Hitchcock's music:
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
New Haven [Conn.]
Yale University Press
c2006
|
Schlagworte: | |
Online-Zugang: | FAW01 FAW02 Volltext |
Beschreibung: | Includes bibliographical references (p. 323-336) and index Overture -- The music starts -- Waltzes from Vienna : Hitchcock's forgotten operetta -- The man who knew too much : storm clouds over Royal Albert Hall -- Musical minimalism : British Hitchcock -- Rebecca : music to raise the dead -- Waltzing into danger -- Sounds of war -- Spellbound : theremins and phallic frescoes -- Notorious : bright sambas, dark secrets -- The paradine case : the unhappy finale of Hitchcock and Selznick -- Hitchcock in a different key : the post-Selznick experiments -- The band played on : a Tiomkin trio -- Rear window : the redemptive power of popular music -- Lethal laughter : Hitchcock's fifties comedies -- The man who knew too much : Doris Day versus the London Symphony -- The wrong man : music from the dark side of the moon -- Sing along with Hitch : music for television -- Vertigo : the music of longing and loss -- North by northwest : fandango on the rocks -- Psycho : the music of terror -- The birds : aviary apocalypse -- The music ends : Hitchcock fires Herrmann -- Topaz : the music is back -- Frenzy : out with Mancini, hold the Bach -- Family plot : Hitchcock's exuberant finale -- Finale : Hitchcock as maestro For half a century, Alfred Hitchcock created films full of gripping and memorable music. Over his long career he presided over more musical styles than any director in history and ultimately changed how we think about film music. This book is the first to fully explore the essential role music played in the movies of Alfred Hitchcock. Based on extensive interviews with composers, writers, and actors, and research in rare archives, Jack Sullivan discusses how Hitchcock used music to influence the atmosphere, characterization, and even storylines of his films. Sullivan examines the director's important relationships with various composers, especially Bernard Herrmann, and tells the stories behind the musical decisions. Covering the whole of the director's career, from the early British works up to "Family Plot", this engaging look at the work of Alfred Hitchcock offers new insight into his achievement and genius and changes the way we watch, and listen, to his movies |
Beschreibung: | 1 Online-Ressource (xix, 354 Seiten) |
ISBN: | 0300134665 1281734578 9780300110500 9780300134667 9781281734570 |
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500 | |a Overture -- The music starts -- Waltzes from Vienna : Hitchcock's forgotten operetta -- The man who knew too much : storm clouds over Royal Albert Hall -- Musical minimalism : British Hitchcock -- Rebecca : music to raise the dead -- Waltzing into danger -- Sounds of war -- Spellbound : theremins and phallic frescoes -- Notorious : bright sambas, dark secrets -- The paradine case : the unhappy finale of Hitchcock and Selznick -- Hitchcock in a different key : the post-Selznick experiments -- The band played on : a Tiomkin trio -- Rear window : the redemptive power of popular music -- Lethal laughter : Hitchcock's fifties comedies -- The man who knew too much : Doris Day versus the London Symphony -- The wrong man : music from the dark side of the moon -- Sing along with Hitch : music for television -- Vertigo : the music of longing and loss -- North by northwest : fandango on the rocks -- Psycho : the music of terror -- The birds : aviary apocalypse -- The music ends : Hitchcock fires Herrmann -- Topaz : the music is back -- Frenzy : out with Mancini, hold the Bach -- Family plot : Hitchcock's exuberant finale -- Finale : Hitchcock as maestro | ||
500 | |a For half a century, Alfred Hitchcock created films full of gripping and memorable music. Over his long career he presided over more musical styles than any director in history and ultimately changed how we think about film music. This book is the first to fully explore the essential role music played in the movies of Alfred Hitchcock. Based on extensive interviews with composers, writers, and actors, and research in rare archives, Jack Sullivan discusses how Hitchcock used music to influence the atmosphere, characterization, and even storylines of his films. Sullivan examines the director's important relationships with various composers, especially Bernard Herrmann, and tells the stories behind the musical decisions. Covering the whole of the director's career, from the early British works up to "Family Plot", this engaging look at the work of Alfred Hitchcock offers new insight into his achievement and genius and changes the way we watch, and listen, to his movies | ||
600 | 1 | 4 | |a Hitchcock, Alfred / 1899-1980 / Critique et interprétation |
600 | 1 | 4 | |a Hitchcock, Alfred / 1899-1980 |
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650 | 7 | |a Motion picture music |2 fast | |
650 | 7 | |a Television music |2 fast | |
650 | 4 | |a Motion picture music |x History and criticism | |
650 | 4 | |a Television music |x History and criticism | |
650 | 0 | 7 | |a Filmmusik |0 (DE-588)4017129-2 |2 gnd |9 rswk-swf |
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Datensatz im Suchindex
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---|---|
any_adam_object | |
author | Sullivan, Jack 1946- |
author_facet | Sullivan, Jack 1946- |
author_role | aut |
author_sort | Sullivan, Jack 1946- |
author_variant | j s js |
building | Verbundindex |
bvnumber | BV043128208 |
classification_rvk | AP 51170 LR 53509 |
collection | ZDB-4-EBA ebook |
ctrlnum | (OCoLC)191746358 (DE-599)BVBBV043128208 |
dewey-full | 781.5/42 |
dewey-hundreds | 700 - The arts |
dewey-ones | 781 - General principles and musical forms |
dewey-raw | 781.5/42 |
dewey-search | 781.5/42 |
dewey-sort | 3781.5 242 |
dewey-tens | 780 - Music |
discipline | Allgemeines Musikwissenschaft |
format | Electronic eBook |
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id | DE-604.BV043128208 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T07:18:18Z |
institution | BVB |
isbn | 0300134665 1281734578 9780300110500 9780300134667 9781281734570 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028552399 |
oclc_num | 191746358 |
open_access_boolean | |
owner | DE-1046 DE-1047 DE-11 |
owner_facet | DE-1046 DE-1047 DE-11 |
physical | 1 Online-Ressource (xix, 354 Seiten) |
psigel | ZDB-4-EBA ebook FAW_PDA_EBA ZDB-4-EBA FAW_PDA_EBA |
publishDate | 2006 |
publishDateSearch | 2006 |
publishDateSort | 2006 |
publisher | Yale University Press |
record_format | marc |
spelling | Sullivan, Jack 1946- Verfasser aut Hitchcock's music Jack Sullivan New Haven [Conn.] Yale University Press c2006 1 Online-Ressource (xix, 354 Seiten) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references (p. 323-336) and index Overture -- The music starts -- Waltzes from Vienna : Hitchcock's forgotten operetta -- The man who knew too much : storm clouds over Royal Albert Hall -- Musical minimalism : British Hitchcock -- Rebecca : music to raise the dead -- Waltzing into danger -- Sounds of war -- Spellbound : theremins and phallic frescoes -- Notorious : bright sambas, dark secrets -- The paradine case : the unhappy finale of Hitchcock and Selznick -- Hitchcock in a different key : the post-Selznick experiments -- The band played on : a Tiomkin trio -- Rear window : the redemptive power of popular music -- Lethal laughter : Hitchcock's fifties comedies -- The man who knew too much : Doris Day versus the London Symphony -- The wrong man : music from the dark side of the moon -- Sing along with Hitch : music for television -- Vertigo : the music of longing and loss -- North by northwest : fandango on the rocks -- Psycho : the music of terror -- The birds : aviary apocalypse -- The music ends : Hitchcock fires Herrmann -- Topaz : the music is back -- Frenzy : out with Mancini, hold the Bach -- Family plot : Hitchcock's exuberant finale -- Finale : Hitchcock as maestro For half a century, Alfred Hitchcock created films full of gripping and memorable music. Over his long career he presided over more musical styles than any director in history and ultimately changed how we think about film music. This book is the first to fully explore the essential role music played in the movies of Alfred Hitchcock. Based on extensive interviews with composers, writers, and actors, and research in rare archives, Jack Sullivan discusses how Hitchcock used music to influence the atmosphere, characterization, and even storylines of his films. Sullivan examines the director's important relationships with various composers, especially Bernard Herrmann, and tells the stories behind the musical decisions. Covering the whole of the director's career, from the early British works up to "Family Plot", this engaging look at the work of Alfred Hitchcock offers new insight into his achievement and genius and changes the way we watch, and listen, to his movies Hitchcock, Alfred / 1899-1980 / Critique et interprétation Hitchcock, Alfred / 1899-1980 Hitchcock, Alfred / 1899-1980 fast Hitchcock, Alfred 1899-1980 Criticism and interpretation Hitchcock, Alfred 1899-1980 (DE-588)118551647 gnd rswk-swf Film, Musique de / Histoire et critique Télévision, Musique de / Histoire et critique MUSIC / Instruction & Study / Theory bisacsh MUSIC / General bisacsh Motion picture music fast Television music fast Motion picture music History and criticism Television music History and criticism Filmmusik (DE-588)4017129-2 gnd rswk-swf Hitchcock, Alfred 1899-1980 (DE-588)118551647 p Filmmusik (DE-588)4017129-2 s 1\p DE-604 Erscheint auch als Druck-Ausgabe 978-0-300-11050-0 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=192296 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Sullivan, Jack 1946- Hitchcock's music Hitchcock, Alfred / 1899-1980 / Critique et interprétation Hitchcock, Alfred / 1899-1980 Hitchcock, Alfred / 1899-1980 fast Hitchcock, Alfred 1899-1980 Criticism and interpretation Hitchcock, Alfred 1899-1980 (DE-588)118551647 gnd Film, Musique de / Histoire et critique Télévision, Musique de / Histoire et critique MUSIC / Instruction & Study / Theory bisacsh MUSIC / General bisacsh Motion picture music fast Television music fast Motion picture music History and criticism Television music History and criticism Filmmusik (DE-588)4017129-2 gnd |
subject_GND | (DE-588)118551647 (DE-588)4017129-2 |
title | Hitchcock's music |
title_auth | Hitchcock's music |
title_exact_search | Hitchcock's music |
title_full | Hitchcock's music Jack Sullivan |
title_fullStr | Hitchcock's music Jack Sullivan |
title_full_unstemmed | Hitchcock's music Jack Sullivan |
title_short | Hitchcock's music |
title_sort | hitchcock s music |
topic | Hitchcock, Alfred / 1899-1980 / Critique et interprétation Hitchcock, Alfred / 1899-1980 Hitchcock, Alfred / 1899-1980 fast Hitchcock, Alfred 1899-1980 Criticism and interpretation Hitchcock, Alfred 1899-1980 (DE-588)118551647 gnd Film, Musique de / Histoire et critique Télévision, Musique de / Histoire et critique MUSIC / Instruction & Study / Theory bisacsh MUSIC / General bisacsh Motion picture music fast Television music fast Motion picture music History and criticism Television music History and criticism Filmmusik (DE-588)4017129-2 gnd |
topic_facet | Hitchcock, Alfred / 1899-1980 / Critique et interprétation Hitchcock, Alfred / 1899-1980 Hitchcock, Alfred 1899-1980 Criticism and interpretation Hitchcock, Alfred 1899-1980 Film, Musique de / Histoire et critique Télévision, Musique de / Histoire et critique MUSIC / Instruction & Study / Theory MUSIC / General Motion picture music Television music Motion picture music History and criticism Television music History and criticism Filmmusik |
url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=192296 |
work_keys_str_mv | AT sullivanjack hitchcocksmusic |