Deleuze and the cinemas of performance: powers of affection
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
c2008
|
| Schlagworte: | |
| Online-Zugang: | DE-1046 DE-1047 Volltext |
| Beschreibung: | Includes bibliographical references (p. [218]-227) and index COVER; Copyright; Contents; Acknowledgments; Introduction: Cinema and the Affective-Performative; 1. Animated Fetishes; 2. Choreographies of Affect; 3. Dancing Feminisms; 4. Kinesthetic Seductions; 5. Powers of the False; Conclusion: Everything is "Yes"; Works Cited; Index This book offers a unique reconsideration of the performing body that privileges the notion of affective force over the notion of visual form at the centre of former theories of spectacle and performativity. Drawing on Gilles Deleuze's philosophy of the body, and on Deleuze-Spinoza's relevant concepts of affect and expression, Elena del Río examines a kind of cinema that she calls 'affective-performative'. The features of this cinema unfold via detailed and engaging discussions of the movements, gestures and speeds of the body in a variety of films by Douglas Sirk, Rainer W. Fassbinder, Sally |
| Beschreibung: | 1 Online-Ressource (viii, 240 p.) |
| ISBN: | 0748635262 9780748635269 |
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| 500 | |a COVER; Copyright; Contents; Acknowledgments; Introduction: Cinema and the Affective-Performative; 1. Animated Fetishes; 2. Choreographies of Affect; 3. Dancing Feminisms; 4. Kinesthetic Seductions; 5. Powers of the False; Conclusion: Everything is "Yes"; Works Cited; Index | ||
| 500 | |a This book offers a unique reconsideration of the performing body that privileges the notion of affective force over the notion of visual form at the centre of former theories of spectacle and performativity. Drawing on Gilles Deleuze's philosophy of the body, and on Deleuze-Spinoza's relevant concepts of affect and expression, Elena del Río examines a kind of cinema that she calls 'affective-performative'. The features of this cinema unfold via detailed and engaging discussions of the movements, gestures and speeds of the body in a variety of films by Douglas Sirk, Rainer W. Fassbinder, Sally | ||
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Datensatz im Suchindex
| _version_ | 1811034925531398144 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Río, Elena del |
| author_facet | Río, Elena del |
| author_role | aut |
| author_sort | Río, Elena del |
| author_variant | e d r ed edr |
| building | Verbundindex |
| bvnumber | BV043123972 |
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| collection | ZDB-4-EBA |
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| dewey-full | 791.4301 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4301 |
| dewey-search | 791.4301 |
| dewey-sort | 3791.4301 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines Philosophie |
| format | Electronic eBook |
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| id | DE-604.BV043123972 |
| illustrated | Not Illustrated |
| indexdate | 2024-09-24T00:24:54Z |
| institution | BVB |
| isbn | 0748635262 9780748635269 |
| language | English |
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| spelling | Río, Elena del Verfasser aut Deleuze and the cinemas of performance powers of affection Elena del Río Edinburgh Edinburgh University Press c2008 1 Online-Ressource (viii, 240 p.) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references (p. [218]-227) and index COVER; Copyright; Contents; Acknowledgments; Introduction: Cinema and the Affective-Performative; 1. Animated Fetishes; 2. Choreographies of Affect; 3. Dancing Feminisms; 4. Kinesthetic Seductions; 5. Powers of the False; Conclusion: Everything is "Yes"; Works Cited; Index This book offers a unique reconsideration of the performing body that privileges the notion of affective force over the notion of visual form at the centre of former theories of spectacle and performativity. Drawing on Gilles Deleuze's philosophy of the body, and on Deleuze-Spinoza's relevant concepts of affect and expression, Elena del Río examines a kind of cinema that she calls 'affective-performative'. The features of this cinema unfold via detailed and engaging discussions of the movements, gestures and speeds of the body in a variety of films by Douglas Sirk, Rainer W. Fassbinder, Sally Deleuze, Gilles / 1925-1995 Deleuze, Gilles / 1925-1995 fast Deleuze, Gilles 1925-1995 Deleuze, Gilles 1925-1995 (DE-588)118524534 gnd rswk-swf PERFORMING ARTS / Film & Video / History & Criticism bisacsh PERFORMING ARTS / Film & Video / General bisacsh Human body in motion pictures fast Motion pictures / Philosophy fast Film Philosophie Human body in motion pictures Motion pictures Philosophy Affekt (DE-588)4135470-9 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Körper Motiv (DE-588)4164424-4 gnd rswk-swf Film (DE-588)4017102-4 s Körper Motiv (DE-588)4164424-4 s Affekt (DE-588)4135470-9 s 1\p DE-604 Deleuze, Gilles 1925-1995 (DE-588)118524534 p 2\p DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 0-7486-3525-4 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-7486-3525-2 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=243583 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Río, Elena del Deleuze and the cinemas of performance powers of affection Deleuze, Gilles / 1925-1995 Deleuze, Gilles / 1925-1995 fast Deleuze, Gilles 1925-1995 Deleuze, Gilles 1925-1995 (DE-588)118524534 gnd PERFORMING ARTS / Film & Video / History & Criticism bisacsh PERFORMING ARTS / Film & Video / General bisacsh Human body in motion pictures fast Motion pictures / Philosophy fast Film Philosophie Human body in motion pictures Motion pictures Philosophy Affekt (DE-588)4135470-9 gnd Film (DE-588)4017102-4 gnd Körper Motiv (DE-588)4164424-4 gnd |
| subject_GND | (DE-588)118524534 (DE-588)4135470-9 (DE-588)4017102-4 (DE-588)4164424-4 |
| title | Deleuze and the cinemas of performance powers of affection |
| title_auth | Deleuze and the cinemas of performance powers of affection |
| title_exact_search | Deleuze and the cinemas of performance powers of affection |
| title_full | Deleuze and the cinemas of performance powers of affection Elena del Río |
| title_fullStr | Deleuze and the cinemas of performance powers of affection Elena del Río |
| title_full_unstemmed | Deleuze and the cinemas of performance powers of affection Elena del Río |
| title_short | Deleuze and the cinemas of performance |
| title_sort | deleuze and the cinemas of performance powers of affection |
| title_sub | powers of affection |
| topic | Deleuze, Gilles / 1925-1995 Deleuze, Gilles / 1925-1995 fast Deleuze, Gilles 1925-1995 Deleuze, Gilles 1925-1995 (DE-588)118524534 gnd PERFORMING ARTS / Film & Video / History & Criticism bisacsh PERFORMING ARTS / Film & Video / General bisacsh Human body in motion pictures fast Motion pictures / Philosophy fast Film Philosophie Human body in motion pictures Motion pictures Philosophy Affekt (DE-588)4135470-9 gnd Film (DE-588)4017102-4 gnd Körper Motiv (DE-588)4164424-4 gnd |
| topic_facet | Deleuze, Gilles / 1925-1995 Deleuze, Gilles 1925-1995 PERFORMING ARTS / Film & Video / History & Criticism PERFORMING ARTS / Film & Video / General Human body in motion pictures Motion pictures / Philosophy Film Philosophie Motion pictures Philosophy Affekt Körper Motiv |
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