Music and the Irish literary imagination:
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Oxford, UK
Oxford University Press
2008
|
Schlagworte: | |
Online-Zugang: | FAW01 FAW02 Volltext |
Beschreibung: | Includes bibliographical references and index Words for music : in search of the Irish Omphalos -- The auditory imagination of Thomas Moore -- W.B. Yeats and the music of poetry -- Why J.M. Synge abandoned music -- Opera and drama : Bernard Shaw and "The brandy of the damned" -- The 'thought-tormented music' of James Joyce -- Words after music : Samuel Beckett after Joyce -- Operas of the Irish mind : Brian Friel and music -- Words alone : Seamus Heaney, music, and the jurisdiction of literary forms This new reading of Irish literature identifies, for the first time, the formative influence of music in Irish writing over the past 200 years. Although this influence has long been acknowledged in studies of Shaw and Joyce, White explores music as an abiding preoccupation in the work of Moore, Yeats, Synge, Shaw, Joyce, Beckett, Friel, and Heaney. - ;Harry White examines the influence of music in the development of the Irish literary imagination from 1800 to the present day. He identifies music as a preoccupation which originated in the poetry of Thomas Moore early in the nineteenth century |
Beschreibung: | 1 Online-Ressource (xiv, 260 pages) |
ISBN: | 0191563161 0199547327 9780191563164 9780199547326 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV043126024 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | cr|uuu---uuuuu | ||
008 | 151126s2008 |||| o||u| ||||||eng d | ||
020 | |a 0191563161 |9 0-19-156316-1 | ||
020 | |a 0191563161 |9 0-19-156316-1 | ||
020 | |a 0199547327 |9 0-19-954732-7 | ||
020 | |a 0199547327 |9 0-19-954732-7 | ||
020 | |a 9780191563164 |9 978-0-19-156316-4 | ||
020 | |a 9780199547326 |9 978-0-19-954732-6 | ||
035 | |a (OCoLC)300701718 | ||
035 | |a (DE-599)BVBBV043126024 | ||
040 | |a DE-604 |b ger |e aacr | ||
041 | 0 | |a eng | |
049 | |a DE-1046 |a DE-1047 | ||
082 | 0 | |a 820.9/35780899162 22 |2 22 | |
100 | 1 | |a White, Harry |e Verfasser |4 aut | |
245 | 1 | 0 | |a Music and the Irish literary imagination |c Harry White |
264 | 1 | |a Oxford, UK |b Oxford University Press |c 2008 | |
300 | |a 1 Online-Ressource (xiv, 260 pages) | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
500 | |a Includes bibliographical references and index | ||
500 | |a Words for music : in search of the Irish Omphalos -- The auditory imagination of Thomas Moore -- W.B. Yeats and the music of poetry -- Why J.M. Synge abandoned music -- Opera and drama : Bernard Shaw and "The brandy of the damned" -- The 'thought-tormented music' of James Joyce -- Words after music : Samuel Beckett after Joyce -- Operas of the Irish mind : Brian Friel and music -- Words alone : Seamus Heaney, music, and the jurisdiction of literary forms | ||
500 | |a This new reading of Irish literature identifies, for the first time, the formative influence of music in Irish writing over the past 200 years. Although this influence has long been acknowledged in studies of Shaw and Joyce, White explores music as an abiding preoccupation in the work of Moore, Yeats, Synge, Shaw, Joyce, Beckett, Friel, and Heaney. - ;Harry White examines the influence of music in the development of the Irish literary imagination from 1800 to the present day. He identifies music as a preoccupation which originated in the poetry of Thomas Moore early in the nineteenth century | ||
648 | 4 | |a Geschichte 1900-2000 | |
648 | 4 | |a Geschichte 1800-1900 | |
648 | 7 | |a Geschichte 1800-2000 |2 gnd |9 rswk-swf | |
650 | 7 | |a LITERARY CRITICISM / European / English, Irish, Scottish, Welsh |2 bisacsh | |
650 | 4 | |a Geschichte | |
650 | 4 | |a Musik | |
650 | 4 | |a English literature |x Irish authors |x History and criticism | |
650 | 4 | |a English literature |x Irish authors |x Musical settings |x History and criticism | |
650 | 4 | |a English literature |y 19th century |x History and criticism | |
650 | 4 | |a English literature |y 20th century |x History and criticism | |
650 | 4 | |a Music and literature |x History |y 19th century | |
650 | 4 | |a Music and literature |x History |y 20th century | |
650 | 4 | |a Music |z Ireland |y 19th century |x History and criticism | |
650 | 4 | |a Music |z Ireland |y 20th century |x History and criticism | |
650 | 0 | 7 | |a Musik |0 (DE-588)4040802-4 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Literatur |0 (DE-588)4035964-5 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Englisch |0 (DE-588)4014777-0 |2 gnd |9 rswk-swf |
651 | 4 | |a Irland | |
651 | 7 | |a Irland |0 (DE-588)4027667-3 |2 gnd |9 rswk-swf | |
689 | 0 | 0 | |a Irland |0 (DE-588)4027667-3 |D g |
689 | 0 | 1 | |a Literatur |0 (DE-588)4035964-5 |D s |
689 | 0 | 2 | |a Englisch |0 (DE-588)4014777-0 |D s |
689 | 0 | 3 | |a Musik |0 (DE-588)4040802-4 |D s |
689 | 0 | 4 | |a Geschichte 1800-2000 |A z |
689 | 0 | |8 1\p |5 DE-604 | |
856 | 4 | 0 | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=271285 |x Aggregator |3 Volltext |
912 | |a ZDB-4-EBA | ||
999 | |a oai:aleph.bib-bvb.de:BVB01-028550215 | ||
883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=271285 |l FAW01 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=271285 |l FAW02 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext |
Datensatz im Suchindex
_version_ | 1804175560329396224 |
---|---|
any_adam_object | |
author | White, Harry |
author_facet | White, Harry |
author_role | aut |
author_sort | White, Harry |
author_variant | h w hw |
building | Verbundindex |
bvnumber | BV043126024 |
collection | ZDB-4-EBA |
ctrlnum | (OCoLC)300701718 (DE-599)BVBBV043126024 |
dewey-full | 820.9/3578089916222 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 820 - English & Old English literatures |
dewey-raw | 820.9/35780899162 22 |
dewey-search | 820.9/35780899162 22 |
dewey-sort | 3820.9 1135780899162 222 |
dewey-tens | 820 - English & Old English literatures |
discipline | Anglistik / Amerikanistik |
era | Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1800-2000 gnd |
era_facet | Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1800-2000 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04058nmm a2200721zc 4500</leader><controlfield tag="001">BV043126024</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">151126s2008 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0191563161</subfield><subfield code="9">0-19-156316-1</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0191563161</subfield><subfield code="9">0-19-156316-1</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0199547327</subfield><subfield code="9">0-19-954732-7</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0199547327</subfield><subfield code="9">0-19-954732-7</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780191563164</subfield><subfield code="9">978-0-19-156316-4</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780199547326</subfield><subfield code="9">978-0-19-954732-6</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)300701718</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043126024</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-1047</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">820.9/35780899162 22</subfield><subfield code="2">22</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">White, Harry</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Music and the Irish literary imagination</subfield><subfield code="c">Harry White</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Oxford, UK</subfield><subfield code="b">Oxford University Press</subfield><subfield code="c">2008</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xiv, 260 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Words for music : in search of the Irish Omphalos -- The auditory imagination of Thomas Moore -- W.B. Yeats and the music of poetry -- Why J.M. Synge abandoned music -- Opera and drama : Bernard Shaw and "The brandy of the damned" -- The 'thought-tormented music' of James Joyce -- Words after music : Samuel Beckett after Joyce -- Operas of the Irish mind : Brian Friel and music -- Words alone : Seamus Heaney, music, and the jurisdiction of literary forms</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">This new reading of Irish literature identifies, for the first time, the formative influence of music in Irish writing over the past 200 years. Although this influence has long been acknowledged in studies of Shaw and Joyce, White explores music as an abiding preoccupation in the work of Moore, Yeats, Synge, Shaw, Joyce, Beckett, Friel, and Heaney. - ;Harry White examines the influence of music in the development of the Irish literary imagination from 1800 to the present day. He identifies music as a preoccupation which originated in the poetry of Thomas Moore early in the nineteenth century</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1900-2000</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1800-1900</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1800-2000</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY CRITICISM / European / English, Irish, Scottish, Welsh</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musik</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">English literature</subfield><subfield code="x">Irish authors</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">English literature</subfield><subfield code="x">Irish authors</subfield><subfield code="x">Musical settings</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">English literature</subfield><subfield code="y">19th century</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">English literature</subfield><subfield code="y">20th century</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music and literature</subfield><subfield code="x">History</subfield><subfield code="y">19th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music and literature</subfield><subfield code="x">History</subfield><subfield code="y">20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music</subfield><subfield code="z">Ireland</subfield><subfield code="y">19th century</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music</subfield><subfield code="z">Ireland</subfield><subfield code="y">20th century</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Englisch</subfield><subfield code="0">(DE-588)4014777-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">Irland</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Irland</subfield><subfield code="0">(DE-588)4027667-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Irland</subfield><subfield code="0">(DE-588)4027667-3</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Englisch</subfield><subfield code="0">(DE-588)4014777-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Geschichte 1800-2000</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=271285</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-028550215</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=271285</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=271285</subfield><subfield code="l">FAW02</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
geographic | Irland Irland (DE-588)4027667-3 gnd |
geographic_facet | Irland |
id | DE-604.BV043126024 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T07:18:14Z |
institution | BVB |
isbn | 0191563161 0199547327 9780191563164 9780199547326 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028550215 |
oclc_num | 300701718 |
open_access_boolean | |
owner | DE-1046 DE-1047 |
owner_facet | DE-1046 DE-1047 |
physical | 1 Online-Ressource (xiv, 260 pages) |
psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
publishDate | 2008 |
publishDateSearch | 2008 |
publishDateSort | 2008 |
publisher | Oxford University Press |
record_format | marc |
spelling | White, Harry Verfasser aut Music and the Irish literary imagination Harry White Oxford, UK Oxford University Press 2008 1 Online-Ressource (xiv, 260 pages) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index Words for music : in search of the Irish Omphalos -- The auditory imagination of Thomas Moore -- W.B. Yeats and the music of poetry -- Why J.M. Synge abandoned music -- Opera and drama : Bernard Shaw and "The brandy of the damned" -- The 'thought-tormented music' of James Joyce -- Words after music : Samuel Beckett after Joyce -- Operas of the Irish mind : Brian Friel and music -- Words alone : Seamus Heaney, music, and the jurisdiction of literary forms This new reading of Irish literature identifies, for the first time, the formative influence of music in Irish writing over the past 200 years. Although this influence has long been acknowledged in studies of Shaw and Joyce, White explores music as an abiding preoccupation in the work of Moore, Yeats, Synge, Shaw, Joyce, Beckett, Friel, and Heaney. - ;Harry White examines the influence of music in the development of the Irish literary imagination from 1800 to the present day. He identifies music as a preoccupation which originated in the poetry of Thomas Moore early in the nineteenth century Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1800-2000 gnd rswk-swf LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh Geschichte Musik English literature Irish authors History and criticism English literature Irish authors Musical settings History and criticism English literature 19th century History and criticism English literature 20th century History and criticism Music and literature History 19th century Music and literature History 20th century Music Ireland 19th century History and criticism Music Ireland 20th century History and criticism Musik (DE-588)4040802-4 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Irland Irland (DE-588)4027667-3 gnd rswk-swf Irland (DE-588)4027667-3 g Literatur (DE-588)4035964-5 s Englisch (DE-588)4014777-0 s Musik (DE-588)4040802-4 s Geschichte 1800-2000 z 1\p DE-604 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=271285 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | White, Harry Music and the Irish literary imagination LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh Geschichte Musik English literature Irish authors History and criticism English literature Irish authors Musical settings History and criticism English literature 19th century History and criticism English literature 20th century History and criticism Music and literature History 19th century Music and literature History 20th century Music Ireland 19th century History and criticism Music Ireland 20th century History and criticism Musik (DE-588)4040802-4 gnd Literatur (DE-588)4035964-5 gnd Englisch (DE-588)4014777-0 gnd |
subject_GND | (DE-588)4040802-4 (DE-588)4035964-5 (DE-588)4014777-0 (DE-588)4027667-3 |
title | Music and the Irish literary imagination |
title_auth | Music and the Irish literary imagination |
title_exact_search | Music and the Irish literary imagination |
title_full | Music and the Irish literary imagination Harry White |
title_fullStr | Music and the Irish literary imagination Harry White |
title_full_unstemmed | Music and the Irish literary imagination Harry White |
title_short | Music and the Irish literary imagination |
title_sort | music and the irish literary imagination |
topic | LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh Geschichte Musik English literature Irish authors History and criticism English literature Irish authors Musical settings History and criticism English literature 19th century History and criticism English literature 20th century History and criticism Music and literature History 19th century Music and literature History 20th century Music Ireland 19th century History and criticism Music Ireland 20th century History and criticism Musik (DE-588)4040802-4 gnd Literatur (DE-588)4035964-5 gnd Englisch (DE-588)4014777-0 gnd |
topic_facet | LITERARY CRITICISM / European / English, Irish, Scottish, Welsh Geschichte Musik English literature Irish authors History and criticism English literature Irish authors Musical settings History and criticism English literature 19th century History and criticism English literature 20th century History and criticism Music and literature History 19th century Music and literature History 20th century Music Ireland 19th century History and criticism Music Ireland 20th century History and criticism Literatur Englisch Irland |
url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=271285 |
work_keys_str_mv | AT whiteharry musicandtheirishliteraryimagination |