The creative process in music from Mozart to Kurtág:
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Urbana
University of Illinois Press
c2012
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Schlagworte: | |
Online-Zugang: | DE-12 DE-1046 DE-1047 DE-Y3 Volltext |
Beschreibung: | Includes bibliographical references and index Great music arouses wonder: how did the composer create such an original work of art? What was the artist's inspiration, and how did that idea become a reality? Cultural products inevitably arise from a context, a submerged landscape that is often not easily accessible. To bring such things to light, studies of the creative process find their cutting edge by probing beyond the surface, opening new perspectives on the apparently familiar._x000B__x000B_In this intriguing study, William Kinderman opens the door to the composer's workshop, investigating not just the final outcome but the process of creative endeavor in music. Focusing on the stages of composition, Kinderman maintains that the most rigorous basis for the study of artistic creativity comes not from anecdotal or autobiographical reports, but from original handwritten sketches, drafts, revised manuscripts, and corrected proof sheets. He explores works of major composers from the eighteenth century to the present, from Mozart's piano music and Beethoven's Piano Trio in F to Kurtag's Kafka Fragments and Hommage à R. Sch. Other chapters examine Robert Schumann's Fantasie in C, Mahler's Fifth Symphony, and Bartók's Dance Suite._x000B__x000B_Kinderman's analysis takes the form of "genetic criticism," tracing the genesis of these cultural works, exploring their aesthetic meaning, and mapping the continuity of a central European tradition that has displayed remarkable vitality for over two centuries, as accumulated legacies assumed importance for later generations. Revealing the diversity of sources, rejected passages and movements, fragmentary unfinished works, and aborted projects that were absorbed into finished compositions, The Creative Process in Music from Mozart to Kurtag illustrates the wealth of insight that can be gained through studying the creative process. _x000B__x000B_ |
Beschreibung: | 1 Online-Ressource (xi, 233 p.) |
ISBN: | 1283712679 9781283712675 025209428X 9780252094286 9780252037160 0252037162 |
DOI: | 10.5406/illinois/9780252037160.001.0001 |
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500 | |a Great music arouses wonder: how did the composer create such an original work of art? What was the artist's inspiration, and how did that idea become a reality? Cultural products inevitably arise from a context, a submerged landscape that is often not easily accessible. To bring such things to light, studies of the creative process find their cutting edge by probing beyond the surface, opening new perspectives on the apparently familiar._x000B__x000B_In this intriguing study, William Kinderman opens the door to the composer's workshop, investigating not just the final outcome but the process of creative endeavor in music. Focusing on the stages of composition, Kinderman maintains that the most rigorous basis for the study of artistic creativity comes not from anecdotal or autobiographical reports, but from original handwritten sketches, drafts, revised manuscripts, and corrected proof sheets. He explores works of major composers from the eighteenth century to the present, from Mozart's piano music and Beethoven's Piano Trio in F to Kurtag's Kafka Fragments and Hommage à R. Sch. Other chapters examine Robert Schumann's Fantasie in C, Mahler's Fifth Symphony, and Bartók's Dance Suite._x000B__x000B_Kinderman's analysis takes the form of "genetic criticism," tracing the genesis of these cultural works, exploring their aesthetic meaning, and mapping the continuity of a central European tradition that has displayed remarkable vitality for over two centuries, as accumulated legacies assumed importance for later generations. Revealing the diversity of sources, rejected passages and movements, fragmentary unfinished works, and aborted projects that were absorbed into finished compositions, The Creative Process in Music from Mozart to Kurtag illustrates the wealth of insight that can be gained through studying the creative process. _x000B__x000B_ | ||
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Datensatz im Suchindex
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adam_text | |
any_adam_object | |
author | Kinderman, William 1952- |
author_GND | (DE-588)140853243 |
author_facet | Kinderman, William 1952- |
author_role | aut |
author_sort | Kinderman, William 1952- |
author_variant | w k wk |
building | Verbundindex |
bvnumber | BV043140440 |
collection | ZDB-4-EBA ZDB-1-UMC ZDB-30-PAD |
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dewey-full | 781.1/7 |
dewey-hundreds | 700 - The arts |
dewey-ones | 781 - General principles and musical forms |
dewey-raw | 781.1/7 |
dewey-search | 781.1/7 |
dewey-sort | 3781.1 17 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
doi_str_mv | 10.5406/illinois/9780252037160.001.0001 |
format | Electronic eBook |
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illustrated | Not Illustrated |
indexdate | 2024-10-13T16:01:09Z |
institution | BVB |
isbn | 1283712679 9781283712675 025209428X 9780252094286 9780252037160 0252037162 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028564631 |
oclc_num | 843112624 |
open_access_boolean | |
owner | DE-1046 DE-1047 DE-12 DE-Y3 |
owner_facet | DE-1046 DE-1047 DE-12 DE-Y3 |
physical | 1 Online-Ressource (xi, 233 p.) |
psigel | ZDB-4-EBA ZDB-1-UMC ZDB-30-PAD KUBA1-ZDB-30-PAD-2023 ZDB-4-EBA FAW_PDA_EBA ZDB-30-PAD KHI |
publishDate | 2012 |
publishDateSearch | 2012 |
publishDateSort | 2012 |
publisher | University of Illinois Press |
record_format | marc |
spelling | Kinderman, William 1952- Verfasser (DE-588)140853243 aut The creative process in music from Mozart to Kurtág William Kinderman Urbana University of Illinois Press c2012 1 Online-Ressource (xi, 233 p.) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index Great music arouses wonder: how did the composer create such an original work of art? What was the artist's inspiration, and how did that idea become a reality? Cultural products inevitably arise from a context, a submerged landscape that is often not easily accessible. To bring such things to light, studies of the creative process find their cutting edge by probing beyond the surface, opening new perspectives on the apparently familiar._x000B__x000B_In this intriguing study, William Kinderman opens the door to the composer's workshop, investigating not just the final outcome but the process of creative endeavor in music. Focusing on the stages of composition, Kinderman maintains that the most rigorous basis for the study of artistic creativity comes not from anecdotal or autobiographical reports, but from original handwritten sketches, drafts, revised manuscripts, and corrected proof sheets. He explores works of major composers from the eighteenth century to the present, from Mozart's piano music and Beethoven's Piano Trio in F to Kurtag's Kafka Fragments and Hommage à R. Sch. Other chapters examine Robert Schumann's Fantasie in C, Mahler's Fifth Symphony, and Bartók's Dance Suite._x000B__x000B_Kinderman's analysis takes the form of "genetic criticism," tracing the genesis of these cultural works, exploring their aesthetic meaning, and mapping the continuity of a central European tradition that has displayed remarkable vitality for over two centuries, as accumulated legacies assumed importance for later generations. Revealing the diversity of sources, rejected passages and movements, fragmentary unfinished works, and aborted projects that were absorbed into finished compositions, The Creative Process in Music from Mozart to Kurtag illustrates the wealth of insight that can be gained through studying the creative process. _x000B__x000B_ Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd rswk-swf Schumann, Robert 1810-1856 (DE-588)118611666 gnd rswk-swf Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd rswk-swf Mahler, Gustav 1860-1911 (DE-588)118576291 gnd rswk-swf Bartók, Béla 1881-1945 (DE-588)118506900 gnd rswk-swf Kurtág, György 1926- (DE-588)118810138 gnd rswk-swf MUSIC / Instruction & Study / Appreciation bisacsh MUSIC / Genres & Styles / Classical bisacsh Creation (Literary, artistic, etc.) fast Music fast Musik Music History and criticism Creation (Literary, artistic, etc.) Kreativität (DE-588)4032903-3 gnd rswk-swf Skizze (DE-588)4181668-7 gnd rswk-swf Thematische Arbeit (DE-588)7538821-2 gnd rswk-swf Komposition Musik (DE-588)4133320-2 gnd rswk-swf Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 p Beethoven, Ludwig van 1770-1827 (DE-588)118508288 p Schumann, Robert 1810-1856 (DE-588)118611666 p Mahler, Gustav 1860-1911 (DE-588)118576291 p Bartók, Béla 1881-1945 (DE-588)118506900 p Kurtág, György 1926- (DE-588)118810138 p Komposition Musik (DE-588)4133320-2 s Skizze (DE-588)4181668-7 s Thematische Arbeit (DE-588)7538821-2 s Kreativität (DE-588)4032903-3 s 1\p DE-604 https://doi.org/10.5406/illinois/9780252037160.001.0001 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Kinderman, William 1952- The creative process in music from Mozart to Kurtág Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd Schumann, Robert 1810-1856 (DE-588)118611666 gnd Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd Mahler, Gustav 1860-1911 (DE-588)118576291 gnd Bartók, Béla 1881-1945 (DE-588)118506900 gnd Kurtág, György 1926- (DE-588)118810138 gnd MUSIC / Instruction & Study / Appreciation bisacsh MUSIC / Genres & Styles / Classical bisacsh Creation (Literary, artistic, etc.) fast Music fast Musik Music History and criticism Creation (Literary, artistic, etc.) Kreativität (DE-588)4032903-3 gnd Skizze (DE-588)4181668-7 gnd Thematische Arbeit (DE-588)7538821-2 gnd Komposition Musik (DE-588)4133320-2 gnd |
subject_GND | (DE-588)118508288 (DE-588)118611666 (DE-588)118584596 (DE-588)118576291 (DE-588)118506900 (DE-588)118810138 (DE-588)4032903-3 (DE-588)4181668-7 (DE-588)7538821-2 (DE-588)4133320-2 |
title | The creative process in music from Mozart to Kurtág |
title_auth | The creative process in music from Mozart to Kurtág |
title_exact_search | The creative process in music from Mozart to Kurtág |
title_full | The creative process in music from Mozart to Kurtág William Kinderman |
title_fullStr | The creative process in music from Mozart to Kurtág William Kinderman |
title_full_unstemmed | The creative process in music from Mozart to Kurtág William Kinderman |
title_short | The creative process in music from Mozart to Kurtág |
title_sort | the creative process in music from mozart to kurtag |
topic | Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd Schumann, Robert 1810-1856 (DE-588)118611666 gnd Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd Mahler, Gustav 1860-1911 (DE-588)118576291 gnd Bartók, Béla 1881-1945 (DE-588)118506900 gnd Kurtág, György 1926- (DE-588)118810138 gnd MUSIC / Instruction & Study / Appreciation bisacsh MUSIC / Genres & Styles / Classical bisacsh Creation (Literary, artistic, etc.) fast Music fast Musik Music History and criticism Creation (Literary, artistic, etc.) Kreativität (DE-588)4032903-3 gnd Skizze (DE-588)4181668-7 gnd Thematische Arbeit (DE-588)7538821-2 gnd Komposition Musik (DE-588)4133320-2 gnd |
topic_facet | Beethoven, Ludwig van 1770-1827 Schumann, Robert 1810-1856 Mozart, Wolfgang Amadeus 1756-1791 Mahler, Gustav 1860-1911 Bartók, Béla 1881-1945 Kurtág, György 1926- MUSIC / Instruction & Study / Appreciation MUSIC / Genres & Styles / Classical Creation (Literary, artistic, etc.) Music Musik Music History and criticism Kreativität Skizze Thematische Arbeit Komposition Musik |
url | https://doi.org/10.5406/illinois/9780252037160.001.0001 |
work_keys_str_mv | AT kindermanwilliam thecreativeprocessinmusicfrommozarttokurtag |