What is film theory?: an introduction to contemporary debates
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Maidenhead, England
Open University Press
c2010
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Includes bibliographical references (p. [194]-204) and index Structuralism and semiotics: the foundations of contemporary film theory -- Apparatus theory: Jean-Louis Baudry and Christian Metz -- Screen theory: Colin MacCabe and Stephen Heath -- Feminism and film: visual pleasure and identificatory practices -- CInemas of the other: postcolonialism, race and queer theory -- Philosophers and film: Gilles Deleuze and Stanley Cavell -- Film as art: historical poetics and neoformalism -- The cognitive turn: narrative comprehension and character identification -- Recent developments: phenomenology, attractions and audiences "What is Film Theory? outlines the discipline's key theoretical concepts, perspectives, and traditions, and critically examines the assertions posited by exemplary film theorists and philosophers of film. A step-by-step approach to these issues guides the reader through the central topics of film theory. Beginning with a discussion of structuralism and semiotics, and moving through debates on psychoanalysis, feminism, Screen theory, and cultural studies, the authors then examine the perspectives of 'post-theory', cognitivism, and historical poetics, as well as recent developments such as audience research and the 'cinema of attractions'. Analysis of the major theories is supported with detailed and wide-ranging case studies of particular films, including Singin' in the Rain, The Searchers, Tout va bien, Jaws, Do the Right Thing, Brokeback Mountain, and Sweeney Todd: The Demon Barber of Fleet Street. These case studies are accompanied by a series of illustrative film and production stills."--P. [4] of cover |
| Beschreibung: | 1 Online-Ressource |
| ISBN: | 0335234224 0335234232 0335240380 1283338661 9780335234226 9780335234233 9780335240388 9781283338660 |
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| 500 | |a Includes bibliographical references (p. [194]-204) and index | ||
| 500 | |a Structuralism and semiotics: the foundations of contemporary film theory -- Apparatus theory: Jean-Louis Baudry and Christian Metz -- Screen theory: Colin MacCabe and Stephen Heath -- Feminism and film: visual pleasure and identificatory practices -- CInemas of the other: postcolonialism, race and queer theory -- Philosophers and film: Gilles Deleuze and Stanley Cavell -- Film as art: historical poetics and neoformalism -- The cognitive turn: narrative comprehension and character identification -- Recent developments: phenomenology, attractions and audiences | ||
| 500 | |a "What is Film Theory? outlines the discipline's key theoretical concepts, perspectives, and traditions, and critically examines the assertions posited by exemplary film theorists and philosophers of film. A step-by-step approach to these issues guides the reader through the central topics of film theory. Beginning with a discussion of structuralism and semiotics, and moving through debates on psychoanalysis, feminism, Screen theory, and cultural studies, the authors then examine the perspectives of 'post-theory', cognitivism, and historical poetics, as well as recent developments such as audience research and the 'cinema of attractions'. Analysis of the major theories is supported with detailed and wide-ranging case studies of particular films, including Singin' in the Rain, The Searchers, Tout va bien, Jaws, Do the Right Thing, Brokeback Mountain, and Sweeney Todd: The Demon Barber of Fleet Street. These case studies are accompanied by a series of illustrative film and production stills."--P. [4] of cover | ||
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| 650 | 4 | |a Film | |
| 650 | 4 | |a Philosophie | |
| 650 | 4 | |a Ästhetik | |
| 650 | 4 | |a Film criticism | |
| 650 | 4 | |a Feminist film criticism | |
| 650 | 4 | |a Motion pictures |x Philosophy | |
| 650 | 4 | |a Motion pictures |x Aesthetics | |
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| 650 | 4 | |a Semiotics and the arts | |
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Datensatz im Suchindex
| _version_ | 1804175591367245824 |
|---|---|
| any_adam_object | |
| author | Rushton, Richard |
| author_facet | Rushton, Richard |
| author_role | aut |
| author_sort | Rushton, Richard |
| author_variant | r r rr |
| building | Verbundindex |
| bvnumber | BV043141639 |
| collection | ZDB-4-EBA |
| ctrlnum | (OCoLC)707213260 (DE-599)BVBBV043141639 |
| dewey-full | 808.823 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 808 - Rhetoric & collections of literature |
| dewey-raw | 808.823 |
| dewey-search | 808.823 |
| dewey-sort | 3808.823 |
| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Literaturwissenschaft |
| format | Electronic eBook |
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| indexdate | 2024-07-10T07:18:43Z |
| institution | BVB |
| isbn | 0335234224 0335234232 0335240380 1283338661 9780335234226 9780335234233 9780335240388 9781283338660 |
| language | English |
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| spelling | Rushton, Richard Verfasser aut What is film theory? an introduction to contemporary debates Richard Rushton and Gary Bettinson Maidenhead, England Open University Press c2010 1 Online-Ressource txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references (p. [194]-204) and index Structuralism and semiotics: the foundations of contemporary film theory -- Apparatus theory: Jean-Louis Baudry and Christian Metz -- Screen theory: Colin MacCabe and Stephen Heath -- Feminism and film: visual pleasure and identificatory practices -- CInemas of the other: postcolonialism, race and queer theory -- Philosophers and film: Gilles Deleuze and Stanley Cavell -- Film as art: historical poetics and neoformalism -- The cognitive turn: narrative comprehension and character identification -- Recent developments: phenomenology, attractions and audiences "What is Film Theory? outlines the discipline's key theoretical concepts, perspectives, and traditions, and critically examines the assertions posited by exemplary film theorists and philosophers of film. A step-by-step approach to these issues guides the reader through the central topics of film theory. Beginning with a discussion of structuralism and semiotics, and moving through debates on psychoanalysis, feminism, Screen theory, and cultural studies, the authors then examine the perspectives of 'post-theory', cognitivism, and historical poetics, as well as recent developments such as audience research and the 'cinema of attractions'. Analysis of the major theories is supported with detailed and wide-ranging case studies of particular films, including Singin' in the Rain, The Searchers, Tout va bien, Jaws, Do the Right Thing, Brokeback Mountain, and Sweeney Todd: The Demon Barber of Fleet Street. These case studies are accompanied by a series of illustrative film and production stills."--P. [4] of cover DRAMA / Anthologies (multiple authors) bisacsh Feminist film criticism fast Film criticism fast Motion pictures / Aesthetics fast Motion pictures / Appreciation fast Motion pictures / Philosophy fast Semiotics and the arts fast Film Philosophie Ästhetik Film criticism Feminist film criticism Motion pictures Philosophy Motion pictures Aesthetics Motion pictures Appreciation Semiotics and the arts Filmtheorie (DE-588)4071216-3 gnd rswk-swf 1\p (DE-588)4151278-9 Einführung gnd-content Filmtheorie (DE-588)4071216-3 s 2\p DE-604 Bettinson, Gary Sonstige oth http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=466415 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Rushton, Richard What is film theory? an introduction to contemporary debates DRAMA / Anthologies (multiple authors) bisacsh Feminist film criticism fast Film criticism fast Motion pictures / Aesthetics fast Motion pictures / Appreciation fast Motion pictures / Philosophy fast Semiotics and the arts fast Film Philosophie Ästhetik Film criticism Feminist film criticism Motion pictures Philosophy Motion pictures Aesthetics Motion pictures Appreciation Semiotics and the arts Filmtheorie (DE-588)4071216-3 gnd |
| subject_GND | (DE-588)4071216-3 (DE-588)4151278-9 |
| title | What is film theory? an introduction to contemporary debates |
| title_auth | What is film theory? an introduction to contemporary debates |
| title_exact_search | What is film theory? an introduction to contemporary debates |
| title_full | What is film theory? an introduction to contemporary debates Richard Rushton and Gary Bettinson |
| title_fullStr | What is film theory? an introduction to contemporary debates Richard Rushton and Gary Bettinson |
| title_full_unstemmed | What is film theory? an introduction to contemporary debates Richard Rushton and Gary Bettinson |
| title_short | What is film theory? |
| title_sort | what is film theory an introduction to contemporary debates |
| title_sub | an introduction to contemporary debates |
| topic | DRAMA / Anthologies (multiple authors) bisacsh Feminist film criticism fast Film criticism fast Motion pictures / Aesthetics fast Motion pictures / Appreciation fast Motion pictures / Philosophy fast Semiotics and the arts fast Film Philosophie Ästhetik Film criticism Feminist film criticism Motion pictures Philosophy Motion pictures Aesthetics Motion pictures Appreciation Semiotics and the arts Filmtheorie (DE-588)4071216-3 gnd |
| topic_facet | DRAMA / Anthologies (multiple authors) Feminist film criticism Film criticism Motion pictures / Aesthetics Motion pictures / Appreciation Motion pictures / Philosophy Semiotics and the arts Film Philosophie Ästhetik Motion pictures Philosophy Motion pictures Aesthetics Motion pictures Appreciation Filmtheorie Einführung |
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