Living electronic music:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Aldershot, Hants, England
Ashgate
©2007
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Beschreibung: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 Includes bibliographical references (pages 171-185) and index Living presence -- The reanimation of the world : relocating the live -- The human body in electroacoustic music : sublimated or celebrated? -- Playing space : towards an aesthetics of live electronics -- To input the live : microphones and other human activity transducers -- Diffusion-projection : the grain of the loudspeaker Drawing on recent ideas that explore new environments and the changing situations of composition and performance, Simon Emmerson provides a significant contribution to the study of contemporary music, bridging history, aesthetics and the ideas behind evolving performance practices. Whether created in a studio or performed on stage, how does electronic music reflect what is live and living? What is it to perform 'live' in the age of the laptop? Many performer-composers draw upon a 'library' of materials but others refuse to abandon traditionally 'created and structured' electroacoustic work. Ly |
| Beschreibung: | 1 Online-Ressource (xviii, 195 pages) |
| ISBN: | 9780754686804 0754686809 |
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| 500 | |a Drawing on recent ideas that explore new environments and the changing situations of composition and performance, Simon Emmerson provides a significant contribution to the study of contemporary music, bridging history, aesthetics and the ideas behind evolving performance practices. Whether created in a studio or performed on stage, how does electronic music reflect what is live and living? What is it to perform 'live' in the age of the laptop? Many performer-composers draw upon a 'library' of materials but others refuse to abandon traditionally 'created and structured' electroacoustic work. Ly | ||
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| 650 | 7 | |a Music / Philosophy and aesthetics |2 fast | |
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Datensatz im Suchindex
| _version_ | 1804175591364100096 |
|---|---|
| any_adam_object | |
| author | Emmerson, Simon |
| author_facet | Emmerson, Simon |
| author_role | aut |
| author_sort | Emmerson, Simon |
| author_variant | s e se |
| building | Verbundindex |
| bvnumber | BV043141643 |
| classification_rvk | LR 11370 LR 56820 LR 57790 |
| collection | ZDB-4-EBA |
| ctrlnum | (OCoLC)503443191 (DE-599)BVBBV043141643 |
| dewey-full | 786.7 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 786 - Keyboard & other instruments |
| dewey-raw | 786.7 |
| dewey-search | 786.7 |
| dewey-sort | 3786.7 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | Geschichte 1950-2005 gnd |
| era_facet | Geschichte 1950-2005 |
| format | Electronic eBook |
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| id | DE-604.BV043141643 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:18:43Z |
| institution | BVB |
| isbn | 9780754686804 0754686809 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028565834 |
| oclc_num | 503443191 |
| open_access_boolean | |
| physical | 1 Online-Ressource (xviii, 195 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | Ashgate |
| record_format | marc |
| spelling | Emmerson, Simon Verfasser aut Living electronic music Simon Emmerson Aldershot, Hants, England Ashgate ©2007 1 Online-Ressource (xviii, 195 pages) txt rdacontent c rdamedia cr rdacarrier Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 Includes bibliographical references (pages 171-185) and index Living presence -- The reanimation of the world : relocating the live -- The human body in electroacoustic music : sublimated or celebrated? -- Playing space : towards an aesthetics of live electronics -- To input the live : microphones and other human activity transducers -- Diffusion-projection : the grain of the loudspeaker Drawing on recent ideas that explore new environments and the changing situations of composition and performance, Simon Emmerson provides a significant contribution to the study of contemporary music, bridging history, aesthetics and the ideas behind evolving performance practices. Whether created in a studio or performed on stage, how does electronic music reflect what is live and living? What is it to perform 'live' in the age of the laptop? Many performer-composers draw upon a 'library' of materials but others refuse to abandon traditionally 'created and structured' electroacoustic work. Ly Geschichte 1950-2005 gnd rswk-swf MUSIC / Musical Instruments / Piano & Keyboard bisacsh Electronic music fast Music / Philosophy and aesthetics fast Elektronische muziek gtt Elektroakoestische effecten gtt Geluidsweergave gtt Geluidstechniek gtt Musikästhetik swd Musikphilosophie swd Elektronische Musik swd Musik Electronic music History and criticism Music Philosophy and aesthetics Musikästhetik (DE-588)4040808-5 gnd rswk-swf Elektronische Musik (DE-588)4014355-7 gnd rswk-swf Musikphilosophie (DE-588)4123809-6 gnd rswk-swf Elektronische Musik (DE-588)4014355-7 s Musikphilosophie (DE-588)4123809-6 s Musikästhetik (DE-588)4040808-5 s Geschichte 1950-2005 z 1\p DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-7546-5546-6 Erscheint auch als Druck-Ausgabe, Paperback 978-0-7546-5548-0 Erscheint auch als Druck-Ausgabe, Hardcover 0-7546-5546-6 Erscheint auch als Druck-Ausgabe, Paperback 0-7546-5548-2 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=270233 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Emmerson, Simon Living electronic music MUSIC / Musical Instruments / Piano & Keyboard bisacsh Electronic music fast Music / Philosophy and aesthetics fast Elektronische muziek gtt Elektroakoestische effecten gtt Geluidsweergave gtt Geluidstechniek gtt Musikästhetik swd Musikphilosophie swd Elektronische Musik swd Musik Electronic music History and criticism Music Philosophy and aesthetics Musikästhetik (DE-588)4040808-5 gnd Elektronische Musik (DE-588)4014355-7 gnd Musikphilosophie (DE-588)4123809-6 gnd |
| subject_GND | (DE-588)4040808-5 (DE-588)4014355-7 (DE-588)4123809-6 |
| title | Living electronic music |
| title_auth | Living electronic music |
| title_exact_search | Living electronic music |
| title_full | Living electronic music Simon Emmerson |
| title_fullStr | Living electronic music Simon Emmerson |
| title_full_unstemmed | Living electronic music Simon Emmerson |
| title_short | Living electronic music |
| title_sort | living electronic music |
| topic | MUSIC / Musical Instruments / Piano & Keyboard bisacsh Electronic music fast Music / Philosophy and aesthetics fast Elektronische muziek gtt Elektroakoestische effecten gtt Geluidsweergave gtt Geluidstechniek gtt Musikästhetik swd Musikphilosophie swd Elektronische Musik swd Musik Electronic music History and criticism Music Philosophy and aesthetics Musikästhetik (DE-588)4040808-5 gnd Elektronische Musik (DE-588)4014355-7 gnd Musikphilosophie (DE-588)4123809-6 gnd |
| topic_facet | MUSIC / Musical Instruments / Piano & Keyboard Electronic music Music / Philosophy and aesthetics Elektronische muziek Elektroakoestische effecten Geluidsweergave Geluidstechniek Musikästhetik Musikphilosophie Elektronische Musik Musik Electronic music History and criticism Music Philosophy and aesthetics |
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