How the Second World War is depicted by British novelists since 1990: the passage of time changes our portrayal of traumatic events
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Lewiston, N.Y.
Edwin Mellen Press
©2012
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Includes bibliographical references and index Introduction -- Part 1. Myths: debunked and preserved. 1. Sarah Waters, The night watch (2006) ; 2. Ian McEwan, Atonement (2001) ; 3. William Boyd, Restless (2006) ; 4. Sebastian Faulks, Charlotte Gray (1998) ; 5. Robert Harris, Enigma (1995) -- Part 2. Revisiting history. 6. Tim Binding, Island madness (1994) ; 7. Owen Sheers, Resistance (2007) ; 8. Peter Ho Davies, The Welsh girl (2007) ; 9. A.L. Kennedy, Day (2007) ; 10. Alexander McCall Smith, La's orchestra saves the world (2008) -- Part 3. Individuals and nations. 11. Helen Dunmore, The siege (2001) ; 12. Rachel Seiffert, The dark room (2001) ; 13. Martin Amis, Time's arrow (1991) ; 14. Louis de Beenieres, Captian Corelli's mandolin (1994) ; 15. Mark Mills, The information officer (2009) ; 16. Kazuo Ishiguro, When we were orphans (2000) ; Conclusion: elusive past, inescapable history This volume offers a study of sixteen novels by British authors published between 1990 and the present which address the topic of the Second World War. This study analyzes how these novels employ a variety of techniques and focus on private, anonymous individuals rather than the large historical events, to deal with recurring themes such as the repetitive nature of history and the impossibility of objective historiography |
| Beschreibung: | 1 Online-Ressource (274 pages) |
| ISBN: | 0773411887 9780773411883 |
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| 500 | |a Includes bibliographical references and index | ||
| 500 | |a Introduction -- Part 1. Myths: debunked and preserved. 1. Sarah Waters, The night watch (2006) ; 2. Ian McEwan, Atonement (2001) ; 3. William Boyd, Restless (2006) ; 4. Sebastian Faulks, Charlotte Gray (1998) ; 5. Robert Harris, Enigma (1995) -- Part 2. Revisiting history. 6. Tim Binding, Island madness (1994) ; 7. Owen Sheers, Resistance (2007) ; 8. Peter Ho Davies, The Welsh girl (2007) ; 9. A.L. Kennedy, Day (2007) ; 10. Alexander McCall Smith, La's orchestra saves the world (2008) -- Part 3. Individuals and nations. 11. Helen Dunmore, The siege (2001) ; 12. Rachel Seiffert, The dark room (2001) ; 13. Martin Amis, Time's arrow (1991) ; 14. Louis de Beenieres, Captian Corelli's mandolin (1994) ; 15. Mark Mills, The information officer (2009) ; 16. Kazuo Ishiguro, When we were orphans (2000) ; Conclusion: elusive past, inescapable history | ||
| 500 | |a This volume offers a study of sixteen novels by British authors published between 1990 and the present which address the topic of the Second World War. This study analyzes how these novels employ a variety of techniques and focus on private, anonymous individuals rather than the large historical events, to deal with recurring themes such as the repetitive nature of history and the impossibility of objective historiography | ||
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| 650 | 4 | |a World War, 1939-1945 |x Literature and the war | |
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| isbn | 0773411887 9780773411883 |
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| spelling | Perez Rodriguez, Eva M. Verfasser aut How the Second World War is depicted by British novelists since 1990 the passage of time changes our portrayal of traumatic events Eva M. Pérez Rodríguez ; with a foreword by Santiago Corugedo Lewiston, N.Y. Edwin Mellen Press ©2012 1 Online-Ressource (274 pages) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index Introduction -- Part 1. Myths: debunked and preserved. 1. Sarah Waters, The night watch (2006) ; 2. Ian McEwan, Atonement (2001) ; 3. William Boyd, Restless (2006) ; 4. Sebastian Faulks, Charlotte Gray (1998) ; 5. Robert Harris, Enigma (1995) -- Part 2. Revisiting history. 6. Tim Binding, Island madness (1994) ; 7. Owen Sheers, Resistance (2007) ; 8. Peter Ho Davies, The Welsh girl (2007) ; 9. A.L. Kennedy, Day (2007) ; 10. Alexander McCall Smith, La's orchestra saves the world (2008) -- Part 3. Individuals and nations. 11. Helen Dunmore, The siege (2001) ; 12. Rachel Seiffert, The dark room (2001) ; 13. Martin Amis, Time's arrow (1991) ; 14. Louis de Beenieres, Captian Corelli's mandolin (1994) ; 15. Mark Mills, The information officer (2009) ; 16. Kazuo Ishiguro, When we were orphans (2000) ; Conclusion: elusive past, inescapable history This volume offers a study of sixteen novels by British authors published between 1990 and the present which address the topic of the Second World War. This study analyzes how these novels employ a variety of techniques and focus on private, anonymous individuals rather than the large historical events, to deal with recurring themes such as the repetitive nature of history and the impossibility of objective historiography World War / (1939-1945) fast 1900 - 2099 fast Geschichte 1900-2000 Literature LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh English fiction fast War and literature fast Literatur Weltkrieg (1939-1945) English fiction 20th century History and criticism English fiction 21st century History and criticism World War, 1939-1945 Literature and the war http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=464152 Aggregator Volltext |
| spellingShingle | Perez Rodriguez, Eva M. How the Second World War is depicted by British novelists since 1990 the passage of time changes our portrayal of traumatic events World War / (1939-1945) fast Literature LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh English fiction fast War and literature fast Literatur Weltkrieg (1939-1945) English fiction 20th century History and criticism English fiction 21st century History and criticism World War, 1939-1945 Literature and the war |
| title | How the Second World War is depicted by British novelists since 1990 the passage of time changes our portrayal of traumatic events |
| title_auth | How the Second World War is depicted by British novelists since 1990 the passage of time changes our portrayal of traumatic events |
| title_exact_search | How the Second World War is depicted by British novelists since 1990 the passage of time changes our portrayal of traumatic events |
| title_full | How the Second World War is depicted by British novelists since 1990 the passage of time changes our portrayal of traumatic events Eva M. Pérez Rodríguez ; with a foreword by Santiago Corugedo |
| title_fullStr | How the Second World War is depicted by British novelists since 1990 the passage of time changes our portrayal of traumatic events Eva M. Pérez Rodríguez ; with a foreword by Santiago Corugedo |
| title_full_unstemmed | How the Second World War is depicted by British novelists since 1990 the passage of time changes our portrayal of traumatic events Eva M. Pérez Rodríguez ; with a foreword by Santiago Corugedo |
| title_short | How the Second World War is depicted by British novelists since 1990 |
| title_sort | how the second world war is depicted by british novelists since 1990 the passage of time changes our portrayal of traumatic events |
| title_sub | the passage of time changes our portrayal of traumatic events |
| topic | World War / (1939-1945) fast Literature LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh English fiction fast War and literature fast Literatur Weltkrieg (1939-1945) English fiction 20th century History and criticism English fiction 21st century History and criticism World War, 1939-1945 Literature and the war |
| topic_facet | World War / (1939-1945) Literature LITERARY CRITICISM / European / English, Irish, Scottish, Welsh English fiction War and literature Literatur Weltkrieg (1939-1945) English fiction 20th century History and criticism English fiction 21st century History and criticism World War, 1939-1945 Literature and the war |
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