Memory, metaphor, and Aby Warburg's Atlas of images:
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Ithaca, N.Y.
Cornell University Press
2012
|
Schriftenreihe: | Signale (Ithaca, N.Y.)
|
Schlagworte: | |
Online-Zugang: | FAW01 FAW02 Volltext |
Beschreibung: | Includes bibliographical references and index Atlas gazed : Mnemosyne : its origins, motives, and scope -- Ad oculos : ways of seeing, reading, and collecting -- Metaphor lost and found in Mnemosyne -- Translating the symbol : Warburg and Cassirer -- Metaphorologies : Nietzsche, Blumenberg, and Hegel -- Exemplary figures and diagrammatic thought -- Synderesis : the "Bruno-Reise" "The work of German cultural theorist and art historian Aby Warburg (1866-1929) has had a lasting effect on how we think about images. This book is the first in English to focus on his last project, the encyclopedic Atlas of Images: Mnemosyne. Begun in earnest in 1927, and left unfinished at the time of Warburg's death in 1929, the Atlas consisted of sixty-three large wooden panels covered with black cloth. On these panels Warburg carefully, intuitively arranged some thousand black-and-white photographs of classical and Renaissance art objects, as well as of astrological and astronomical images ranging from ancient Babylon to Weimar Germany. Here and there, he also included maps, manuscript pages, and contemporary images taken from newspapers. Trying through these constellations of images to make visible the many polarities that fueled antiquity's afterlife, Warburg envisioned the Atlas as a vital form of metaphoric thought. While the nondiscursive, frequently digressive character of the Atlas complicates any linear narrative of its themes and contents, Christopher D. Johnson traces several thematic sequences in the panels. By drawing on Warburg's published and unpublished writings and by attending to Warburg's cardinal idea that "pathos formulas" structure the West's cultural memory, Johnson maps numerous tensions between word and image in the Atlas. In addition to examining the work itself, he considers the literary, philosophical, and intellectual-historical implications of the Atlas. As Johnson demonstrates, the Atlas is not simply the culmination of Warburg's lifelong study of Renaissance culture but the ultimate expression of his now literal, now metaphoric search for syncretic solutions to the urgent problems posed by the history of art and culture."--Publisher's Web site |
Beschreibung: | 1 Online-Ressource (xiii, 286 p.) |
ISBN: | 0801464064 9780801464065 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV043129114 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | cr|uuu---uuuuu | ||
008 | 151126s2012 |||| o||u| ||||||eng d | ||
020 | |a 0801464064 |c electronic bk. |9 0-8014-6406-4 | ||
020 | |a 9780801464065 |c electronic bk. |9 978-0-8014-6406-5 | ||
035 | |a (OCoLC)808771983 | ||
035 | |a (DE-599)BVBBV043129114 | ||
040 | |a DE-604 |b ger |e aacr | ||
041 | 0 | |a eng | |
049 | |a DE-1046 |a DE-1047 | ||
082 | 0 | |a 709.2 |2 23 | |
084 | |a LH 63635 |0 (DE-625)94408: |2 rvk | ||
100 | 1 | |a Johnson, Christopher D. |e Verfasser |4 aut | |
245 | 1 | 0 | |a Memory, metaphor, and Aby Warburg's Atlas of images |c Christopher D. Johnson |
264 | 1 | |a Ithaca, N.Y. |b Cornell University Press |c 2012 | |
300 | |a 1 Online-Ressource (xiii, 286 p.) | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
490 | 0 | |a Signale (Ithaca, N.Y.) | |
500 | |a Includes bibliographical references and index | ||
500 | |a Atlas gazed : Mnemosyne : its origins, motives, and scope -- Ad oculos : ways of seeing, reading, and collecting -- Metaphor lost and found in Mnemosyne -- Translating the symbol : Warburg and Cassirer -- Metaphorologies : Nietzsche, Blumenberg, and Hegel -- Exemplary figures and diagrammatic thought -- Synderesis : the "Bruno-Reise" | ||
500 | |a "The work of German cultural theorist and art historian Aby Warburg (1866-1929) has had a lasting effect on how we think about images. This book is the first in English to focus on his last project, the encyclopedic Atlas of Images: Mnemosyne. Begun in earnest in 1927, and left unfinished at the time of Warburg's death in 1929, the Atlas consisted of sixty-three large wooden panels covered with black cloth. On these panels Warburg carefully, intuitively arranged some thousand black-and-white photographs of classical and Renaissance art objects, as well as of astrological and astronomical images ranging from ancient Babylon to Weimar Germany. Here and there, he also included maps, manuscript pages, and contemporary images taken from newspapers. Trying through these constellations of images to make visible the many polarities that fueled antiquity's afterlife, Warburg envisioned the Atlas as a vital form of metaphoric thought. While the nondiscursive, frequently digressive character of the Atlas complicates any linear narrative of its themes and contents, Christopher D. Johnson traces several thematic sequences in the panels. By drawing on Warburg's published and unpublished writings and by attending to Warburg's cardinal idea that "pathos formulas" structure the West's cultural memory, Johnson maps numerous tensions between word and image in the Atlas. In addition to examining the work itself, he considers the literary, philosophical, and intellectual-historical implications of the Atlas. As Johnson demonstrates, the Atlas is not simply the culmination of Warburg's lifelong study of Renaissance culture but the ultimate expression of his now literal, now metaphoric search for syncretic solutions to the urgent problems posed by the history of art and culture."--Publisher's Web site | ||
600 | 1 | 4 | |a Warburg, Aby / 1866-1929 |
600 | 1 | 4 | |a Warburg, Aby |d 1866-1929 |t Mnemosyne |
600 | 1 | 7 | |a Warburg, Aby Moritz |d 1866-1929 |t Mnemosyne |0 (DE-588)4200085-3 |2 gnd |9 rswk-swf |
600 | 1 | 7 | |a Cassirer, Ernst |d 1874-1945 |t Philosophie der symbolischen Formen |0 (DE-588)4197911-4 |2 gnd |9 rswk-swf |
648 | 7 | |a 1900 - 1999 |2 fast | |
648 | 4 | |a Geschichte 1900-2000 | |
650 | 7 | |a ART / European |2 bisacsh | |
650 | 7 | |a ART / History / General |2 bisacsh | |
650 | 7 | |a Mnemosyne (Warburg, Aby) |2 fast | |
650 | 7 | |a Art, Classical / Influence |2 fast | |
650 | 7 | |a Art criticism |2 fast | |
650 | 7 | |a Art, Renaissance / Influence |2 fast | |
650 | 7 | |a Memory in art |2 fast | |
650 | 7 | |a Metaphor in art |2 fast | |
650 | 4 | |a Geschichte | |
650 | 4 | |a Art criticism |z Germany |x History |y 20th century | |
650 | 4 | |a Art, Classical |x Influence | |
650 | 4 | |a Art, Renaissance |x Influence | |
650 | 4 | |a Metaphor in art | |
650 | 4 | |a Memory in art | |
650 | 0 | 7 | |a Metapher |0 (DE-588)4038935-2 |2 gnd |9 rswk-swf |
651 | 4 | |a Deutschland | |
689 | 0 | 0 | |a Warburg, Aby Moritz |d 1866-1929 |t Mnemosyne |0 (DE-588)4200085-3 |D u |
689 | 0 | 1 | |a Metapher |0 (DE-588)4038935-2 |D s |
689 | 0 | |8 1\p |5 DE-604 | |
689 | 1 | 0 | |a Cassirer, Ernst |d 1874-1945 |t Philosophie der symbolischen Formen |0 (DE-588)4197911-4 |D u |
689 | 1 | |8 2\p |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Paperback |z 0-8014-7742-5 |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Paperback |z 978-0-8014-7742-3 |
856 | 4 | 0 | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=671468 |x Aggregator |3 Volltext |
912 | |a ZDB-4-EBA | ||
999 | |a oai:aleph.bib-bvb.de:BVB01-028553305 | ||
883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
883 | 1 | |8 2\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=671468 |l FAW01 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=671468 |l FAW02 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext |
Datensatz im Suchindex
_version_ | 1804175566632386560 |
---|---|
any_adam_object | |
author | Johnson, Christopher D. |
author_facet | Johnson, Christopher D. |
author_role | aut |
author_sort | Johnson, Christopher D. |
author_variant | c d j cd cdj |
building | Verbundindex |
bvnumber | BV043129114 |
classification_rvk | LH 63635 |
collection | ZDB-4-EBA |
ctrlnum | (OCoLC)808771983 (DE-599)BVBBV043129114 |
dewey-full | 709.2 |
dewey-hundreds | 700 - The arts |
dewey-ones | 709 - History, geographic treatment, biography |
dewey-raw | 709.2 |
dewey-search | 709.2 |
dewey-sort | 3709.2 |
dewey-tens | 700 - The arts |
discipline | Kunstgeschichte |
era | 1900 - 1999 fast Geschichte 1900-2000 |
era_facet | 1900 - 1999 Geschichte 1900-2000 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05338nmm a2200757zc 4500</leader><controlfield tag="001">BV043129114</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">151126s2012 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0801464064</subfield><subfield code="c">electronic bk.</subfield><subfield code="9">0-8014-6406-4</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780801464065</subfield><subfield code="c">electronic bk.</subfield><subfield code="9">978-0-8014-6406-5</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)808771983</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043129114</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-1047</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">709.2</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LH 63635</subfield><subfield code="0">(DE-625)94408:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Johnson, Christopher D.</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Memory, metaphor, and Aby Warburg's Atlas of images</subfield><subfield code="c">Christopher D. Johnson</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Ithaca, N.Y.</subfield><subfield code="b">Cornell University Press</subfield><subfield code="c">2012</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xiii, 286 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Signale (Ithaca, N.Y.)</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Atlas gazed : Mnemosyne : its origins, motives, and scope -- Ad oculos : ways of seeing, reading, and collecting -- Metaphor lost and found in Mnemosyne -- Translating the symbol : Warburg and Cassirer -- Metaphorologies : Nietzsche, Blumenberg, and Hegel -- Exemplary figures and diagrammatic thought -- Synderesis : the "Bruno-Reise"</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">"The work of German cultural theorist and art historian Aby Warburg (1866-1929) has had a lasting effect on how we think about images. This book is the first in English to focus on his last project, the encyclopedic Atlas of Images: Mnemosyne. Begun in earnest in 1927, and left unfinished at the time of Warburg's death in 1929, the Atlas consisted of sixty-three large wooden panels covered with black cloth. On these panels Warburg carefully, intuitively arranged some thousand black-and-white photographs of classical and Renaissance art objects, as well as of astrological and astronomical images ranging from ancient Babylon to Weimar Germany. Here and there, he also included maps, manuscript pages, and contemporary images taken from newspapers. Trying through these constellations of images to make visible the many polarities that fueled antiquity's afterlife, Warburg envisioned the Atlas as a vital form of metaphoric thought. While the nondiscursive, frequently digressive character of the Atlas complicates any linear narrative of its themes and contents, Christopher D. Johnson traces several thematic sequences in the panels. By drawing on Warburg's published and unpublished writings and by attending to Warburg's cardinal idea that "pathos formulas" structure the West's cultural memory, Johnson maps numerous tensions between word and image in the Atlas. In addition to examining the work itself, he considers the literary, philosophical, and intellectual-historical implications of the Atlas. As Johnson demonstrates, the Atlas is not simply the culmination of Warburg's lifelong study of Renaissance culture but the ultimate expression of his now literal, now metaphoric search for syncretic solutions to the urgent problems posed by the history of art and culture."--Publisher's Web site</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Warburg, Aby / 1866-1929</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Warburg, Aby</subfield><subfield code="d">1866-1929</subfield><subfield code="t">Mnemosyne</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Warburg, Aby Moritz</subfield><subfield code="d">1866-1929</subfield><subfield code="t">Mnemosyne</subfield><subfield code="0">(DE-588)4200085-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Cassirer, Ernst</subfield><subfield code="d">1874-1945</subfield><subfield code="t">Philosophie der symbolischen Formen</subfield><subfield code="0">(DE-588)4197911-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">1900 - 1999</subfield><subfield code="2">fast</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1900-2000</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">ART / European</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">ART / History / General</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Mnemosyne (Warburg, Aby)</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Art, Classical / Influence</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Art criticism</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Art, Renaissance / Influence</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Memory in art</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Metaphor in art</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Art criticism</subfield><subfield code="z">Germany</subfield><subfield code="x">History</subfield><subfield code="y">20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Art, Classical</subfield><subfield code="x">Influence</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Art, Renaissance</subfield><subfield code="x">Influence</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Metaphor in art</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Memory in art</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Metapher</subfield><subfield code="0">(DE-588)4038935-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">Deutschland</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Warburg, Aby Moritz</subfield><subfield code="d">1866-1929</subfield><subfield code="t">Mnemosyne</subfield><subfield code="0">(DE-588)4200085-3</subfield><subfield code="D">u</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Metapher</subfield><subfield code="0">(DE-588)4038935-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Cassirer, Ernst</subfield><subfield code="d">1874-1945</subfield><subfield code="t">Philosophie der symbolischen Formen</subfield><subfield code="0">(DE-588)4197911-4</subfield><subfield code="D">u</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Paperback</subfield><subfield code="z">0-8014-7742-5</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Paperback</subfield><subfield code="z">978-0-8014-7742-3</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=671468</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-028553305</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=671468</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=671468</subfield><subfield code="l">FAW02</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
geographic | Deutschland |
geographic_facet | Deutschland |
id | DE-604.BV043129114 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T07:18:20Z |
institution | BVB |
isbn | 0801464064 9780801464065 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028553305 |
oclc_num | 808771983 |
open_access_boolean | |
owner | DE-1046 DE-1047 |
owner_facet | DE-1046 DE-1047 |
physical | 1 Online-Ressource (xiii, 286 p.) |
psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
publishDate | 2012 |
publishDateSearch | 2012 |
publishDateSort | 2012 |
publisher | Cornell University Press |
record_format | marc |
series2 | Signale (Ithaca, N.Y.) |
spelling | Johnson, Christopher D. Verfasser aut Memory, metaphor, and Aby Warburg's Atlas of images Christopher D. Johnson Ithaca, N.Y. Cornell University Press 2012 1 Online-Ressource (xiii, 286 p.) txt rdacontent c rdamedia cr rdacarrier Signale (Ithaca, N.Y.) Includes bibliographical references and index Atlas gazed : Mnemosyne : its origins, motives, and scope -- Ad oculos : ways of seeing, reading, and collecting -- Metaphor lost and found in Mnemosyne -- Translating the symbol : Warburg and Cassirer -- Metaphorologies : Nietzsche, Blumenberg, and Hegel -- Exemplary figures and diagrammatic thought -- Synderesis : the "Bruno-Reise" "The work of German cultural theorist and art historian Aby Warburg (1866-1929) has had a lasting effect on how we think about images. This book is the first in English to focus on his last project, the encyclopedic Atlas of Images: Mnemosyne. Begun in earnest in 1927, and left unfinished at the time of Warburg's death in 1929, the Atlas consisted of sixty-three large wooden panels covered with black cloth. On these panels Warburg carefully, intuitively arranged some thousand black-and-white photographs of classical and Renaissance art objects, as well as of astrological and astronomical images ranging from ancient Babylon to Weimar Germany. Here and there, he also included maps, manuscript pages, and contemporary images taken from newspapers. Trying through these constellations of images to make visible the many polarities that fueled antiquity's afterlife, Warburg envisioned the Atlas as a vital form of metaphoric thought. While the nondiscursive, frequently digressive character of the Atlas complicates any linear narrative of its themes and contents, Christopher D. Johnson traces several thematic sequences in the panels. By drawing on Warburg's published and unpublished writings and by attending to Warburg's cardinal idea that "pathos formulas" structure the West's cultural memory, Johnson maps numerous tensions between word and image in the Atlas. In addition to examining the work itself, he considers the literary, philosophical, and intellectual-historical implications of the Atlas. As Johnson demonstrates, the Atlas is not simply the culmination of Warburg's lifelong study of Renaissance culture but the ultimate expression of his now literal, now metaphoric search for syncretic solutions to the urgent problems posed by the history of art and culture."--Publisher's Web site Warburg, Aby / 1866-1929 Warburg, Aby 1866-1929 Mnemosyne Warburg, Aby Moritz 1866-1929 Mnemosyne (DE-588)4200085-3 gnd rswk-swf Cassirer, Ernst 1874-1945 Philosophie der symbolischen Formen (DE-588)4197911-4 gnd rswk-swf 1900 - 1999 fast Geschichte 1900-2000 ART / European bisacsh ART / History / General bisacsh Mnemosyne (Warburg, Aby) fast Art, Classical / Influence fast Art criticism fast Art, Renaissance / Influence fast Memory in art fast Metaphor in art fast Geschichte Art criticism Germany History 20th century Art, Classical Influence Art, Renaissance Influence Metaphor in art Memory in art Metapher (DE-588)4038935-2 gnd rswk-swf Deutschland Warburg, Aby Moritz 1866-1929 Mnemosyne (DE-588)4200085-3 u Metapher (DE-588)4038935-2 s 1\p DE-604 Cassirer, Ernst 1874-1945 Philosophie der symbolischen Formen (DE-588)4197911-4 u 2\p DE-604 Erscheint auch als Druck-Ausgabe, Paperback 0-8014-7742-5 Erscheint auch als Druck-Ausgabe, Paperback 978-0-8014-7742-3 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=671468 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Johnson, Christopher D. Memory, metaphor, and Aby Warburg's Atlas of images Warburg, Aby / 1866-1929 Warburg, Aby 1866-1929 Mnemosyne Warburg, Aby Moritz 1866-1929 Mnemosyne (DE-588)4200085-3 gnd Cassirer, Ernst 1874-1945 Philosophie der symbolischen Formen (DE-588)4197911-4 gnd ART / European bisacsh ART / History / General bisacsh Mnemosyne (Warburg, Aby) fast Art, Classical / Influence fast Art criticism fast Art, Renaissance / Influence fast Memory in art fast Metaphor in art fast Geschichte Art criticism Germany History 20th century Art, Classical Influence Art, Renaissance Influence Metaphor in art Memory in art Metapher (DE-588)4038935-2 gnd |
subject_GND | (DE-588)4200085-3 (DE-588)4197911-4 (DE-588)4038935-2 |
title | Memory, metaphor, and Aby Warburg's Atlas of images |
title_auth | Memory, metaphor, and Aby Warburg's Atlas of images |
title_exact_search | Memory, metaphor, and Aby Warburg's Atlas of images |
title_full | Memory, metaphor, and Aby Warburg's Atlas of images Christopher D. Johnson |
title_fullStr | Memory, metaphor, and Aby Warburg's Atlas of images Christopher D. Johnson |
title_full_unstemmed | Memory, metaphor, and Aby Warburg's Atlas of images Christopher D. Johnson |
title_short | Memory, metaphor, and Aby Warburg's Atlas of images |
title_sort | memory metaphor and aby warburg s atlas of images |
topic | Warburg, Aby / 1866-1929 Warburg, Aby 1866-1929 Mnemosyne Warburg, Aby Moritz 1866-1929 Mnemosyne (DE-588)4200085-3 gnd Cassirer, Ernst 1874-1945 Philosophie der symbolischen Formen (DE-588)4197911-4 gnd ART / European bisacsh ART / History / General bisacsh Mnemosyne (Warburg, Aby) fast Art, Classical / Influence fast Art criticism fast Art, Renaissance / Influence fast Memory in art fast Metaphor in art fast Geschichte Art criticism Germany History 20th century Art, Classical Influence Art, Renaissance Influence Metaphor in art Memory in art Metapher (DE-588)4038935-2 gnd |
topic_facet | Warburg, Aby / 1866-1929 Warburg, Aby 1866-1929 Mnemosyne Warburg, Aby Moritz 1866-1929 Mnemosyne Cassirer, Ernst 1874-1945 Philosophie der symbolischen Formen ART / European ART / History / General Mnemosyne (Warburg, Aby) Art, Classical / Influence Art criticism Art, Renaissance / Influence Memory in art Metaphor in art Geschichte Art criticism Germany History 20th century Art, Classical Influence Art, Renaissance Influence Metapher Deutschland |
url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=671468 |
work_keys_str_mv | AT johnsonchristopherd memorymetaphorandabywarburgsatlasofimages |