Native recognition: indigenous cinema and the western
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Albany
SUNY Press
c2012
|
| Schriftenreihe: | SUNY series, horizons of cinema
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | "In Native Recognition, Joanna Hearne persuasively argues for the central role of Indigenous image-making in the history of American cinema. Across the twentieth and into the twenty-first centuries, Indigenous peoples have been involved in cinema as performers, directors, writers, consultants, crews, and audiences, yet both the specificity and range of this Native participation have often been obscured by the on-screen, larger-than-life images of Indians in the Western. Not only have Indigenous images mattered to the Western, but Westerns have also mattered to Indigenous filmmakers as they subvert mass culture images of supposedly "vanishing" Indians, repurposing the commodity forms of Hollywood films to envision Native intergenerational continuity. Through their interventions in forms of seeing and being seen in public culture, Native filmmakers have effectively marshaled the power of visual media to take part in national discussions of social justice and political sovereignty for North American Indigenous peoples. Native Recognition brings together a wide range of little-known productions, from the silent films of James Young Deer, to recovered prints of the 1928 Ramona and the 1972 House Made of Dawn, to the experimental and feature films of Victor Masayesva and Chris Eyre. Using international archival research and close visual analysis, Hearne expands our understanding of the complexity of Native presence in cinema both on screen and through the circuits of film production and consumption."--Publisher's website Reframing the western imaginary: James Young Deer, Lillian St. Cyr, and the "squaw man" Indian dramas -- "Strictly American cinemas": social protest in The vanishing American, Redskin, and Ramona -- "As if I were lost and finally found": repatriation and visual continuity in Imagining Indians and The return of Navajo boy -- Imagining the reservation in House made of dawn and Billy Jack -- "Indians watching Indians on TV": native spectatorship and the politics of recognition in Skins and Smoke signals Includes bibliographical references and index |
| Beschreibung: | 1 Online-Ressource (xx, 408 p.) |
| ISBN: | 1438443978 1438443994 1461921333 9781438443973 9781438443997 9781461921332 |
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Datensatz im Suchindex
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| author | Hearne, Joanna |
| author_facet | Hearne, Joanna |
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| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/658730497 |
| dewey-search | 791.43/658730497 |
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| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Electronic eBook |
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| spelling | Hearne, Joanna Verfasser aut Native recognition indigenous cinema and the western Joanna Hearne Albany SUNY Press c2012 1 Online-Ressource (xx, 408 p.) txt rdacontent c rdamedia cr rdacarrier SUNY series, horizons of cinema "In Native Recognition, Joanna Hearne persuasively argues for the central role of Indigenous image-making in the history of American cinema. Across the twentieth and into the twenty-first centuries, Indigenous peoples have been involved in cinema as performers, directors, writers, consultants, crews, and audiences, yet both the specificity and range of this Native participation have often been obscured by the on-screen, larger-than-life images of Indians in the Western. Not only have Indigenous images mattered to the Western, but Westerns have also mattered to Indigenous filmmakers as they subvert mass culture images of supposedly "vanishing" Indians, repurposing the commodity forms of Hollywood films to envision Native intergenerational continuity. Through their interventions in forms of seeing and being seen in public culture, Native filmmakers have effectively marshaled the power of visual media to take part in national discussions of social justice and political sovereignty for North American Indigenous peoples. Native Recognition brings together a wide range of little-known productions, from the silent films of James Young Deer, to recovered prints of the 1928 Ramona and the 1972 House Made of Dawn, to the experimental and feature films of Victor Masayesva and Chris Eyre. Using international archival research and close visual analysis, Hearne expands our understanding of the complexity of Native presence in cinema both on screen and through the circuits of film production and consumption."--Publisher's website Reframing the western imaginary: James Young Deer, Lillian St. Cyr, and the "squaw man" Indian dramas -- "Strictly American cinemas": social protest in The vanishing American, Redskin, and Ramona -- "As if I were lost and finally found": repatriation and visual continuity in Imagining Indians and The return of Navajo boy -- Imagining the reservation in House made of dawn and Billy Jack -- "Indians watching Indians on TV": native spectatorship and the politics of recognition in Skins and Smoke signals Includes bibliographical references and index Geschichte gnd rswk-swf ART / Film & Video bisacsh PERFORMING ARTS / Film & Video / Reference bisacsh Indians in motion pictures fast Indigenous films fast Western films fast Indians in motion pictures Indigenous films United States Western films United States Western Film (DE-588)4132716-0 gnd rswk-swf Indianer Motiv (DE-588)4122591-0 gnd rswk-swf Indigenes Volk Motiv (DE-588)4236450-4 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Film (DE-588)4017102-4 s Indigenes Volk Motiv (DE-588)4236450-4 s Indianer Motiv (DE-588)4122591-0 s Western Film (DE-588)4132716-0 s Geschichte z 1\p DE-604 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=545964 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Hearne, Joanna Native recognition indigenous cinema and the western ART / Film & Video bisacsh PERFORMING ARTS / Film & Video / Reference bisacsh Indians in motion pictures fast Indigenous films fast Western films fast Indians in motion pictures Indigenous films United States Western films United States Western Film (DE-588)4132716-0 gnd Indianer Motiv (DE-588)4122591-0 gnd Indigenes Volk Motiv (DE-588)4236450-4 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4132716-0 (DE-588)4122591-0 (DE-588)4236450-4 (DE-588)4017102-4 (DE-588)4078704-7 |
| title | Native recognition indigenous cinema and the western |
| title_auth | Native recognition indigenous cinema and the western |
| title_exact_search | Native recognition indigenous cinema and the western |
| title_full | Native recognition indigenous cinema and the western Joanna Hearne |
| title_fullStr | Native recognition indigenous cinema and the western Joanna Hearne |
| title_full_unstemmed | Native recognition indigenous cinema and the western Joanna Hearne |
| title_short | Native recognition |
| title_sort | native recognition indigenous cinema and the western |
| title_sub | indigenous cinema and the western |
| topic | ART / Film & Video bisacsh PERFORMING ARTS / Film & Video / Reference bisacsh Indians in motion pictures fast Indigenous films fast Western films fast Indians in motion pictures Indigenous films United States Western films United States Western Film (DE-588)4132716-0 gnd Indianer Motiv (DE-588)4122591-0 gnd Indigenes Volk Motiv (DE-588)4236450-4 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | ART / Film & Video PERFORMING ARTS / Film & Video / Reference Indians in motion pictures Indigenous films Western films Indigenous films United States Western films United States Western Film Indianer Motiv Indigenes Volk Motiv Film USA |
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