Whose lives are they anyway?: the biopic as contemporary film genre
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New Brunswick, N.J.
Rutgers University Press
©2010
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Includes bibliographical references (pages 405-420) and index Introduction: a respectable genre of very low repute -- Book one: the great (White) man biopic and its discontents. Strachey's way, or all's well that ends Welles -- Rembrandt (1936) -- Citizen Kane and the biopic -- Lawrence of Arabia: "but does he really deserve a place in here?" -- Nixon, Oliver Stone, and the unmaking of the self-made man -- P.S.: W. -- Thirty two short films about Glenn Gould: ghost picture -- Ed Wood: the biopic of someone undeserving -- Spike Lee's Malcolm X: appropriation or assimilation? -- Raoul Peck's Lumumba: drama, documentary, and the postcolonial appropriation -- Book two: a woman's life is never done: female biopics. Prologue -- Superstar: The Karen Carpenter story: toying with the genre -- I want to live!: criminal woman, male discourses -- Barbra and Julie at the dawning of the Age of Aquarius -- Funny girl -- Star! -- Hacked: Gorillas in the mist and other female biopics in the 1980s -- An angel at my table: re-framing the female biography -- Erin Brockovich: Hollywood feminist revisionism, after a fashion -- Twenty-first-century women -- The notorious Bettie Page: free will, and God's will -- Marie Antoinette: the female biopic gets the guillotine -- I'm not there: some conclusions on a book concerning biopics Through detailed analyses and critiques of nearly twenty biopics, Whose Lives Are They Anyway? proves a critical point: The biopic is a genuine, dynamic genre and an important oneùit narrates, exhibits, and celebrates a subject's life and demonstrates, investigates, or questions his or her importance in the world; it illuminates the finer points of a personality; and, ultimately, it provides a medium for both artist and spectator to discover what it would be like to be that person, or a certain type of person |
| Beschreibung: | 1 Online-Ressource (xi, 432 pages) |
| ISBN: | 0813546583 0813549302 9780813546582 9780813549309 |
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| 500 | |a Includes bibliographical references (pages 405-420) and index | ||
| 500 | |a Introduction: a respectable genre of very low repute -- Book one: the great (White) man biopic and its discontents. Strachey's way, or all's well that ends Welles -- Rembrandt (1936) -- Citizen Kane and the biopic -- Lawrence of Arabia: "but does he really deserve a place in here?" -- Nixon, Oliver Stone, and the unmaking of the self-made man -- P.S.: W. -- Thirty two short films about Glenn Gould: ghost picture -- Ed Wood: the biopic of someone undeserving -- Spike Lee's Malcolm X: appropriation or assimilation? -- Raoul Peck's Lumumba: drama, documentary, and the postcolonial appropriation -- Book two: a woman's life is never done: female biopics. Prologue -- Superstar: The Karen Carpenter story: toying with the genre -- I want to live!: criminal woman, male discourses -- Barbra and Julie at the dawning of the Age of Aquarius -- Funny girl -- Star! -- Hacked: Gorillas in the mist and other female biopics in the 1980s -- An angel at my table: re-framing the female biography -- Erin Brockovich: Hollywood feminist revisionism, after a fashion -- Twenty-first-century women -- The notorious Bettie Page: free will, and God's will -- Marie Antoinette: the female biopic gets the guillotine -- I'm not there: some conclusions on a book concerning biopics | ||
| 500 | |a Through detailed analyses and critiques of nearly twenty biopics, Whose Lives Are They Anyway? proves a critical point: The biopic is a genuine, dynamic genre and an important oneùit narrates, exhibits, and celebrates a subject's life and demonstrates, investigates, or questions his or her importance in the world; it illuminates the finer points of a personality; and, ultimately, it provides a medium for both artist and spectator to discover what it would be like to be that person, or a certain type of person | ||
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Datensatz im Suchindex
| _version_ | 1804175581384802304 |
|---|---|
| any_adam_object | |
| author | Bingham, Dennis |
| author_facet | Bingham, Dennis |
| author_role | aut |
| author_sort | Bingham, Dennis |
| author_variant | d b db |
| building | Verbundindex |
| bvnumber | BV043136688 |
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| dewey-full | 791.43/65 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/65 |
| dewey-search | 791.43/65 |
| dewey-sort | 3791.43 265 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| id | DE-604.BV043136688 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:18:34Z |
| institution | BVB |
| isbn | 0813546583 0813549302 9780813546582 9780813549309 |
| language | English |
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| spelling | Bingham, Dennis Verfasser aut Whose lives are they anyway? the biopic as contemporary film genre Dennis Bingham New Brunswick, N.J. Rutgers University Press ©2010 1 Online-Ressource (xi, 432 pages) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references (pages 405-420) and index Introduction: a respectable genre of very low repute -- Book one: the great (White) man biopic and its discontents. Strachey's way, or all's well that ends Welles -- Rembrandt (1936) -- Citizen Kane and the biopic -- Lawrence of Arabia: "but does he really deserve a place in here?" -- Nixon, Oliver Stone, and the unmaking of the self-made man -- P.S.: W. -- Thirty two short films about Glenn Gould: ghost picture -- Ed Wood: the biopic of someone undeserving -- Spike Lee's Malcolm X: appropriation or assimilation? -- Raoul Peck's Lumumba: drama, documentary, and the postcolonial appropriation -- Book two: a woman's life is never done: female biopics. Prologue -- Superstar: The Karen Carpenter story: toying with the genre -- I want to live!: criminal woman, male discourses -- Barbra and Julie at the dawning of the Age of Aquarius -- Funny girl -- Star! -- Hacked: Gorillas in the mist and other female biopics in the 1980s -- An angel at my table: re-framing the female biography -- Erin Brockovich: Hollywood feminist revisionism, after a fashion -- Twenty-first-century women -- The notorious Bettie Page: free will, and God's will -- Marie Antoinette: the female biopic gets the guillotine -- I'm not there: some conclusions on a book concerning biopics Through detailed analyses and critiques of nearly twenty biopics, Whose Lives Are They Anyway? proves a critical point: The biopic is a genuine, dynamic genre and an important oneùit narrates, exhibits, and celebrates a subject's life and demonstrates, investigates, or questions his or her importance in the world; it illuminates the finer points of a personality; and, ultimately, it provides a medium for both artist and spectator to discover what it would be like to be that person, or a certain type of person PERFORMING ARTS / Film & Video / Reference bisacsh SOCIAL SCIENCE / Anthropology / Cultural bisacsh Biographical films fast Biographical films History and criticism Biografischer Film (DE-588)4373947-7 gnd rswk-swf Biografischer Film (DE-588)4373947-7 s 1\p DE-604 Erscheint auch als Druckausgabe 0-8135-4657-5 Erscheint auch als Druckausgabe 978-0-8135-4657-5 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=321680 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Bingham, Dennis Whose lives are they anyway? the biopic as contemporary film genre PERFORMING ARTS / Film & Video / Reference bisacsh SOCIAL SCIENCE / Anthropology / Cultural bisacsh Biographical films fast Biographical films History and criticism Biografischer Film (DE-588)4373947-7 gnd |
| subject_GND | (DE-588)4373947-7 |
| title | Whose lives are they anyway? the biopic as contemporary film genre |
| title_auth | Whose lives are they anyway? the biopic as contemporary film genre |
| title_exact_search | Whose lives are they anyway? the biopic as contemporary film genre |
| title_full | Whose lives are they anyway? the biopic as contemporary film genre Dennis Bingham |
| title_fullStr | Whose lives are they anyway? the biopic as contemporary film genre Dennis Bingham |
| title_full_unstemmed | Whose lives are they anyway? the biopic as contemporary film genre Dennis Bingham |
| title_short | Whose lives are they anyway? |
| title_sort | whose lives are they anyway the biopic as contemporary film genre |
| title_sub | the biopic as contemporary film genre |
| topic | PERFORMING ARTS / Film & Video / Reference bisacsh SOCIAL SCIENCE / Anthropology / Cultural bisacsh Biographical films fast Biographical films History and criticism Biografischer Film (DE-588)4373947-7 gnd |
| topic_facet | PERFORMING ARTS / Film & Video / Reference SOCIAL SCIENCE / Anthropology / Cultural Biographical films Biographical films History and criticism Biografischer Film |
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