Shashibiya: staging Shakespeare in China
Gespeichert in:
Bibliographische Detailangaben
1. Verfasser: Li, Ruru (VerfasserIn)
Format: Elektronisch E-Book
Sprache:English
Veröffentlicht: Hong Kong Hong Kong University Press ©2003
Schlagworte:
Online-Zugang:FAW01
FAW02
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Beschreibung:Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002
Includes bibliographical references (pages 285-295) and index
Shakespeare in China: between his first 'arrival' and the Cultural Revolution -- Orthodox presentations in Chinese eyes: Much ado about nothing (1957, revival: 1961 & 1979); Macbeth (1980) -- Rebels against the classics: Hamlet (1989, 1990 & 1994); Othello (1994) -- The Chinese faces of Shakespeare: blood-stained hands (Xie shou ji)/Macbeth (1986); Looking for trouble (Wushishengfei)/Much ado about nothing (1986); The prince's revenge (Wangzi fuchou ji)/Hamlet (1994) -- Keeping Shakespeare in the 'original sauce': Twelfth night (Di shi'er ye, 1986); Othello (Aosailuo, 1983, 1986 & 1987) -- Another dimension in intercultural Shakespeare: an English/Chinese Macbeth (1994); a Taiwan/mainland Shamlet (a parody on Hamlet, 1994) -- Old man Sha: dead or sleeping?
Discussing the levels of filtering that any Shakespeare performance in China undergoes, this work examines how these filters reflect the continually changing political, social and cultural practices. The study also traces the history of Shakespeare performance in China over the last century
Beschreibung:1 Online-Ressource (xi, 305 pages, [12] pages of plates)
ISBN:9789882202757
9882202756

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