Other voices: hidden histories of Liverpool's popular music scenes, 1930s-1970s
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Farnham, Surrey
Ashgate
c2010
|
| Schriftenreihe: | Ashgate popular and folk music series
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Beschreibung: | Includes bibliographical references and index Looking back, not through : an overview : 'Beatlesology' and historicism -- Antediluvian images? : popular music and parochial space in inter-war Liverpool -- Jazz, the Cavern, and skiffle -- Oral histories, public and private spaces : the partially-hidden histories of Joe Flannery and Gardner Road, 1961-62 -- I like your hat : country music and Liverpool -- Some other guys : R & B in Liverpool -- 'Mist over the Mersey' : folk scenes on Merseyside -- Cabaret : reality amid the fake -- Taste-makers, reception, word-of-mouth "Other Voices exists as a history of the disparate and now partially hidden musical strands that contributed to Liverpool's musical countenance. It is also a critique of Beatles-related institutionalized popular music mythology. Via a critical historical investigation of several thus far partially hidden popular music activities in pre- and post-Second World War Liverpool, Michael Brocken reveals different yet intrinsic musical and socio-cultural processes from within the city of Liverpool. By addressing such 'scenes' as those involving dance bands, traditional jazz, folk music, country and western, and rhythm and blues, together with a consideration of partially hidden key places and individuals, and Liverpool's first 'real' record label, an assemblage of 'other voices' bears witness to an 'other', seldom discussed, Liverpool." "By doing so, Bracken - born and raised in Liverpool - asks questions about not only the historicity of the Beatles-Liverpool narrative, but also about the absence of historiography concerning disparate popular music activity within the city of Liverpool. In turn, he questions Liverpool's image as a 'music' city - what does this latter expression really mean? And 'from what genres of music does this apparently 'natural' musical font spring? Such questions ultimately bear crucially on issues relating to scenes, locality, race and identity, and periodization: all matters currently of great interest to the popular music researcher; in turn the veracity of institutionalized popular music histories is also brought into question."--Jacket |
| Beschreibung: | 1 Online-Ressource (260 p.) |
| ISBN: | 075469917X 9780754699170 |
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| 500 | |a Looking back, not through : an overview : 'Beatlesology' and historicism -- Antediluvian images? : popular music and parochial space in inter-war Liverpool -- Jazz, the Cavern, and skiffle -- Oral histories, public and private spaces : the partially-hidden histories of Joe Flannery and Gardner Road, 1961-62 -- I like your hat : country music and Liverpool -- Some other guys : R & B in Liverpool -- 'Mist over the Mersey' : folk scenes on Merseyside -- Cabaret : reality amid the fake -- Taste-makers, reception, word-of-mouth | ||
| 500 | |a "Other Voices exists as a history of the disparate and now partially hidden musical strands that contributed to Liverpool's musical countenance. It is also a critique of Beatles-related institutionalized popular music mythology. Via a critical historical investigation of several thus far partially hidden popular music activities in pre- and post-Second World War Liverpool, Michael Brocken reveals different yet intrinsic musical and socio-cultural processes from within the city of Liverpool. By addressing such 'scenes' as those involving dance bands, traditional jazz, folk music, country and western, and rhythm and blues, together with a consideration of partially hidden key places and individuals, and Liverpool's first 'real' record label, an assemblage of 'other voices' bears witness to an 'other', seldom discussed, Liverpool." "By doing so, Bracken - born and raised in Liverpool - asks questions about not only the historicity of the Beatles-Liverpool narrative, but also about the absence of historiography concerning disparate popular music activity within the city of Liverpool. In turn, he questions Liverpool's image as a 'music' city - what does this latter expression really mean? And 'from what genres of music does this apparently 'natural' musical font spring? Such questions ultimately bear crucially on issues relating to scenes, locality, race and identity, and periodization: all matters currently of great interest to the popular music researcher; in turn the veracity of institutionalized popular music histories is also brought into question."--Jacket | ||
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Datensatz im Suchindex
| _version_ | 1804175569460396032 |
|---|---|
| any_adam_object | |
| author | Brocken, Michael |
| author_facet | Brocken, Michael |
| author_role | aut |
| author_sort | Brocken, Michael |
| author_variant | m b mb |
| building | Verbundindex |
| bvnumber | BV043130579 |
| classification_rvk | LC 87190 LQ 84507 |
| collection | ZDB-4-EBA |
| ctrlnum | (OCoLC)647834412 (DE-599)BVBBV043130579 |
| dewey-full | 781.6409427/53 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.6409427/53 |
| dewey-search | 781.6409427/53 |
| dewey-sort | 3781.6409427 253 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft |
| era | Geschichte 1930-1980 swd Geschichte 1930-1980 gnd |
| era_facet | Geschichte 1930-1980 |
| format | Electronic eBook |
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| geographic | Liverpool (DE-588)4036068-4 gnd |
| geographic_facet | Liverpool |
| id | DE-604.BV043130579 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:18:22Z |
| institution | BVB |
| isbn | 075469917X 9780754699170 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028554770 |
| oclc_num | 647834412 |
| open_access_boolean | |
| physical | 1 Online-Ressource (260 p.) |
| psigel | ZDB-4-EBA |
| publishDate | 2010 |
| publishDateSearch | 2010 |
| publishDateSort | 2010 |
| publisher | Ashgate |
| record_format | marc |
| series2 | Ashgate popular and folk music series |
| spelling | Brocken, Michael Verfasser aut Other voices hidden histories of Liverpool's popular music scenes, 1930s-1970s Michael Brocken Farnham, Surrey Ashgate c2010 1 Online-Ressource (260 p.) txt rdacontent c rdamedia cr rdacarrier Ashgate popular and folk music series Includes bibliographical references and index Looking back, not through : an overview : 'Beatlesology' and historicism -- Antediluvian images? : popular music and parochial space in inter-war Liverpool -- Jazz, the Cavern, and skiffle -- Oral histories, public and private spaces : the partially-hidden histories of Joe Flannery and Gardner Road, 1961-62 -- I like your hat : country music and Liverpool -- Some other guys : R & B in Liverpool -- 'Mist over the Mersey' : folk scenes on Merseyside -- Cabaret : reality amid the fake -- Taste-makers, reception, word-of-mouth "Other Voices exists as a history of the disparate and now partially hidden musical strands that contributed to Liverpool's musical countenance. It is also a critique of Beatles-related institutionalized popular music mythology. Via a critical historical investigation of several thus far partially hidden popular music activities in pre- and post-Second World War Liverpool, Michael Brocken reveals different yet intrinsic musical and socio-cultural processes from within the city of Liverpool. By addressing such 'scenes' as those involving dance bands, traditional jazz, folk music, country and western, and rhythm and blues, together with a consideration of partially hidden key places and individuals, and Liverpool's first 'real' record label, an assemblage of 'other voices' bears witness to an 'other', seldom discussed, Liverpool." "By doing so, Bracken - born and raised in Liverpool - asks questions about not only the historicity of the Beatles-Liverpool narrative, but also about the absence of historiography concerning disparate popular music activity within the city of Liverpool. In turn, he questions Liverpool's image as a 'music' city - what does this latter expression really mean? And 'from what genres of music does this apparently 'natural' musical font spring? Such questions ultimately bear crucially on issues relating to scenes, locality, race and identity, and periodization: all matters currently of great interest to the popular music researcher; in turn the veracity of institutionalized popular music histories is also brought into question."--Jacket Geschichte 1930-1980 swd Geschichte 1930-1980 gnd rswk-swf MUSIC / Genres & Styles / Pop Vocal bisacsh Populaire muziek gtt Popmusik swd Music fast Popular music fast Musik Popular music England Liverpool History and criticism Music England Liverpool History and criticism Popmusik (DE-588)4046781-8 gnd rswk-swf Liverpool (DE-588)4036068-4 gnd rswk-swf Liverpool (DE-588)4036068-4 g Popmusik (DE-588)4046781-8 s Geschichte 1930-1980 z 1\p DE-604 Erscheint auch als Druckausgabe 0-7546-6793-6 Erscheint auch als Druckausgabe 978-0-7546-6793-3 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=369867 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Brocken, Michael Other voices hidden histories of Liverpool's popular music scenes, 1930s-1970s MUSIC / Genres & Styles / Pop Vocal bisacsh Populaire muziek gtt Popmusik swd Music fast Popular music fast Musik Popular music England Liverpool History and criticism Music England Liverpool History and criticism Popmusik (DE-588)4046781-8 gnd |
| subject_GND | (DE-588)4046781-8 (DE-588)4036068-4 |
| title | Other voices hidden histories of Liverpool's popular music scenes, 1930s-1970s |
| title_auth | Other voices hidden histories of Liverpool's popular music scenes, 1930s-1970s |
| title_exact_search | Other voices hidden histories of Liverpool's popular music scenes, 1930s-1970s |
| title_full | Other voices hidden histories of Liverpool's popular music scenes, 1930s-1970s Michael Brocken |
| title_fullStr | Other voices hidden histories of Liverpool's popular music scenes, 1930s-1970s Michael Brocken |
| title_full_unstemmed | Other voices hidden histories of Liverpool's popular music scenes, 1930s-1970s Michael Brocken |
| title_short | Other voices |
| title_sort | other voices hidden histories of liverpool s popular music scenes 1930s 1970s |
| title_sub | hidden histories of Liverpool's popular music scenes, 1930s-1970s |
| topic | MUSIC / Genres & Styles / Pop Vocal bisacsh Populaire muziek gtt Popmusik swd Music fast Popular music fast Musik Popular music England Liverpool History and criticism Music England Liverpool History and criticism Popmusik (DE-588)4046781-8 gnd |
| topic_facet | MUSIC / Genres & Styles / Pop Vocal Populaire muziek Popmusik Music Popular music Musik Popular music England Liverpool History and criticism Music England Liverpool History and criticism Liverpool |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=369867 |
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