Integral drama: culture, consciousness and identity
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Rodopi
2008
|
| Schriftenreihe: | Consciousness, literature & the arts
15 |
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Includes bibliographical references (pages 177-182) and index Introduction -- The fall of private man in Harold Pinter's The birthday party -- Eugene Ionesco's Rhinoceros: defiance vs. conformity -- Tom Stoppard's Arcadia: orderly disorder -- Discovering happiness in Harold Pinter's The homecoming -- Luigi Pirandello's Six characters in search of an author: being vs. having form -- The reality of illusion in Jean Genet's The balcony -- Soyinka's integral drama: unity and the mistake of the intellect -- Bibliography -- Index of names "Integral Drama critically explores modern drama in the context of Indian aesthetics described in the Natyashastra and the vast, new interdisciplinary field of consciousness studies. It also focuses on how Indian theatre aesthetics has influenced modern drama theories and practice, and the extent to which this has promoted the development of higher consciousness in actors and audience. According to Indian aesthetics, rasa or aesthetic rapture is refers to bliss innate in the Self that manifests even in the absence of external sources of happiness. Overall, this book explores the relation between modern theatre and higher states of mind and demonstrates that one of the key purposes of theatre is to help the spectator experience the pure consciousness event described in consciousness studies by theorists such as Anna Bonshek, Ken Wilber, Robert K.C. Forman, Jonathan Shear, Daniel Meyer-Dinkgrafe, Ralph Yarrow and others." "Integral Drama will appeal not only to drama theorists but also to teachers and students of acting, as well as an educated general audience interested in understanding the aesthetic experience of theatre. Integral Drama, moreover, can be used as a textbook for acting and drama theory classes and would also appeal to university and public libraries. The book serves as a bridge between the ideas and experiences long understood through Indian philosophy and the many questions raised by modern theatre studies."--Jacket |
| Beschreibung: | 1 Online-Ressource (184 pages) |
| ISBN: | 1435641108 9042023899 9781435641105 9789042023895 |
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| format | Electronic eBook |
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| spelling | Haney, William S. Verfasser aut Integral drama culture, consciousness and identity William S. Haney II. Amsterdam Rodopi 2008 1 Online-Ressource (184 pages) txt rdacontent c rdamedia cr rdacarrier Consciousness, literature & the arts 15 Includes bibliographical references (pages 177-182) and index Introduction -- The fall of private man in Harold Pinter's The birthday party -- Eugene Ionesco's Rhinoceros: defiance vs. conformity -- Tom Stoppard's Arcadia: orderly disorder -- Discovering happiness in Harold Pinter's The homecoming -- Luigi Pirandello's Six characters in search of an author: being vs. having form -- The reality of illusion in Jean Genet's The balcony -- Soyinka's integral drama: unity and the mistake of the intellect -- Bibliography -- Index of names "Integral Drama critically explores modern drama in the context of Indian aesthetics described in the Natyashastra and the vast, new interdisciplinary field of consciousness studies. It also focuses on how Indian theatre aesthetics has influenced modern drama theories and practice, and the extent to which this has promoted the development of higher consciousness in actors and audience. According to Indian aesthetics, rasa or aesthetic rapture is refers to bliss innate in the Self that manifests even in the absence of external sources of happiness. Overall, this book explores the relation between modern theatre and higher states of mind and demonstrates that one of the key purposes of theatre is to help the spectator experience the pure consciousness event described in consciousness studies by theorists such as Anna Bonshek, Ken Wilber, Robert K.C. Forman, Jonathan Shear, Daniel Meyer-Dinkgrafe, Ralph Yarrow and others." "Integral Drama will appeal not only to drama theorists but also to teachers and students of acting, as well as an educated general audience interested in understanding the aesthetic experience of theatre. Integral Drama, moreover, can be used as a textbook for acting and drama theory classes and would also appeal to university and public libraries. The book serves as a bridge between the ideas and experiences long understood through Indian philosophy and the many questions raised by modern theatre studies."--Jacket Geschichte 1900-2000 Literature TRAVEL / Special Interest / Literary bisacsh LITERARY CRITICISM / General bisacsh Literatur Drama 20th century History and criticism Theory, etc Consciousness in literature Culture in literature Drama (DE-588)4012899-4 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Kulturelle Identität (DE-588)4033542-2 gnd rswk-swf Wahrnehmung (DE-588)4064317-7 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Indien (DE-588)4026722-2 gnd rswk-swf Drama (DE-588)4012899-4 s Kulturelle Identität (DE-588)4033542-2 s Theater (DE-588)4059702-7 s Wahrnehmung (DE-588)4064317-7 s Indien (DE-588)4026722-2 g Ästhetik (DE-588)4000626-8 s 1\p DE-604 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=222719 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Haney, William S. Integral drama culture, consciousness and identity Literature TRAVEL / Special Interest / Literary bisacsh LITERARY CRITICISM / General bisacsh Literatur Drama 20th century History and criticism Theory, etc Consciousness in literature Culture in literature Drama (DE-588)4012899-4 gnd Ästhetik (DE-588)4000626-8 gnd Kulturelle Identität (DE-588)4033542-2 gnd Wahrnehmung (DE-588)4064317-7 gnd Theater (DE-588)4059702-7 gnd |
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| title | Integral drama culture, consciousness and identity |
| title_auth | Integral drama culture, consciousness and identity |
| title_exact_search | Integral drama culture, consciousness and identity |
| title_full | Integral drama culture, consciousness and identity William S. Haney II. |
| title_fullStr | Integral drama culture, consciousness and identity William S. Haney II. |
| title_full_unstemmed | Integral drama culture, consciousness and identity William S. Haney II. |
| title_short | Integral drama |
| title_sort | integral drama culture consciousness and identity |
| title_sub | culture, consciousness and identity |
| topic | Literature TRAVEL / Special Interest / Literary bisacsh LITERARY CRITICISM / General bisacsh Literatur Drama 20th century History and criticism Theory, etc Consciousness in literature Culture in literature Drama (DE-588)4012899-4 gnd Ästhetik (DE-588)4000626-8 gnd Kulturelle Identität (DE-588)4033542-2 gnd Wahrnehmung (DE-588)4064317-7 gnd Theater (DE-588)4059702-7 gnd |
| topic_facet | Literature TRAVEL / Special Interest / Literary LITERARY CRITICISM / General Literatur Drama 20th century History and criticism Theory, etc Consciousness in literature Culture in literature Drama Ästhetik Kulturelle Identität Wahrnehmung Theater Indien |
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