Global neorealism: the transnational history of a film style
Gespeichert in:
| Format: | Elektronisch E-Book |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Jackson
University Press of Mississippi
2011
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Beschreibung: | Includes bibliographical references and index Introduction: the geography and history of global neorealism / Saverio Giovacchini and Robert Sklar -- Before the (Neorealist) revolution / Vito Zagarrio -- Soviet-Italian cinematic exchanges, 1920s 1950s: from early Soviet film theory to neorealism / Masha Salazkina -- The role of documentary film in the formation of the neorealist cinema / Luca Caminati -- "The exalted spirit of the actual": James Agee, critic and filmmaker, and the U.S. response to neorealism / Robert Sklar -- Marketing meaning, branding neorealism: advertising and promoting Italian cinema in postwar America / Nathaniel Brennan -- Neorealism: another "cinema de papa" for the French new wave? / Caroline Eades -- "With an incredible realism that beats the best of the European cinemas": the making of Barrio Gris and the reception of Italian neorealism in Argentina, 1947-1955 / Paula Halperin -- Living in peace after the massacre: neorealism, colonialism, and race / Saverio Giovacchini -- From Italian neorealism to new Latin American cinema: ruptures and continuities during the 1960s / Mariano Mestman -- Importing neorealism, exporting cinema: Indian cinema and film festivals in the 1950s / Neepa Majumdar -- Neorealism and nationalist African cinema / Sada Niang -- Documenting the social reality of Brazil: Roberto Rossellini, the Paraban -- Documentary school, and the cinema novistas / Sarah Sarzynski -- Neorealism Iranian style / Hamid Naficy -- Epilogue: neorealism, cinema of poetry, and Italian contemporary cinema / Silvia Carlorosi Intellectual, cultural, and film historians have long considered neorealism the founding block of post-World War II Italian cinema. Neorealism, the traditional story goes, was an Italian film style born in the second postwar period and aimed at recovering the reality of Italy after the sugarcoated moving images of Fascism. Lasting from 1945 to the early 1950s, neorealism produced world-renowned masterpieces such as Roberto Rossellini's Roma, città aperta (Rome, Open City, 1945) and Vittorio De Sica's Ladri di biciclette (Bicycle Thieves, 1947). These films won some of the most prestigious |
| Beschreibung: | 1 Online-Ressource |
| ISBN: | 9781617031236 1617031232 9781617031229 1617031224 1283309297 9781283309295 |
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| spelling | Global neorealism the transnational history of a film style edited by Saverio Giovacchini and Robert Sklar Jackson University Press of Mississippi 2011 1 Online-Ressource txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index Introduction: the geography and history of global neorealism / Saverio Giovacchini and Robert Sklar -- Before the (Neorealist) revolution / Vito Zagarrio -- Soviet-Italian cinematic exchanges, 1920s 1950s: from early Soviet film theory to neorealism / Masha Salazkina -- The role of documentary film in the formation of the neorealist cinema / Luca Caminati -- "The exalted spirit of the actual": James Agee, critic and filmmaker, and the U.S. response to neorealism / Robert Sklar -- Marketing meaning, branding neorealism: advertising and promoting Italian cinema in postwar America / Nathaniel Brennan -- Neorealism: another "cinema de papa" for the French new wave? / Caroline Eades -- "With an incredible realism that beats the best of the European cinemas": the making of Barrio Gris and the reception of Italian neorealism in Argentina, 1947-1955 / Paula Halperin -- Living in peace after the massacre: neorealism, colonialism, and race / Saverio Giovacchini -- From Italian neorealism to new Latin American cinema: ruptures and continuities during the 1960s / Mariano Mestman -- Importing neorealism, exporting cinema: Indian cinema and film festivals in the 1950s / Neepa Majumdar -- Neorealism and nationalist African cinema / Sada Niang -- Documenting the social reality of Brazil: Roberto Rossellini, the Paraban -- Documentary school, and the cinema novistas / Sarah Sarzynski -- Neorealism Iranian style / Hamid Naficy -- Epilogue: neorealism, cinema of poetry, and Italian contemporary cinema / Silvia Carlorosi Intellectual, cultural, and film historians have long considered neorealism the founding block of post-World War II Italian cinema. Neorealism, the traditional story goes, was an Italian film style born in the second postwar period and aimed at recovering the reality of Italy after the sugarcoated moving images of Fascism. Lasting from 1945 to the early 1950s, neorealism produced world-renowned masterpieces such as Roberto Rossellini's Roma, città aperta (Rome, Open City, 1945) and Vittorio De Sica's Ladri di biciclette (Bicycle Thieves, 1947). These films won some of the most prestigious 1900 - 1999 fast Geschichte 1900-2000 ART / Film & Video bisacsh PERFORMING ARTS / Film & Video / Reference bisacsh PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures fast Realism in motion pictures fast Film Geschichte Realism in motion pictures Motion pictures Italy History 20th century Italien Giovacchini, Saverio Sonstige oth Sklar, Robert Sonstige oth http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=399834 Aggregator Volltext |
| spellingShingle | Global neorealism the transnational history of a film style ART / Film & Video bisacsh PERFORMING ARTS / Film & Video / Reference bisacsh PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures fast Realism in motion pictures fast Film Geschichte Realism in motion pictures Motion pictures Italy History 20th century |
| title | Global neorealism the transnational history of a film style |
| title_auth | Global neorealism the transnational history of a film style |
| title_exact_search | Global neorealism the transnational history of a film style |
| title_full | Global neorealism the transnational history of a film style edited by Saverio Giovacchini and Robert Sklar |
| title_fullStr | Global neorealism the transnational history of a film style edited by Saverio Giovacchini and Robert Sklar |
| title_full_unstemmed | Global neorealism the transnational history of a film style edited by Saverio Giovacchini and Robert Sklar |
| title_short | Global neorealism |
| title_sort | global neorealism the transnational history of a film style |
| title_sub | the transnational history of a film style |
| topic | ART / Film & Video bisacsh PERFORMING ARTS / Film & Video / Reference bisacsh PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures fast Realism in motion pictures fast Film Geschichte Realism in motion pictures Motion pictures Italy History 20th century |
| topic_facet | ART / Film & Video PERFORMING ARTS / Film & Video / Reference PERFORMING ARTS / Film & Video / History & Criticism Motion pictures Realism in motion pictures Film Geschichte Motion pictures Italy History 20th century Italien |
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