Settling the score: music and the classical Hollywood film
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Madison
University of Wisconsin Press
c1992
|
| Schriftenreihe: | Wisconsin studies in film
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 Includes bibliographical references (p. 233-239) and index The language of music: a brief analysis of Vertigo -- A theory of film music -- The silent film score: a structural model -- The classical Hollywood film score: Captain Blood: a working model -- "Every character should have a theme": The informer: Max Steiner and the classical film score -- The "hysterical cult of the director": The magnificant Ambersons: music and theme -- "Not exactly classical, but sweet": Laura: new directions -- John Williams and "The empire" strike back: the eighties and beyond: classical meets contemporary Annotation Beginning with the earliest experiments in musical accompaniment carried out in the Edison Laboratories, Kathryn Kalinak uses archival material to outline the history of American music and film. Focusing on the scores of several key composers of the sound era, including Erich Wolfgang Korngold’sCaptain Blood, Max Steiner’sThe Informer, Bernard Herrmann’sThe Magnificent Ambersons, and David Raksin’sLaura, Kalinak concludes that classical scoring conventions were designed to ensure the dominance of narrative exposition. Her analyses of contemporary work such as John Williams’The Empire Strikes Backand Basil Poledouris’RoboCopdemonstrate how the traditions of the classical era continue to influence scoring practices today |
| Beschreibung: | 1 Online-Ressource (xvii, 248 p.) |
| ISBN: | 029913363X 9780299133634 |
Internformat
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| 500 | |a Annotation Beginning with the earliest experiments in musical accompaniment carried out in the Edison Laboratories, Kathryn Kalinak uses archival material to outline the history of American music and film. Focusing on the scores of several key composers of the sound era, including Erich Wolfgang Korngold’sCaptain Blood, Max Steiner’sThe Informer, Bernard Herrmann’sThe Magnificent Ambersons, and David Raksin’sLaura, Kalinak concludes that classical scoring conventions were designed to ensure the dominance of narrative exposition. Her analyses of contemporary work such as John Williams’The Empire Strikes Backand Basil Poledouris’RoboCopdemonstrate how the traditions of the classical era continue to influence scoring practices today | ||
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Datensatz im Suchindex
| _version_ | 1804175563276943360 |
|---|---|
| any_adam_object | |
| author | Kalinak, Kathryn Marie 1952- |
| author_GND | (DE-588)133666263 |
| author_facet | Kalinak, Kathryn Marie 1952- |
| author_role | aut |
| author_sort | Kalinak, Kathryn Marie 1952- |
| author_variant | k m k km kmk |
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| bvnumber | BV043127441 |
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| dewey-full | 781.5/42/0973 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.5/42/0973 |
| dewey-search | 781.5/42/0973 |
| dewey-sort | 3781.5 242 3973 |
| dewey-tens | 780 - Music |
| discipline | Allgemeines Musikwissenschaft |
| format | Electronic eBook |
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| id | DE-604.BV043127441 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:18:16Z |
| institution | BVB |
| isbn | 029913363X 9780299133634 |
| language | English |
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| publisher | University of Wisconsin Press |
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| spelling | Kalinak, Kathryn Marie 1952- Verfasser (DE-588)133666263 aut Settling the score music and the classical Hollywood film Kathryn Kalinak Madison University of Wisconsin Press c1992 1 Online-Ressource (xvii, 248 p.) txt rdacontent c rdamedia cr rdacarrier Wisconsin studies in film Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 Includes bibliographical references (p. 233-239) and index The language of music: a brief analysis of Vertigo -- A theory of film music -- The silent film score: a structural model -- The classical Hollywood film score: Captain Blood: a working model -- "Every character should have a theme": The informer: Max Steiner and the classical film score -- The "hysterical cult of the director": The magnificant Ambersons: music and theme -- "Not exactly classical, but sweet": Laura: new directions -- John Williams and "The empire" strike back: the eighties and beyond: classical meets contemporary Annotation Beginning with the earliest experiments in musical accompaniment carried out in the Edison Laboratories, Kathryn Kalinak uses archival material to outline the history of American music and film. Focusing on the scores of several key composers of the sound era, including Erich Wolfgang Korngold’sCaptain Blood, Max Steiner’sThe Informer, Bernard Herrmann’sThe Magnificent Ambersons, and David Raksin’sLaura, Kalinak concludes that classical scoring conventions were designed to ensure the dominance of narrative exposition. Her analyses of contemporary work such as John Williams’The Empire Strikes Backand Basil Poledouris’RoboCopdemonstrate how the traditions of the classical era continue to influence scoring practices today Film, Musique de / États-Unis / Histoire et critique MUSIC / Instruction & Study / Theory bisacsh Filmmuziek gtt Filmmusik swd Motion picture music fast Motion picture music United States History and criticism Filmmusik (DE-588)4017129-2 gnd rswk-swf USA Los Angeles- Hollywood (DE-588)4099817-4 gnd rswk-swf Los Angeles- Hollywood (DE-588)4099817-4 g Filmmusik (DE-588)4017129-2 s 1\p DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 0-299-13360-5 Erscheint auch als Druck-Ausgabe, Paperback 0-299-13364-8 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-299-13360-3 Erscheint auch als Druck-Ausgabe, Paperback 978-0-299-13364-1 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=336112 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Kalinak, Kathryn Marie 1952- Settling the score music and the classical Hollywood film Film, Musique de / États-Unis / Histoire et critique MUSIC / Instruction & Study / Theory bisacsh Filmmuziek gtt Filmmusik swd Motion picture music fast Motion picture music United States History and criticism Filmmusik (DE-588)4017129-2 gnd |
| subject_GND | (DE-588)4017129-2 (DE-588)4099817-4 |
| title | Settling the score music and the classical Hollywood film |
| title_auth | Settling the score music and the classical Hollywood film |
| title_exact_search | Settling the score music and the classical Hollywood film |
| title_full | Settling the score music and the classical Hollywood film Kathryn Kalinak |
| title_fullStr | Settling the score music and the classical Hollywood film Kathryn Kalinak |
| title_full_unstemmed | Settling the score music and the classical Hollywood film Kathryn Kalinak |
| title_short | Settling the score |
| title_sort | settling the score music and the classical hollywood film |
| title_sub | music and the classical Hollywood film |
| topic | Film, Musique de / États-Unis / Histoire et critique MUSIC / Instruction & Study / Theory bisacsh Filmmuziek gtt Filmmusik swd Motion picture music fast Motion picture music United States History and criticism Filmmusik (DE-588)4017129-2 gnd |
| topic_facet | Film, Musique de / États-Unis / Histoire et critique MUSIC / Instruction & Study / Theory Filmmuziek Filmmusik Motion picture music Motion picture music United States History and criticism USA Los Angeles- Hollywood |
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