Sally Potter:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Urbana
University of Illinois Press
©2009
|
| Schriftenreihe: | Contemporary film directors
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 Includes filmography Includes bibliographical references and index London in the 1970s: performance on- and offscreen -- Power plays: Potter's search for a "frame of her own" -- Absent women and tales taken apart: Thriller and the Gold diggers -- Towards pleasure, developing style: Orlando and The tango lesson -- Finally tears: The man who cried and YES -- Endings -- An interview with Sally Potter This survey of Sally Potters work documents and explores her cinematic development from the feminist reworking of Puccinis opera La Boheme in Thriller to the provocative contemplation of romantic relationships after 9/11 in Yes. Catherine Fowler traces a clear trajectory of developing themes and preoccupations and shows how Potter uses song, dance, performance, and poetry to expand our experience of cinema beyond the audiovisual._x000B__x000B_Potter has relentlessly struggled against predictability and safe options, and her work provides an example of the complexities of being a woman in charge. Instead of the quest to find a romantic partner that drives mainstream cinema, Potters films feature characters seeking answers to questions about their sexual, gendered, social, cultural, and ethnic identities. They find answers by retelling stories, investigating mysteries, traveling and interacting with people. At the heart of Potters work we find a concern with the ways in which narrative has circumscribed the actions of women and their ability to act, speak, look, desire, and think for themselves. Her first two films, Thriller and The Gold Diggers, largely deconstruct found stories, cliches, and images. By contrast her later films create new and original narratives that place female acts, voices, looks, desires and thoughts at their center._x000B__x000B_Fowlers analysis is supplemented by a detailed filmography, bibliography, and an extensive interview with the director |
| Beschreibung: | 1 Online-Ressource |
| ISBN: | 0252091264 1283735385 9780252091261 9781283735384 |
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| 500 | |a This survey of Sally Potters work documents and explores her cinematic development from the feminist reworking of Puccinis opera La Boheme in Thriller to the provocative contemplation of romantic relationships after 9/11 in Yes. Catherine Fowler traces a clear trajectory of developing themes and preoccupations and shows how Potter uses song, dance, performance, and poetry to expand our experience of cinema beyond the audiovisual._x000B__x000B_Potter has relentlessly struggled against predictability and safe options, and her work provides an example of the complexities of being a woman in charge. Instead of the quest to find a romantic partner that drives mainstream cinema, Potters films feature characters seeking answers to questions about their sexual, gendered, social, cultural, and ethnic identities. They find answers by retelling stories, investigating mysteries, traveling and interacting with people. At the heart of Potters work we find a concern with the ways in which narrative has circumscribed the actions of women and their ability to act, speak, look, desire, and think for themselves. Her first two films, Thriller and The Gold Diggers, largely deconstruct found stories, cliches, and images. By contrast her later films create new and original narratives that place female acts, voices, looks, desires and thoughts at their center._x000B__x000B_Fowlers analysis is supplemented by a detailed filmography, bibliography, and an extensive interview with the director | ||
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Datensatz im Suchindex
| _version_ | 1804175569728831488 |
|---|---|
| any_adam_object | |
| author | Fowler, Catherine |
| author_facet | Fowler, Catherine |
| author_role | aut |
| author_sort | Fowler, Catherine |
| author_variant | c f cf |
| building | Verbundindex |
| bvnumber | BV043130696 |
| classification_rvk | AP 51400 |
| collection | ZDB-4-EBA |
| ctrlnum | (OCoLC)812194075 (DE-599)BVBBV043130696 |
| dewey-full | 791.4302/33092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4302/33092 |
| dewey-search | 791.4302/33092 |
| dewey-sort | 3791.4302 533092 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| id | DE-604.BV043130696 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:18:23Z |
| institution | BVB |
| isbn | 0252091264 1283735385 9780252091261 9781283735384 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028554887 |
| oclc_num | 812194075 |
| open_access_boolean | |
| owner | DE-1046 DE-1047 |
| owner_facet | DE-1046 DE-1047 |
| physical | 1 Online-Ressource |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 2009 |
| publishDateSearch | 2009 |
| publishDateSort | 2009 |
| publisher | University of Illinois Press |
| record_format | marc |
| series2 | Contemporary film directors |
| spelling | Fowler, Catherine Verfasser aut Sally Potter Catherine Fowler Urbana University of Illinois Press ©2009 1 Online-Ressource txt rdacontent c rdamedia cr rdacarrier Contemporary film directors Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 Includes filmography Includes bibliographical references and index London in the 1970s: performance on- and offscreen -- Power plays: Potter's search for a "frame of her own" -- Absent women and tales taken apart: Thriller and the Gold diggers -- Towards pleasure, developing style: Orlando and The tango lesson -- Finally tears: The man who cried and YES -- Endings -- An interview with Sally Potter This survey of Sally Potters work documents and explores her cinematic development from the feminist reworking of Puccinis opera La Boheme in Thriller to the provocative contemplation of romantic relationships after 9/11 in Yes. Catherine Fowler traces a clear trajectory of developing themes and preoccupations and shows how Potter uses song, dance, performance, and poetry to expand our experience of cinema beyond the audiovisual._x000B__x000B_Potter has relentlessly struggled against predictability and safe options, and her work provides an example of the complexities of being a woman in charge. Instead of the quest to find a romantic partner that drives mainstream cinema, Potters films feature characters seeking answers to questions about their sexual, gendered, social, cultural, and ethnic identities. They find answers by retelling stories, investigating mysteries, traveling and interacting with people. At the heart of Potters work we find a concern with the ways in which narrative has circumscribed the actions of women and their ability to act, speak, look, desire, and think for themselves. Her first two films, Thriller and The Gold Diggers, largely deconstruct found stories, cliches, and images. By contrast her later films create new and original narratives that place female acts, voices, looks, desires and thoughts at their center._x000B__x000B_Fowlers analysis is supplemented by a detailed filmography, bibliography, and an extensive interview with the director Potter, Sally idszbz Potter, Sally swd Potter / Sally / Criticism and interpretation blmlsh Potter, Sally / 1949- fast Potter, Sally / 1949- Potter, Sally Potter, Sally 1949- Criticism and interpretation Potter, Sally 1949- (DE-588)122855930 gnd rswk-swf PERFORMING ARTS / Film & Video / Direction & Production bisacsh Film idszbz Film swd Potter, Sally 1949- (DE-588)122855930 p 1\p DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 0-252-03382-5 Erscheint auch als Druck-Ausgabe, Paperback 0-252-07576-5 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-252-03382-7 Erscheint auch als Druck-Ausgabe, Paperback 978-0-252-07576-6 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=569957 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Fowler, Catherine Sally Potter Potter, Sally idszbz Potter, Sally swd Potter / Sally / Criticism and interpretation blmlsh Potter, Sally / 1949- fast Potter, Sally / 1949- Potter, Sally Potter, Sally 1949- Criticism and interpretation Potter, Sally 1949- (DE-588)122855930 gnd PERFORMING ARTS / Film & Video / Direction & Production bisacsh Film idszbz Film swd |
| subject_GND | (DE-588)122855930 |
| title | Sally Potter |
| title_auth | Sally Potter |
| title_exact_search | Sally Potter |
| title_full | Sally Potter Catherine Fowler |
| title_fullStr | Sally Potter Catherine Fowler |
| title_full_unstemmed | Sally Potter Catherine Fowler |
| title_short | Sally Potter |
| title_sort | sally potter |
| topic | Potter, Sally idszbz Potter, Sally swd Potter / Sally / Criticism and interpretation blmlsh Potter, Sally / 1949- fast Potter, Sally / 1949- Potter, Sally Potter, Sally 1949- Criticism and interpretation Potter, Sally 1949- (DE-588)122855930 gnd PERFORMING ARTS / Film & Video / Direction & Production bisacsh Film idszbz Film swd |
| topic_facet | Potter, Sally Potter / Sally / Criticism and interpretation Potter, Sally / 1949- Potter, Sally 1949- Criticism and interpretation Potter, Sally 1949- PERFORMING ARTS / Film & Video / Direction & Production Film |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=569957 |
| work_keys_str_mv | AT fowlercatherine sallypotter |