Children of Marx and Coca-Cola: Chinese avant-garde art and independent cinema
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Honolulu
University of Hawai'i Press
c2010
|
| Schriftenreihe: | Critical interventions (Honolulu, Hawaii)
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 Includes bibliographical references (p. 293-305) and index Reading Chinese avant-garde art and independent cinema in context -- Re-creating urban space in avant-garde art -- Discourse and displacement : contemplating Beijing's urban landscape -- Beijing : Yin Xiuzhen's The ruined city -- Globalism or nationalism? : Cai Guoqiang, Zhang Huan, and Xu Bing in New York -- China's lost youth through the lens of independent cinema -- New Chinese cinema of the "sixth generation" : a distant cry of forsaken children -- Behind Chinese walls : the uncanny power of matriarchy in Wang Chao's Anyang orphan -- The imagery of postsocialist trauma in Peacock, Shanghai dreams, and Stolen life -- In quest of meaning in a spiritual void : film and video -- Jia Zhangke's cinematic trilogy : a journey across the ruins of post-Mao China -- The video works of Yang Fudong : an ultimate escape from a global nightmare -- Ning Hao's Incense : a curious tale of early Buddhism -- Chinese artists and filmmakers at the beginning of a new century Children of Marx and Coca-Cola affords a deep study of Chinese avant-garde art and independent cinema from the mid-1990s to the beginning of the twenty-first century. Informed by the author's experience in Beijing and New York--global cities with extensive access to an emergent transnational Chinese visual culture--this work situates selected artworks and films in the context of Chinese nationalism and postsocialism and against the background of the capitalist globalization that has so radically affected contemporary China. It juxtaposes and compares avant-garde artists and independent filmmakers from a number of intertwined perspectives, particularly in their shared avant-garde postures and perceptions. Xiaoping Lin provides illuminating close readings of a variety of visual texts and artistic practices, including installation, performance, painting, photography, video, and film. Throughout, he sustains a theoretical discussion of representative artworks and films and succeeds in delineating a variegated postsocialist cultural landscape saturated by market forces, confused values, and lost faith. This refreshing approach is due to Lin's ability to tackle both Chinese art and cinema rigorously within a shared discursive space. He, for example, aptly conceptualizes a central thematic concern in both genres as "postsocialist trauma" aggravated by capitalist globalization. By thus focusing exclusively on the two parallel and often intersecting movements or phenomena in the visual arts, his work brings about a fruitful dialog between the narrow field of traditional art history and visual studies more generally. Children of Marx and Coca-Cola will be a major contribution to China studies, art history, film studies, and cultural studies. Multiple audiences--specialists, teachers, and students in these disciplines, as well as general readers with an interest in contemporary Chinese society and culture--will find that this work fulfills an urgent need for sophisticated analysis of China's cultural production as it assumes a key role in capitalist globalization |
| Beschreibung: | 1 Online-Ressource (ix, 312 p.) |
| ISBN: | 0824837630 1441671293 9780824837631 9781441671295 |
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| _version_ | 1804175576910528512 |
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| any_adam_object | |
| author | Lin, Xiaoping |
| author_facet | Lin, Xiaoping |
| author_role | aut |
| author_sort | Lin, Xiaoping |
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| geographic | China (DE-588)4009937-4 gnd |
| geographic_facet | China |
| id | DE-604.BV043134295 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:18:29Z |
| institution | BVB |
| isbn | 0824837630 1441671293 9780824837631 9781441671295 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028558486 |
| oclc_num | 663886465 |
| open_access_boolean | |
| owner | DE-1046 DE-1047 |
| owner_facet | DE-1046 DE-1047 |
| physical | 1 Online-Ressource (ix, 312 p.) |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 2010 |
| publishDateSearch | 2010 |
| publishDateSort | 2010 |
| publisher | University of Hawai'i Press |
| record_format | marc |
| series2 | Critical interventions (Honolulu, Hawaii) |
| spelling | Lin, Xiaoping Verfasser aut Children of Marx and Coca-Cola Chinese avant-garde art and independent cinema Xiaoping Lin Honolulu University of Hawai'i Press c2010 1 Online-Ressource (ix, 312 p.) txt rdacontent c rdamedia cr rdacarrier Critical interventions (Honolulu, Hawaii) Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 Includes bibliographical references (p. 293-305) and index Reading Chinese avant-garde art and independent cinema in context -- Re-creating urban space in avant-garde art -- Discourse and displacement : contemplating Beijing's urban landscape -- Beijing : Yin Xiuzhen's The ruined city -- Globalism or nationalism? : Cai Guoqiang, Zhang Huan, and Xu Bing in New York -- China's lost youth through the lens of independent cinema -- New Chinese cinema of the "sixth generation" : a distant cry of forsaken children -- Behind Chinese walls : the uncanny power of matriarchy in Wang Chao's Anyang orphan -- The imagery of postsocialist trauma in Peacock, Shanghai dreams, and Stolen life -- In quest of meaning in a spiritual void : film and video -- Jia Zhangke's cinematic trilogy : a journey across the ruins of post-Mao China -- The video works of Yang Fudong : an ultimate escape from a global nightmare -- Ning Hao's Incense : a curious tale of early Buddhism -- Chinese artists and filmmakers at the beginning of a new century Children of Marx and Coca-Cola affords a deep study of Chinese avant-garde art and independent cinema from the mid-1990s to the beginning of the twenty-first century. Informed by the author's experience in Beijing and New York--global cities with extensive access to an emergent transnational Chinese visual culture--this work situates selected artworks and films in the context of Chinese nationalism and postsocialism and against the background of the capitalist globalization that has so radically affected contemporary China. It juxtaposes and compares avant-garde artists and independent filmmakers from a number of intertwined perspectives, particularly in their shared avant-garde postures and perceptions. Xiaoping Lin provides illuminating close readings of a variety of visual texts and artistic practices, including installation, performance, painting, photography, video, and film. Throughout, he sustains a theoretical discussion of representative artworks and films and succeeds in delineating a variegated postsocialist cultural landscape saturated by market forces, confused values, and lost faith. This refreshing approach is due to Lin's ability to tackle both Chinese art and cinema rigorously within a shared discursive space. He, for example, aptly conceptualizes a central thematic concern in both genres as "postsocialist trauma" aggravated by capitalist globalization. By thus focusing exclusively on the two parallel and often intersecting movements or phenomena in the visual arts, his work brings about a fruitful dialog between the narrow field of traditional art history and visual studies more generally. Children of Marx and Coca-Cola will be a major contribution to China studies, art history, film studies, and cultural studies. Multiple audiences--specialists, teachers, and students in these disciplines, as well as general readers with an interest in contemporary Chinese society and culture--will find that this work fulfills an urgent need for sophisticated analysis of China's cultural production as it assumes a key role in capitalist globalization Geschichte 1995-2005 swd 1900 - 2099 fast Geschichte 1900-2000 Geschichte 1995-2005 gnd rswk-swf ART / Reference bisacsh ART / Performance bisacsh Avant-garde gtt Filmkunst gtt Kapitalisme gtt Internationalisatie gtt Kunst swd Film swd Art, Chinese fast Arts and globalization fast Avant-garde (Aesthetics) fast Independent films fast ART / Subjects & Themes / General bisacsh Film Globalisierung Kapitalismus Art, Chinese 20th century Art, Chinese 21st century Independent films China History and criticism Avant-garde (Aesthetics) China Arts and globalization China Film (DE-588)4017102-4 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf China (DE-588)4009937-4 gnd rswk-swf China (DE-588)4009937-4 g Kunst (DE-588)4114333-4 s Geschichte 1995-2005 z 1\p DE-604 Film (DE-588)4017102-4 s 2\p DE-604 Erscheint auch als Druckausgabe 0-8248-3336-8 Erscheint auch als Druckausgabe 978-0-8248-3336-7 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=336281 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Lin, Xiaoping Children of Marx and Coca-Cola Chinese avant-garde art and independent cinema ART / Reference bisacsh ART / Performance bisacsh Avant-garde gtt Filmkunst gtt Kapitalisme gtt Internationalisatie gtt Kunst swd Film swd Art, Chinese fast Arts and globalization fast Avant-garde (Aesthetics) fast Independent films fast ART / Subjects & Themes / General bisacsh Film Globalisierung Kapitalismus Art, Chinese 20th century Art, Chinese 21st century Independent films China History and criticism Avant-garde (Aesthetics) China Arts and globalization China Film (DE-588)4017102-4 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4114333-4 (DE-588)4009937-4 |
| title | Children of Marx and Coca-Cola Chinese avant-garde art and independent cinema |
| title_auth | Children of Marx and Coca-Cola Chinese avant-garde art and independent cinema |
| title_exact_search | Children of Marx and Coca-Cola Chinese avant-garde art and independent cinema |
| title_full | Children of Marx and Coca-Cola Chinese avant-garde art and independent cinema Xiaoping Lin |
| title_fullStr | Children of Marx and Coca-Cola Chinese avant-garde art and independent cinema Xiaoping Lin |
| title_full_unstemmed | Children of Marx and Coca-Cola Chinese avant-garde art and independent cinema Xiaoping Lin |
| title_short | Children of Marx and Coca-Cola |
| title_sort | children of marx and coca cola chinese avant garde art and independent cinema |
| title_sub | Chinese avant-garde art and independent cinema |
| topic | ART / Reference bisacsh ART / Performance bisacsh Avant-garde gtt Filmkunst gtt Kapitalisme gtt Internationalisatie gtt Kunst swd Film swd Art, Chinese fast Arts and globalization fast Avant-garde (Aesthetics) fast Independent films fast ART / Subjects & Themes / General bisacsh Film Globalisierung Kapitalismus Art, Chinese 20th century Art, Chinese 21st century Independent films China History and criticism Avant-garde (Aesthetics) China Arts and globalization China Film (DE-588)4017102-4 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | ART / Reference ART / Performance Avant-garde Filmkunst Kapitalisme Internationalisatie Kunst Film Art, Chinese Arts and globalization Avant-garde (Aesthetics) Independent films ART / Subjects & Themes / General Globalisierung Kapitalismus Art, Chinese 20th century Art, Chinese 21st century Independent films China History and criticism Avant-garde (Aesthetics) China Arts and globalization China China |
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