about the value that an audience places on a commercial cultural product like country music. It explores why the concept of authenticity in country music is so crucial to so many of its fans. It does this by examining the dramatic changes that occurred in country music in the 1950s and 1960s, when one popular style - honky-tonk - was effectively supplanted by another - the smoother, more broadly accessible "Nashville Sound" associated with producers Owen Bradley, Chet Atkins, and others." "Author Joli Jensen shows how this change was an inventive compromise, a way to maintain the most important aspects of the music's roots while broadening its appeal. She documents this musical and cultural transition in a chapter focusing on the remarkable recording career of Nashville Sound artist Patsy Cline, the artist who most fully embodies these tensions." "Jensen explores a variety of far-reaching questions: What does it mean when we label a commercial music "authentic" or "traditional"? Why should an audience value one style of music over another? And, ultimately, what does this expression of taste - the choosing of a commercial musical style - tell us about ourselves, not only as consumers but also as human beings trying to find meaning in a transient world?"--Jacket | ||
| 650 | 7 | |a MUSIC / Genres & Styles / Country & Bluegrass |2 bisacsh | |
| 650 | 7 | |a Country music |2 fast | |
| 650 | 4 | |a Country music |x History and criticism | |
| 650 | 0 | 7 | |a Musikwirtschaft |0 (DE-588)4268614-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Countrymusic |0 (DE-588)4138030-7 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Nashville, Tenn. |0 (DE-588)4102368-7 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Nashville, Tenn. |0 (DE-588)4102368-7 |D g |
| 689 | 0 | 1 | |a Countrymusic |0 (DE-588)4138030-7 |D s |
| 689 | 0 | 2 | |a Musikwirtschaft |0 (DE-588)4268614-3 |D s |
| 689 | 0 | |8 1\p |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Hardcover |z 0-8265-1314-X |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Hardcover |z 978-0-8265-1314-4 |
| 856 | 4 | 0 | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=16088 |x Aggregator |3 Volltext |
| 912 | |a ZDB-4-EBA | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-028566109 | ||
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=16088 |l FAW01 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
| 966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=16088 |l FAW02 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804175591993245696 |
|---|---|
| any_adam_object | |
| author | Jensen, Joli |
| author_facet | Jensen, Joli |
| author_role | aut |
| author_sort | Jensen, Joli |
| author_variant | j j jj |
| building | Verbundindex |
| bvnumber | BV043141918 |
| collection | ZDB-4-EBA |
| ctrlnum | (OCoLC)44959370 (DE-599)BVBBV043141918 |
| dewey-full | 781.642 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.642 |
| dewey-search | 781.642 |
| dewey-sort | 3781.642 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| edition | 1st ed |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03580nmm a2200517zc 4500</leader><controlfield tag="001">BV043141918</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">151126s1998 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0585146837</subfield><subfield code="c">electronic bk.</subfield><subfield code="9">0-585-14683-7</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780585146836</subfield><subfield code="c">electronic bk.</subfield><subfield code="9">978-0-585-14683-6</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)44959370</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043141918</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-1047</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">781.642</subfield><subfield code="2">21</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Jensen, Joli</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The Nashville sound</subfield><subfield code="b">authenticity, commercialization, and country music</subfield><subfield code="c">Joli Jensen</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">1st ed</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Nashville</subfield><subfield code="b">Vanderbilt University Press</subfield><subfield code="c">1998</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (x, 218 pages, [8] pages of plates)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (pages 200-209) and index</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">"This book is about the value that an audience places on a commercial cultural product like country music. It explores why the concept of authenticity in country music is so crucial to so many of its fans. It does this by examining the dramatic changes that occurred in country music in the 1950s and 1960s, when one popular style - honky-tonk - was effectively supplanted by another - the smoother, more broadly accessible "Nashville Sound" associated with producers Owen Bradley, Chet Atkins, and others." "Author Joli Jensen shows how this change was an inventive compromise, a way to maintain the most important aspects of the music's roots while broadening its appeal. She documents this musical and cultural transition in a chapter focusing on the remarkable recording career of Nashville Sound artist Patsy Cline, the artist who most fully embodies these tensions." "Jensen explores a variety of far-reaching questions: What does it mean when we label a commercial music "authentic" or "traditional"? Why should an audience value one style of music over another? And, ultimately, what does this expression of taste - the choosing of a commercial musical style - tell us about ourselves, not only as consumers but also as human beings trying to find meaning in a transient world?"--Jacket</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC / Genres & Styles / Country & Bluegrass</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Country music</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Country music</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikwirtschaft</subfield><subfield code="0">(DE-588)4268614-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Countrymusic</subfield><subfield code="0">(DE-588)4138030-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Nashville, Tenn.</subfield><subfield code="0">(DE-588)4102368-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Nashville, Tenn.</subfield><subfield code="0">(DE-588)4102368-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Countrymusic</subfield><subfield code="0">(DE-588)4138030-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Musikwirtschaft</subfield><subfield code="0">(DE-588)4268614-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Hardcover</subfield><subfield code="z">0-8265-1314-X</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Hardcover</subfield><subfield code="z">978-0-8265-1314-4</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=16088</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-028566109</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=16088</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=16088</subfield><subfield code="l">FAW02</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| geographic | Nashville, Tenn. (DE-588)4102368-7 gnd |
| geographic_facet | Nashville, Tenn. |
| id | DE-604.BV043141918 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:18:44Z |
| institution | BVB |
| isbn | 0585146837 9780585146836 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028566109 |
| oclc_num | 44959370 |
| open_access_boolean | |
| owner | DE-1046 DE-1047 |
| owner_facet | DE-1046 DE-1047 |
| physical | 1 Online-Ressource (x, 218 pages, [8] pages of plates) |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 1998 |
| publishDateSearch | 1998 |
| publishDateSort | 1998 |
| publisher | Vanderbilt University Press |
| record_format | marc |
| spelling | Jensen, Joli Verfasser aut The Nashville sound authenticity, commercialization, and country music Joli Jensen 1st ed Nashville Vanderbilt University Press 1998 1 Online-Ressource (x, 218 pages, [8] pages of plates) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references (pages 200-209) and index "This book is about the value that an audience places on a commercial cultural product like country music. It explores why the concept of authenticity in country music is so crucial to so many of its fans. It does this by examining the dramatic changes that occurred in country music in the 1950s and 1960s, when one popular style - honky-tonk - was effectively supplanted by another - the smoother, more broadly accessible "Nashville Sound" associated with producers Owen Bradley, Chet Atkins, and others." "Author Joli Jensen shows how this change was an inventive compromise, a way to maintain the most important aspects of the music's roots while broadening its appeal. She documents this musical and cultural transition in a chapter focusing on the remarkable recording career of Nashville Sound artist Patsy Cline, the artist who most fully embodies these tensions." "Jensen explores a variety of far-reaching questions: What does it mean when we label a commercial music "authentic" or "traditional"? Why should an audience value one style of music over another? And, ultimately, what does this expression of taste - the choosing of a commercial musical style - tell us about ourselves, not only as consumers but also as human beings trying to find meaning in a transient world?"--Jacket MUSIC / Genres & Styles / Country & Bluegrass bisacsh Country music fast Country music History and criticism Musikwirtschaft (DE-588)4268614-3 gnd rswk-swf Countrymusic (DE-588)4138030-7 gnd rswk-swf Nashville, Tenn. (DE-588)4102368-7 gnd rswk-swf Nashville, Tenn. (DE-588)4102368-7 g Countrymusic (DE-588)4138030-7 s Musikwirtschaft (DE-588)4268614-3 s 1\p DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 0-8265-1314-X Erscheint auch als Druck-Ausgabe, Hardcover 978-0-8265-1314-4 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=16088 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Jensen, Joli The Nashville sound authenticity, commercialization, and country music MUSIC / Genres & Styles / Country & Bluegrass bisacsh Country music fast Country music History and criticism Musikwirtschaft (DE-588)4268614-3 gnd Countrymusic (DE-588)4138030-7 gnd |
| subject_GND | (DE-588)4268614-3 (DE-588)4138030-7 (DE-588)4102368-7 |
| title | The Nashville sound authenticity, commercialization, and country music |
| title_auth | The Nashville sound authenticity, commercialization, and country music |
| title_exact_search | The Nashville sound authenticity, commercialization, and country music |
| title_full | The Nashville sound authenticity, commercialization, and country music Joli Jensen |
| title_fullStr | The Nashville sound authenticity, commercialization, and country music Joli Jensen |
| title_full_unstemmed | The Nashville sound authenticity, commercialization, and country music Joli Jensen |
| title_short | The Nashville sound |
| title_sort | the nashville sound authenticity commercialization and country music |
| title_sub | authenticity, commercialization, and country music |
| topic | MUSIC / Genres & Styles / Country & Bluegrass bisacsh Country music fast Country music History and criticism Musikwirtschaft (DE-588)4268614-3 gnd Countrymusic (DE-588)4138030-7 gnd |
| topic_facet | MUSIC / Genres & Styles / Country & Bluegrass Country music Country music History and criticism Musikwirtschaft Countrymusic Nashville, Tenn. |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=16088 |
| work_keys_str_mv | AT jensenjoli thenashvillesoundauthenticitycommercializationandcountrymusic |