Crime films:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2002
|
| Schriftenreihe: | Genres in American cinema
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Filmography: pages 341-357 Includes bibliographical references (pages 331-339) and index The problem of the crime film -- - Historical and cultural overview -- - Critical overview -- - Fury and the victim film -- - The Godfather and the gangster film -- - Double Indemnity and the film noir -- - Basic Instinct and the erotic thriller -- - Murder on the Orient Express, Blue Velvet, and the unofficial detective film -- - Chinatown and the hardboiled detective film -- - Bullitt and the police film -- - Reversal of Fortune and the lawyer film -- - Fargo and the crime comedy -- - What good are crime films? This book surveys the entire range of crime films, including important subgenres such as the gangster film, the private eye film, film noir, as well as the victim film, the erotic thriller, and the crime comedy. Focusing on ten films that span the range of the twentieth century, Thomas Leitch traces the transformation of the three leading figures that are common to all crime films: the criminal, the victim and the avenger. Analyzing how each of the subgenres establishes oppositions among its ritual antagonists, he shows how the distinctions among them become blurred throughout the course of the century. This blurring, Leitch maintains, reflects and fosters a deep social ambivalence towards crime and criminals, while the criminal, victim and avenger characters effectively map the shifting relations between subgenres, such as the erotic thriller and the police film, within the larger genre of crime film that informs them all |
| Beschreibung: | 1 Online-Ressource (xv, 383 pages) |
| ISBN: | 0511040288 0511606451 0521641063 0521646715 9780511040283 9780511606458 9780521641067 9780521646710 |
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Datensatz im Suchindex
| _version_ | 1804175574483075072 |
|---|---|
| any_adam_object | |
| author | Leitch, Thomas M. |
| author_facet | Leitch, Thomas M. |
| author_role | aut |
| author_sort | Leitch, Thomas M. |
| author_variant | t m l tm tml |
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| bvnumber | BV043133153 |
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| dewey-full | 791.43/6556 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/6556 |
| dewey-search | 791.43/6556 |
| dewey-sort | 3791.43 46556 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| spelling | Leitch, Thomas M. Verfasser aut Crime films Thomas Leitch Cambridge Cambridge University Press 2002 1 Online-Ressource (xv, 383 pages) txt rdacontent c rdamedia cr rdacarrier Genres in American cinema Filmography: pages 341-357 Includes bibliographical references (pages 331-339) and index The problem of the crime film -- - Historical and cultural overview -- - Critical overview -- - Fury and the victim film -- - The Godfather and the gangster film -- - Double Indemnity and the film noir -- - Basic Instinct and the erotic thriller -- - Murder on the Orient Express, Blue Velvet, and the unofficial detective film -- - Chinatown and the hardboiled detective film -- - Bullitt and the police film -- - Reversal of Fortune and the lawyer film -- - Fargo and the crime comedy -- - What good are crime films? This book surveys the entire range of crime films, including important subgenres such as the gangster film, the private eye film, film noir, as well as the victim film, the erotic thriller, and the crime comedy. Focusing on ten films that span the range of the twentieth century, Thomas Leitch traces the transformation of the three leading figures that are common to all crime films: the criminal, the victim and the avenger. Analyzing how each of the subgenres establishes oppositions among its ritual antagonists, he shows how the distinctions among them become blurred throughout the course of the century. This blurring, Leitch maintains, reflects and fosters a deep social ambivalence towards crime and criminals, while the criminal, victim and avenger characters effectively map the shifting relations between subgenres, such as the erotic thriller and the police film, within the larger genre of crime film that informs them all Misdaadfilms Films de détective / États-Unis / Histoire et critique Films de gangsters / États-Unis / Histoire et critique Films policiers / États-Unis / Histoire et critique PERFORMING ARTS / Film & Video / Reference bisacsh Detective and mystery films fast Gangster films fast Police films fast Misdaadfilms gtt Gangsterfilm swd Kriminalfilm swd Detective and mystery films United States History and criticism Gangster films United States History and criticism Police films United States History and criticism Geschichte (DE-588)4020517-4 gnd rswk-swf Filmgenre (DE-588)4328427-9 gnd rswk-swf Kriminalfilm (DE-588)4033175-1 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Kriminalfilm (DE-588)4033175-1 s Geschichte (DE-588)4020517-4 s 1\p DE-604 Filmgenre (DE-588)4328427-9 s 2\p DE-604 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=112447 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Leitch, Thomas M. Crime films Misdaadfilms Films de détective / États-Unis / Histoire et critique Films de gangsters / États-Unis / Histoire et critique Films policiers / États-Unis / Histoire et critique PERFORMING ARTS / Film & Video / Reference bisacsh Detective and mystery films fast Gangster films fast Police films fast Misdaadfilms gtt Gangsterfilm swd Kriminalfilm swd Detective and mystery films United States History and criticism Gangster films United States History and criticism Police films United States History and criticism Geschichte (DE-588)4020517-4 gnd Filmgenre (DE-588)4328427-9 gnd Kriminalfilm (DE-588)4033175-1 gnd |
| subject_GND | (DE-588)4020517-4 (DE-588)4328427-9 (DE-588)4033175-1 (DE-588)4078704-7 |
| title | Crime films |
| title_auth | Crime films |
| title_exact_search | Crime films |
| title_full | Crime films Thomas Leitch |
| title_fullStr | Crime films Thomas Leitch |
| title_full_unstemmed | Crime films Thomas Leitch |
| title_short | Crime films |
| title_sort | crime films |
| topic | Misdaadfilms Films de détective / États-Unis / Histoire et critique Films de gangsters / États-Unis / Histoire et critique Films policiers / États-Unis / Histoire et critique PERFORMING ARTS / Film & Video / Reference bisacsh Detective and mystery films fast Gangster films fast Police films fast Misdaadfilms gtt Gangsterfilm swd Kriminalfilm swd Detective and mystery films United States History and criticism Gangster films United States History and criticism Police films United States History and criticism Geschichte (DE-588)4020517-4 gnd Filmgenre (DE-588)4328427-9 gnd Kriminalfilm (DE-588)4033175-1 gnd |
| topic_facet | Misdaadfilms Films de détective / États-Unis / Histoire et critique Films de gangsters / États-Unis / Histoire et critique Films policiers / États-Unis / Histoire et critique PERFORMING ARTS / Film & Video / Reference Detective and mystery films Gangster films Police films Gangsterfilm Kriminalfilm Detective and mystery films United States History and criticism Gangster films United States History and criticism Police films United States History and criticism Geschichte Filmgenre USA |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=112447 |
| work_keys_str_mv | AT leitchthomasm crimefilms |