Film noir, American workers, and postwar Hollywood:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Gainesville
University Press of Florida
c2009
|
| Schriftenreihe: | Working in the Americas
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Let a thousand fetish objects bloom -- The Home-front detective as dissident lawman (and -woman): Hammett, Chandler, Woolrich, and 1940s Hollywood -- Noir part 1: socialism in one genre: wildcat strikers, fugitive outsiders, and a savage lament -- Noir part 2: fugitive kinds -- The McCarthyite crime film: the time of the (quasi-scientific) toad (criminal/informer/vigilante cops versus psychotic fugitives) -- The neo-noirers: fugitives, surrealists, and the return of the degenerate detective -- Crime films of each film noir period Includes bibliographical references (p. [157]-169) and index "Ever since French critics began using the term film noir in the mid-1940s, a clear definition of the genre has remained elusive. Though sometimes defined visually, there is more to film noir than meets the eye. This interdisciplinary examination argues for the central importance of class in the creation of film noir and demonstrates how the form itself came to fruition during one of the most active periods of working-class agitation and middle-class antagonism in American history." "After World War II, the crime film centered around the movement of its protagonist outside the law. This movement was congruent with postwar labor movements that were forced to use extralegal means because of the increasing pressure applied by new legislation such as the Taft-Hartley Act, which declared strikes to be illegal. At the same time, many unionists were driven out of the industries they helped to organize by the House Un-American Activities Committee. It is during this period that noir became a lament, with protagonists moving further outside the law to seek justice and with these struggles written on their battered corpses at the end of the film." "Expanding this investigation into Cold War and post-9/11 America, Broe extends his analysis of the ways film noir is intimately connected to labor history. The constructed nature of the cold war and its lurch toward conservatism points to the war on terrorism and the struggles within and between global capital, class, race, and gender."--Jacket |
| Beschreibung: | 1 Online-Ressource (xxxv, 178 p.) |
| ISBN: | 0813033225 081303549X 0813040035 9780813033228 9780813035499 9780813040035 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV043134269 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 151126s2009 |||| o||u| ||||||eng d | ||
| 020 | |a 0813033225 |9 0-8130-3322-5 | ||
| 020 | |a 081303549X |9 0-8130-3549-X | ||
| 020 | |a 0813040035 |c electronic bk. |9 0-8130-4003-5 | ||
| 020 | |a 9780813033228 |9 978-0-8130-3322-8 | ||
| 020 | |a 9780813035499 |9 978-0-8130-3549-9 | ||
| 020 | |a 9780813040035 |c electronic bk. |9 978-0-8130-4003-5 | ||
| 035 | |a (OCoLC)747426555 | ||
| 035 | |a (DE-599)BVBBV043134269 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1046 |a DE-1047 | ||
| 082 | 0 | |a 791.43/6556 |2 22 | |
| 100 | 1 | |a Broe, Dennis |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Film noir, American workers, and postwar Hollywood |c Dennis Broe ; foreword by Richard Greenwald and Timothy Minchin |
| 264 | 1 | |a Gainesville |b University Press of Florida |c c2009 | |
| 300 | |a 1 Online-Ressource (xxxv, 178 p.) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Working in the Americas | |
| 500 | |a Let a thousand fetish objects bloom -- The Home-front detective as dissident lawman (and -woman): Hammett, Chandler, Woolrich, and 1940s Hollywood -- Noir part 1: socialism in one genre: wildcat strikers, fugitive outsiders, and a savage lament -- Noir part 2: fugitive kinds -- The McCarthyite crime film: the time of the (quasi-scientific) toad (criminal/informer/vigilante cops versus psychotic fugitives) -- The neo-noirers: fugitives, surrealists, and the return of the degenerate detective -- Crime films of each film noir period | ||
| 500 | |a Includes bibliographical references (p. [157]-169) and index | ||
| 500 | |a "Ever since French critics began using the term film noir in the mid-1940s, a clear definition of the genre has remained elusive. Though sometimes defined visually, there is more to film noir than meets the eye. This interdisciplinary examination argues for the central importance of class in the creation of film noir and demonstrates how the form itself came to fruition during one of the most active periods of working-class agitation and middle-class antagonism in American history." "After World War II, the crime film centered around the movement of its protagonist outside the law. This movement was congruent with postwar labor movements that were forced to use extralegal means because of the increasing pressure applied by new legislation such as the Taft-Hartley Act, which declared strikes to be illegal. At the same time, many unionists were driven out of the industries they helped to organize by the House Un-American Activities Committee. It is during this period that noir became a lament, with protagonists moving further outside the law to seek justice and with these struggles written on their battered corpses at the end of the film." "Expanding this investigation into Cold War and post-9/11 America, Broe extends his analysis of the ways film noir is intimately connected to labor history. The constructed nature of the cold war and its lurch toward conservatism points to the war on terrorism and the struggles within and between global capital, class, race, and gender."--Jacket | ||
| 648 | 7 | |a Geschichte 1900-2000 |2 idszbz | |
| 648 | 7 | |a Geschichte 1940-1970 |2 idszbz | |
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 7 | |a ART / Film & Video |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / Reference |2 bisacsh | |
| 650 | 7 | |a Schwarzer Film |2 idszbz | |
| 650 | 7 | |a Kriminalfilm |2 idszbz | |
| 650 | 7 | |a Proletariat |2 idszbz | |
| 650 | 7 | |a Film noir |2 swd | |
| 650 | 7 | |a Kriminalfilm |2 swd | |
| 650 | 7 | |a Arbeiter <Motiv> |2 swd | |
| 650 | 7 | |a Crime films |2 fast | |
| 650 | 7 | |a Film noir |2 fast | |
| 650 | 7 | |a Working class in motion pictures |2 fast | |
| 650 | 4 | |a Film noir |z United States |x History and criticism | |
| 650 | 4 | |a Crime films |z United States |x History and criticism | |
| 650 | 4 | |a Working class in motion pictures | |
| 650 | 0 | 7 | |a Film noir |0 (DE-588)4116435-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Arbeiter |g Motiv |0 (DE-588)4132011-6 |2 gnd |9 rswk-swf |
| 651 | 4 | |a USA | |
| 651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
| 689 | 0 | 1 | |a Film noir |0 (DE-588)4116435-0 |D s |
| 689 | 0 | 2 | |a Arbeiter |g Motiv |0 (DE-588)4132011-6 |D s |
| 689 | 0 | 3 | |a Geschichte |A z |
| 689 | 0 | |8 1\p |5 DE-604 | |
| 856 | 4 | 0 | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=380219 |x Aggregator |3 Volltext |
| 912 | |a ZDB-4-EBA | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-028558460 | ||
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=380219 |l FAW01 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
| 966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=380219 |l FAW02 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804175576864391168 |
|---|---|
| any_adam_object | |
| author | Broe, Dennis |
| author_facet | Broe, Dennis |
| author_role | aut |
| author_sort | Broe, Dennis |
| author_variant | d b db |
| building | Verbundindex |
| bvnumber | BV043134269 |
| collection | ZDB-4-EBA |
| ctrlnum | (OCoLC)747426555 (DE-599)BVBBV043134269 |
| dewey-full | 791.43/6556 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/6556 |
| dewey-search | 791.43/6556 |
| dewey-sort | 3791.43 46556 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | Geschichte 1900-2000 idszbz Geschichte 1940-1970 idszbz Geschichte gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1940-1970 Geschichte |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05017nmm a2200745zc 4500</leader><controlfield tag="001">BV043134269</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">151126s2009 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0813033225</subfield><subfield code="9">0-8130-3322-5</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">081303549X</subfield><subfield code="9">0-8130-3549-X</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0813040035</subfield><subfield code="c">electronic bk.</subfield><subfield code="9">0-8130-4003-5</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780813033228</subfield><subfield code="9">978-0-8130-3322-8</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780813035499</subfield><subfield code="9">978-0-8130-3549-9</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780813040035</subfield><subfield code="c">electronic bk.</subfield><subfield code="9">978-0-8130-4003-5</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)747426555</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043134269</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-1047</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.43/6556</subfield><subfield code="2">22</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Broe, Dennis</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Film noir, American workers, and postwar Hollywood</subfield><subfield code="c">Dennis Broe ; foreword by Richard Greenwald and Timothy Minchin</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Gainesville</subfield><subfield code="b">University Press of Florida</subfield><subfield code="c">c2009</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xxxv, 178 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Working in the Americas</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Let a thousand fetish objects bloom -- The Home-front detective as dissident lawman (and -woman): Hammett, Chandler, Woolrich, and 1940s Hollywood -- Noir part 1: socialism in one genre: wildcat strikers, fugitive outsiders, and a savage lament -- Noir part 2: fugitive kinds -- The McCarthyite crime film: the time of the (quasi-scientific) toad (criminal/informer/vigilante cops versus psychotic fugitives) -- The neo-noirers: fugitives, surrealists, and the return of the degenerate detective -- Crime films of each film noir period</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (p. [157]-169) and index</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">"Ever since French critics began using the term film noir in the mid-1940s, a clear definition of the genre has remained elusive. Though sometimes defined visually, there is more to film noir than meets the eye. This interdisciplinary examination argues for the central importance of class in the creation of film noir and demonstrates how the form itself came to fruition during one of the most active periods of working-class agitation and middle-class antagonism in American history." "After World War II, the crime film centered around the movement of its protagonist outside the law. This movement was congruent with postwar labor movements that were forced to use extralegal means because of the increasing pressure applied by new legislation such as the Taft-Hartley Act, which declared strikes to be illegal. At the same time, many unionists were driven out of the industries they helped to organize by the House Un-American Activities Committee. It is during this period that noir became a lament, with protagonists moving further outside the law to seek justice and with these struggles written on their battered corpses at the end of the film." "Expanding this investigation into Cold War and post-9/11 America, Broe extends his analysis of the ways film noir is intimately connected to labor history. The constructed nature of the cold war and its lurch toward conservatism points to the war on terrorism and the struggles within and between global capital, class, race, and gender."--Jacket</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1900-2000</subfield><subfield code="2">idszbz</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1940-1970</subfield><subfield code="2">idszbz</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">ART / Film & Video</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / Reference</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Schwarzer Film</subfield><subfield code="2">idszbz</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Kriminalfilm</subfield><subfield code="2">idszbz</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Proletariat</subfield><subfield code="2">idszbz</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Film noir</subfield><subfield code="2">swd</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Kriminalfilm</subfield><subfield code="2">swd</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Arbeiter <Motiv></subfield><subfield code="2">swd</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Crime films</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Film noir</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Working class in motion pictures</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film noir</subfield><subfield code="z">United States</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Crime films</subfield><subfield code="z">United States</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Working class in motion pictures</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Film noir</subfield><subfield code="0">(DE-588)4116435-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Arbeiter</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4132011-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">USA</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Film noir</subfield><subfield code="0">(DE-588)4116435-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Arbeiter</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4132011-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=380219</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-028558460</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=380219</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=380219</subfield><subfield code="l">FAW02</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| geographic | USA USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV043134269 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:18:29Z |
| institution | BVB |
| isbn | 0813033225 081303549X 0813040035 9780813033228 9780813035499 9780813040035 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028558460 |
| oclc_num | 747426555 |
| open_access_boolean | |
| owner | DE-1046 DE-1047 |
| owner_facet | DE-1046 DE-1047 |
| physical | 1 Online-Ressource (xxxv, 178 p.) |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 2009 |
| publishDateSearch | 2009 |
| publishDateSort | 2009 |
| publisher | University Press of Florida |
| record_format | marc |
| series2 | Working in the Americas |
| spelling | Broe, Dennis Verfasser aut Film noir, American workers, and postwar Hollywood Dennis Broe ; foreword by Richard Greenwald and Timothy Minchin Gainesville University Press of Florida c2009 1 Online-Ressource (xxxv, 178 p.) txt rdacontent c rdamedia cr rdacarrier Working in the Americas Let a thousand fetish objects bloom -- The Home-front detective as dissident lawman (and -woman): Hammett, Chandler, Woolrich, and 1940s Hollywood -- Noir part 1: socialism in one genre: wildcat strikers, fugitive outsiders, and a savage lament -- Noir part 2: fugitive kinds -- The McCarthyite crime film: the time of the (quasi-scientific) toad (criminal/informer/vigilante cops versus psychotic fugitives) -- The neo-noirers: fugitives, surrealists, and the return of the degenerate detective -- Crime films of each film noir period Includes bibliographical references (p. [157]-169) and index "Ever since French critics began using the term film noir in the mid-1940s, a clear definition of the genre has remained elusive. Though sometimes defined visually, there is more to film noir than meets the eye. This interdisciplinary examination argues for the central importance of class in the creation of film noir and demonstrates how the form itself came to fruition during one of the most active periods of working-class agitation and middle-class antagonism in American history." "After World War II, the crime film centered around the movement of its protagonist outside the law. This movement was congruent with postwar labor movements that were forced to use extralegal means because of the increasing pressure applied by new legislation such as the Taft-Hartley Act, which declared strikes to be illegal. At the same time, many unionists were driven out of the industries they helped to organize by the House Un-American Activities Committee. It is during this period that noir became a lament, with protagonists moving further outside the law to seek justice and with these struggles written on their battered corpses at the end of the film." "Expanding this investigation into Cold War and post-9/11 America, Broe extends his analysis of the ways film noir is intimately connected to labor history. The constructed nature of the cold war and its lurch toward conservatism points to the war on terrorism and the struggles within and between global capital, class, race, and gender."--Jacket Geschichte 1900-2000 idszbz Geschichte 1940-1970 idszbz Geschichte gnd rswk-swf ART / Film & Video bisacsh PERFORMING ARTS / Film & Video / Reference bisacsh Schwarzer Film idszbz Kriminalfilm idszbz Proletariat idszbz Film noir swd Kriminalfilm swd Arbeiter <Motiv> swd Crime films fast Film noir fast Working class in motion pictures fast Film noir United States History and criticism Crime films United States History and criticism Working class in motion pictures Film noir (DE-588)4116435-0 gnd rswk-swf Arbeiter Motiv (DE-588)4132011-6 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Film noir (DE-588)4116435-0 s Arbeiter Motiv (DE-588)4132011-6 s Geschichte z 1\p DE-604 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=380219 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Broe, Dennis Film noir, American workers, and postwar Hollywood ART / Film & Video bisacsh PERFORMING ARTS / Film & Video / Reference bisacsh Schwarzer Film idszbz Kriminalfilm idszbz Proletariat idszbz Film noir swd Kriminalfilm swd Arbeiter <Motiv> swd Crime films fast Film noir fast Working class in motion pictures fast Film noir United States History and criticism Crime films United States History and criticism Working class in motion pictures Film noir (DE-588)4116435-0 gnd Arbeiter Motiv (DE-588)4132011-6 gnd |
| subject_GND | (DE-588)4116435-0 (DE-588)4132011-6 (DE-588)4078704-7 |
| title | Film noir, American workers, and postwar Hollywood |
| title_auth | Film noir, American workers, and postwar Hollywood |
| title_exact_search | Film noir, American workers, and postwar Hollywood |
| title_full | Film noir, American workers, and postwar Hollywood Dennis Broe ; foreword by Richard Greenwald and Timothy Minchin |
| title_fullStr | Film noir, American workers, and postwar Hollywood Dennis Broe ; foreword by Richard Greenwald and Timothy Minchin |
| title_full_unstemmed | Film noir, American workers, and postwar Hollywood Dennis Broe ; foreword by Richard Greenwald and Timothy Minchin |
| title_short | Film noir, American workers, and postwar Hollywood |
| title_sort | film noir american workers and postwar hollywood |
| topic | ART / Film & Video bisacsh PERFORMING ARTS / Film & Video / Reference bisacsh Schwarzer Film idszbz Kriminalfilm idszbz Proletariat idszbz Film noir swd Kriminalfilm swd Arbeiter <Motiv> swd Crime films fast Film noir fast Working class in motion pictures fast Film noir United States History and criticism Crime films United States History and criticism Working class in motion pictures Film noir (DE-588)4116435-0 gnd Arbeiter Motiv (DE-588)4132011-6 gnd |
| topic_facet | ART / Film & Video PERFORMING ARTS / Film & Video / Reference Schwarzer Film Kriminalfilm Proletariat Film noir Arbeiter <Motiv> Crime films Working class in motion pictures Film noir United States History and criticism Crime films United States History and criticism Arbeiter Motiv USA |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=380219 |
| work_keys_str_mv | AT broedennis filmnoiramericanworkersandpostwarhollywood |