Slow fade to black: the Negro in American film, 1900-1942
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Oxford University Press
©1993
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Includes bibliographical references (pages 391-433) and indexes Set against the backdrop of the black struggle in society, Slow Fade to Black is the definitive history of African-American accomplishment in film--both before and behind the camera--from the earliest movies through World War II. As he records the changing attitudes toward African-Americans both in Hollywood and the nation at large, Cripps explores the growth of discrimination as filmmakers became more and more intrigued with myths of the Old South: the "lost cause" aspect; of the Civil War, the stately mansions and gracious ladies of the antebellum South, the "happy" slaves singing in the fields. Cripps shows how these characterizations culminated in the blatantly racist attitudes of Griffith's The Birth of a Nation, and how this film inspired the N.A.A.C.P. to campaign vigorously--and successfully--for change. While the period of the 1920s to 1940s was one replete with Hollywood stereotypes (blacks most often appeared as domestics or "natives," or were portrayed in shiftless, cowardly "Stepin Fetchit" roles), there was also an attempt at independent black production--on the whole unsuccessful. But with the coming of World War II, increasing pressures for a wider use of blacks in films, and calls for more equitable treatment, African-Americans did begin to receive more sympathetic roles, such as that of Sam, the piano player in the 1942 classic Casablanca.; A lively, thorough history of African-Americans in the movies, Slow Fade to Black is also a perceptive social commentary on evolving racial attitudes in this country during the first four decades of the twentieth century |
| Beschreibung: | 1 Online-Ressource (xi, 447 pages) |
| ISBN: | 0195021304 0199727872 1280439084 1601295685 9780195021301 9780199727872 9781280439087 9781601295682 |
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Datensatz im Suchindex
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| author | Cripps, Thomas |
| author_facet | Cripps, Thomas |
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/6520396073 |
| dewey-search | 791.43/6520396073 |
| dewey-sort | 3791.43 106520396073 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | Geschichte 1900-1942 gnd |
| era_facet | Geschichte 1900-1942 |
| format | Electronic eBook |
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| spelling | Cripps, Thomas Verfasser aut Slow fade to black the Negro in American film, 1900-1942 Thomas Cripps Oxford Oxford University Press ©1993 1 Online-Ressource (xi, 447 pages) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references (pages 391-433) and indexes Set against the backdrop of the black struggle in society, Slow Fade to Black is the definitive history of African-American accomplishment in film--both before and behind the camera--from the earliest movies through World War II. As he records the changing attitudes toward African-Americans both in Hollywood and the nation at large, Cripps explores the growth of discrimination as filmmakers became more and more intrigued with myths of the Old South: the "lost cause" aspect; of the Civil War, the stately mansions and gracious ladies of the antebellum South, the "happy" slaves singing in the fields. Cripps shows how these characterizations culminated in the blatantly racist attitudes of Griffith's The Birth of a Nation, and how this film inspired the N.A.A.C.P. to campaign vigorously--and successfully--for change. While the period of the 1920s to 1940s was one replete with Hollywood stereotypes (blacks most often appeared as domestics or "natives," or were portrayed in shiftless, cowardly "Stepin Fetchit" roles), there was also an attempt at independent black production--on the whole unsuccessful. But with the coming of World War II, increasing pressures for a wider use of blacks in films, and calls for more equitable treatment, African-Americans did begin to receive more sympathetic roles, such as that of Sam, the piano player in the 1942 classic Casablanca.; A lively, thorough history of African-Americans in the movies, Slow Fade to Black is also a perceptive social commentary on evolving racial attitudes in this country during the first four decades of the twentieth century Geschichte 1900-1942 gnd rswk-swf PERFORMING ARTS / Film & Video / Reference bisacsh African Americans fast African Americans in the motion picture industry fast Motion pictures fast Film Schwarze. USA African Americans in motion pictures African Americans in the motion picture industry Schwarze Motiv (DE-588)4116434-9 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Schwarze (DE-588)4116433-7 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Film (DE-588)4017102-4 s Schwarze Motiv (DE-588)4116434-9 s Geschichte 1900-1942 z 1\p DE-604 Schwarze (DE-588)4116433-7 s 2\p DE-604 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=144064 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Cripps, Thomas Slow fade to black the Negro in American film, 1900-1942 PERFORMING ARTS / Film & Video / Reference bisacsh African Americans fast African Americans in the motion picture industry fast Motion pictures fast Film Schwarze. USA African Americans in motion pictures African Americans in the motion picture industry Schwarze Motiv (DE-588)4116434-9 gnd Film (DE-588)4017102-4 gnd Schwarze (DE-588)4116433-7 gnd |
| subject_GND | (DE-588)4116434-9 (DE-588)4017102-4 (DE-588)4116433-7 (DE-588)4078704-7 |
| title | Slow fade to black the Negro in American film, 1900-1942 |
| title_auth | Slow fade to black the Negro in American film, 1900-1942 |
| title_exact_search | Slow fade to black the Negro in American film, 1900-1942 |
| title_full | Slow fade to black the Negro in American film, 1900-1942 Thomas Cripps |
| title_fullStr | Slow fade to black the Negro in American film, 1900-1942 Thomas Cripps |
| title_full_unstemmed | Slow fade to black the Negro in American film, 1900-1942 Thomas Cripps |
| title_short | Slow fade to black |
| title_sort | slow fade to black the negro in american film 1900 1942 |
| title_sub | the Negro in American film, 1900-1942 |
| topic | PERFORMING ARTS / Film & Video / Reference bisacsh African Americans fast African Americans in the motion picture industry fast Motion pictures fast Film Schwarze. USA African Americans in motion pictures African Americans in the motion picture industry Schwarze Motiv (DE-588)4116434-9 gnd Film (DE-588)4017102-4 gnd Schwarze (DE-588)4116433-7 gnd |
| topic_facet | PERFORMING ARTS / Film & Video / Reference African Americans African Americans in the motion picture industry Motion pictures Film Schwarze. USA African Americans in motion pictures Schwarze Motiv Schwarze USA |
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