Off beat: pluralizing rhythm
Gespeichert in:
| Format: | Elektronisch E-Book |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Editions Rodopi
[2013]
|
| Schriftenreihe: | Thamyris intersecting
no. 26 |
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Cover; Title Page; Copyright Page; Contents; Introduction; ¿Y Tú, Qué Has Hecho De Mis Ritmos? The Buena Vista Social Club and the Repeating Island; Turning the Machine into a Slovenly Machine: Donna Summer, Giorgio Moroder, and ""I Feel Love""; Aesthetic Potentials of Rhythm in Hip Hop Music and Culture: Rhythmic Conventions, Skills, and Everyday Life; Overcome the Pain: Rhythmic Transgression in Heavy Metal Music; Kairos, the Rhythm of Timing; Rhythm and Balance in Sculpture and Poetry; Subversive Rhythms: Postcolonial Prosody and Indo-Anglian Poetry AlgoRHYTHMS Everywhere: A Heuristic Approach to Everyday TechnologiesInvisibility's Beat: Ralph Ellison, Rhythm, and Cinema's Blind Field; The Good Foot: James Brown's Revolutionary Rhythmic Interventions; Contributors; Index Off Beat: Pluralizing Rhythm draws attention to rhythm as a tool for analyzing various cultural objects. In fields as diverse as music, culture, nature, and economy, rhythm can be seen as a phenomenon that both connects and divides. It suggests a certain measure with which people, practices, and cultures may comply. Yet, for this very reason rhythm can also function as a field of exclusion, contestation, and debate. In that respect, rhythm possesses an underestimated meaning-creating potential. Whereas its connecting force is often accentuated in the aesthetic, political, and commercial usage |
| Beschreibung: | 1 Online-Ressource (204 pages) |
| ISBN: | 9401208875 9789401208871 |
Internformat
MARC
| LEADER | 00000nmm a2200000zcb4500 | ||
|---|---|---|---|
| 001 | BV043135376 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 151126s2013 |||| o||u| ||||||eng d | ||
| 020 | |a 9401208875 |9 94-012-0887-5 | ||
| 020 | |a 9789401208871 |9 978-94-012-0887-1 | ||
| 035 | |a (OCoLC)858764921 | ||
| 035 | |a (DE-599)BVBBV043135376 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1046 |a DE-1047 | ||
| 082 | 0 | |a 152.3 |2 23 | |
| 245 | 1 | 0 | |a Off beat |b pluralizing rhythm |c editors, Jan Hein Hoogstad and Birgitte Stougaard Pedersen |
| 264 | 1 | |a Amsterdam |b Editions Rodopi |c [2013] | |
| 300 | |a 1 Online-Ressource (204 pages) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Thamyris intersecting |v no. 26 | |
| 500 | |a Cover; Title Page; Copyright Page; Contents; Introduction; ¿Y Tú, Qué Has Hecho De Mis Ritmos? The Buena Vista Social Club and the Repeating Island; Turning the Machine into a Slovenly Machine: Donna Summer, Giorgio Moroder, and ""I Feel Love""; Aesthetic Potentials of Rhythm in Hip Hop Music and Culture: Rhythmic Conventions, Skills, and Everyday Life; Overcome the Pain: Rhythmic Transgression in Heavy Metal Music; Kairos, the Rhythm of Timing; Rhythm and Balance in Sculpture and Poetry; Subversive Rhythms: Postcolonial Prosody and Indo-Anglian Poetry | ||
| 500 | |a AlgoRHYTHMS Everywhere: A Heuristic Approach to Everyday TechnologiesInvisibility's Beat: Ralph Ellison, Rhythm, and Cinema's Blind Field; The Good Foot: James Brown's Revolutionary Rhythmic Interventions; Contributors; Index | ||
| 500 | |a Off Beat: Pluralizing Rhythm draws attention to rhythm as a tool for analyzing various cultural objects. In fields as diverse as music, culture, nature, and economy, rhythm can be seen as a phenomenon that both connects and divides. It suggests a certain measure with which people, practices, and cultures may comply. Yet, for this very reason rhythm can also function as a field of exclusion, contestation, and debate. In that respect, rhythm possesses an underestimated meaning-creating potential. Whereas its connecting force is often accentuated in the aesthetic, political, and commercial usage | ||
| 650 | 7 | |a PSYCHOLOGY / Physiological Psychology |2 bisacsh | |
| 650 | 4 | |a Gesellschaft | |
| 650 | 4 | |a Rhythm |x Social aspects | |
| 650 | 0 | 7 | |a Rhythmus |0 (DE-588)4132330-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musikalischer Stil |0 (DE-588)4170806-4 |2 gnd |9 rswk-swf |
| 655 | 7 | |8 1\p |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Rhythmus |0 (DE-588)4132330-0 |D s |
| 689 | 0 | 1 | |a Musikalischer Stil |0 (DE-588)4170806-4 |D s |
| 689 | 0 | |8 2\p |5 DE-604 | |
| 700 | 1 | |a Hoogstad, J. |e Sonstige |4 oth | |
| 700 | 1 | |a Stougaard Pedersen, Birgitte |e Sonstige |4 oth | |
| 856 | 4 | 0 | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=641383 |x Aggregator |3 Volltext |
| 912 | |a ZDB-4-EBA | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-028559567 | ||
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 2\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=641383 |l FAW01 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
| 966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=641383 |l FAW02 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804175578880802816 |
|---|---|
| any_adam_object | |
| building | Verbundindex |
| bvnumber | BV043135376 |
| collection | ZDB-4-EBA |
| ctrlnum | (OCoLC)858764921 (DE-599)BVBBV043135376 |
| dewey-full | 152.3 |
| dewey-hundreds | 100 - Philosophy & psychology |
| dewey-ones | 152 - Perception, movement, emotions & drives |
| dewey-raw | 152.3 |
| dewey-search | 152.3 |
| dewey-sort | 3152.3 |
| dewey-tens | 150 - Psychology |
| discipline | Psychologie |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03491nmm a2200517zcb4500</leader><controlfield tag="001">BV043135376</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">151126s2013 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9401208875</subfield><subfield code="9">94-012-0887-5</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789401208871</subfield><subfield code="9">978-94-012-0887-1</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)858764921</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043135376</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-1047</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">152.3</subfield><subfield code="2">23</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Off beat</subfield><subfield code="b">pluralizing rhythm</subfield><subfield code="c">editors, Jan Hein Hoogstad and Birgitte Stougaard Pedersen</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Amsterdam</subfield><subfield code="b">Editions Rodopi</subfield><subfield code="c">[2013]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (204 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Thamyris intersecting</subfield><subfield code="v">no. 26</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Cover; Title Page; Copyright Page; Contents; Introduction; ¿Y Tú, Qué Has Hecho De Mis Ritmos? The Buena Vista Social Club and the Repeating Island; Turning the Machine into a Slovenly Machine: Donna Summer, Giorgio Moroder, and ""I Feel Love""; Aesthetic Potentials of Rhythm in Hip Hop Music and Culture: Rhythmic Conventions, Skills, and Everyday Life; Overcome the Pain: Rhythmic Transgression in Heavy Metal Music; Kairos, the Rhythm of Timing; Rhythm and Balance in Sculpture and Poetry; Subversive Rhythms: Postcolonial Prosody and Indo-Anglian Poetry</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">AlgoRHYTHMS Everywhere: A Heuristic Approach to Everyday TechnologiesInvisibility's Beat: Ralph Ellison, Rhythm, and Cinema's Blind Field; The Good Foot: James Brown's Revolutionary Rhythmic Interventions; Contributors; Index</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Off Beat: Pluralizing Rhythm draws attention to rhythm as a tool for analyzing various cultural objects. In fields as diverse as music, culture, nature, and economy, rhythm can be seen as a phenomenon that both connects and divides. It suggests a certain measure with which people, practices, and cultures may comply. Yet, for this very reason rhythm can also function as a field of exclusion, contestation, and debate. In that respect, rhythm possesses an underestimated meaning-creating potential. Whereas its connecting force is often accentuated in the aesthetic, political, and commercial usage</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PSYCHOLOGY / Physiological Psychology</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Gesellschaft</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Rhythm</subfield><subfield code="x">Social aspects</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Rhythmus</subfield><subfield code="0">(DE-588)4132330-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikalischer Stil</subfield><subfield code="0">(DE-588)4170806-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="8">1\p</subfield><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Rhythmus</subfield><subfield code="0">(DE-588)4132330-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Musikalischer Stil</subfield><subfield code="0">(DE-588)4170806-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">2\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Hoogstad, J.</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Stougaard Pedersen, Birgitte</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=641383</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-028559567</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=641383</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=641383</subfield><subfield code="l">FAW02</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| genre | 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV043135376 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:18:31Z |
| institution | BVB |
| isbn | 9401208875 9789401208871 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028559567 |
| oclc_num | 858764921 |
| open_access_boolean | |
| owner | DE-1046 DE-1047 |
| owner_facet | DE-1046 DE-1047 |
| physical | 1 Online-Ressource (204 pages) |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Editions Rodopi |
| record_format | marc |
| series2 | Thamyris intersecting |
| spelling | Off beat pluralizing rhythm editors, Jan Hein Hoogstad and Birgitte Stougaard Pedersen Amsterdam Editions Rodopi [2013] 1 Online-Ressource (204 pages) txt rdacontent c rdamedia cr rdacarrier Thamyris intersecting no. 26 Cover; Title Page; Copyright Page; Contents; Introduction; ¿Y Tú, Qué Has Hecho De Mis Ritmos? The Buena Vista Social Club and the Repeating Island; Turning the Machine into a Slovenly Machine: Donna Summer, Giorgio Moroder, and ""I Feel Love""; Aesthetic Potentials of Rhythm in Hip Hop Music and Culture: Rhythmic Conventions, Skills, and Everyday Life; Overcome the Pain: Rhythmic Transgression in Heavy Metal Music; Kairos, the Rhythm of Timing; Rhythm and Balance in Sculpture and Poetry; Subversive Rhythms: Postcolonial Prosody and Indo-Anglian Poetry AlgoRHYTHMS Everywhere: A Heuristic Approach to Everyday TechnologiesInvisibility's Beat: Ralph Ellison, Rhythm, and Cinema's Blind Field; The Good Foot: James Brown's Revolutionary Rhythmic Interventions; Contributors; Index Off Beat: Pluralizing Rhythm draws attention to rhythm as a tool for analyzing various cultural objects. In fields as diverse as music, culture, nature, and economy, rhythm can be seen as a phenomenon that both connects and divides. It suggests a certain measure with which people, practices, and cultures may comply. Yet, for this very reason rhythm can also function as a field of exclusion, contestation, and debate. In that respect, rhythm possesses an underestimated meaning-creating potential. Whereas its connecting force is often accentuated in the aesthetic, political, and commercial usage PSYCHOLOGY / Physiological Psychology bisacsh Gesellschaft Rhythm Social aspects Rhythmus (DE-588)4132330-0 gnd rswk-swf Musikalischer Stil (DE-588)4170806-4 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Rhythmus (DE-588)4132330-0 s Musikalischer Stil (DE-588)4170806-4 s 2\p DE-604 Hoogstad, J. Sonstige oth Stougaard Pedersen, Birgitte Sonstige oth http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=641383 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Off beat pluralizing rhythm PSYCHOLOGY / Physiological Psychology bisacsh Gesellschaft Rhythm Social aspects Rhythmus (DE-588)4132330-0 gnd Musikalischer Stil (DE-588)4170806-4 gnd |
| subject_GND | (DE-588)4132330-0 (DE-588)4170806-4 (DE-588)4143413-4 |
| title | Off beat pluralizing rhythm |
| title_auth | Off beat pluralizing rhythm |
| title_exact_search | Off beat pluralizing rhythm |
| title_full | Off beat pluralizing rhythm editors, Jan Hein Hoogstad and Birgitte Stougaard Pedersen |
| title_fullStr | Off beat pluralizing rhythm editors, Jan Hein Hoogstad and Birgitte Stougaard Pedersen |
| title_full_unstemmed | Off beat pluralizing rhythm editors, Jan Hein Hoogstad and Birgitte Stougaard Pedersen |
| title_short | Off beat |
| title_sort | off beat pluralizing rhythm |
| title_sub | pluralizing rhythm |
| topic | PSYCHOLOGY / Physiological Psychology bisacsh Gesellschaft Rhythm Social aspects Rhythmus (DE-588)4132330-0 gnd Musikalischer Stil (DE-588)4170806-4 gnd |
| topic_facet | PSYCHOLOGY / Physiological Psychology Gesellschaft Rhythm Social aspects Rhythmus Musikalischer Stil Aufsatzsammlung |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=641383 |
| work_keys_str_mv | AT hoogstadj offbeatpluralizingrhythm AT stougaardpedersenbirgitte offbeatpluralizingrhythm |