Collecting as modernist practice:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Baltimore, Md.
The Johns Hopkins University Press
2012
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Includes bibliographical references and index Introduction: Collection mediation modernism -- After imagisme -- The domestication of modernism: the Phillips memorial gallery in the 1920s -- The Barnes foundation, institution of the new psychologies -- The new negro in the field of collections -- Modernism's archives: afterlives of the modernist collection "In this highly original study, Jeremy Braddock focuses on collective forms of modernist expression - the art collection, the anthology, and the archive - and their importance in the development of institutional and artistic culture in the United States. Using extensive archival research, Braddock's study synthetically examines the overlooked practices of major American art collectors and literary editors: Albert Barnes, Alain Locke, Duncan Phillips, Alfred Kreymborg, Amy Lowell, Ezra Pound, Katherine Dreier, and Carl Van Vechten. He reveals the way collections were devised as both models for modernism's future institutionalization and culturally productive objects and aesthetic forms in themselves. Rather than anchoring his study in the familiar figures of the individual poet, artist, and work, Braddock gives us an entirely new account of how modernism was made, one centered on the figure of the collector and the practice of collecting. Collecting as Modernist Practice demonstrates that modernism's cultural identity was secured not so much through the selection of a canon of significant works as by the development of new practices that shaped the social meaning of art. Braddock has us revisit the contested terrain of modernist culture prior to the dominance of institutions such as the Museum of Modern Art and the university curriculum so that we might consider modernisms that could have been. Offering the most systematic review to date of the Barnes Foundation, an intellectual genealogy and analysis of The New Negro anthology, and studies of a wide range of hitherto ignored anthologies and archives, Braddock convincingly shows how artistic and literary collections helped define the modernist movement in the United States."--Project Muse |
| Beschreibung: | 1 Online-Ressource (336 p.) |
| ISBN: | 1421406640 9781421406640 |
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Datensatz im Suchindex
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|---|---|
| any_adam_object | |
| author | Braddock, Jeremy |
| author_facet | Braddock, Jeremy |
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| isbn | 1421406640 9781421406640 |
| language | English |
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| spelling | Braddock, Jeremy Verfasser aut Collecting as modernist practice Jeremy Braddock Baltimore, Md. The Johns Hopkins University Press 2012 1 Online-Ressource (336 p.) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index Introduction: Collection mediation modernism -- After imagisme -- The domestication of modernism: the Phillips memorial gallery in the 1920s -- The Barnes foundation, institution of the new psychologies -- The new negro in the field of collections -- Modernism's archives: afterlives of the modernist collection "In this highly original study, Jeremy Braddock focuses on collective forms of modernist expression - the art collection, the anthology, and the archive - and their importance in the development of institutional and artistic culture in the United States. Using extensive archival research, Braddock's study synthetically examines the overlooked practices of major American art collectors and literary editors: Albert Barnes, Alain Locke, Duncan Phillips, Alfred Kreymborg, Amy Lowell, Ezra Pound, Katherine Dreier, and Carl Van Vechten. He reveals the way collections were devised as both models for modernism's future institutionalization and culturally productive objects and aesthetic forms in themselves. Rather than anchoring his study in the familiar figures of the individual poet, artist, and work, Braddock gives us an entirely new account of how modernism was made, one centered on the figure of the collector and the practice of collecting. Collecting as Modernist Practice demonstrates that modernism's cultural identity was secured not so much through the selection of a canon of significant works as by the development of new practices that shaped the social meaning of art. Braddock has us revisit the contested terrain of modernist culture prior to the dominance of institutions such as the Museum of Modern Art and the university curriculum so that we might consider modernisms that could have been. Offering the most systematic review to date of the Barnes Foundation, an intellectual genealogy and analysis of The New Negro anthology, and studies of a wide range of hitherto ignored anthologies and archives, Braddock convincingly shows how artistic and literary collections helped define the modernist movement in the United States."--Project Muse Geschichte 1900-1930 gnd rswk-swf BUSINESS & ECONOMICS / Museum Administration & Museology bisacsh REFERENCE / General bisacsh TRAVEL / Museums, Tours, Points of Interest bisacsh Anthologies fast Collectors and collecting fast Modernism (Literature) fast Wirtschaft Anthologies History and criticism Collectors and collecting Modernism (Literature) Kunst (DE-588)4114333-4 gnd rswk-swf Sammlung (DE-588)4128844-0 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Kunst (DE-588)4114333-4 s Sammlung (DE-588)4128844-0 s Geschichte 1900-1930 z 1\p DE-604 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=597702 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Braddock, Jeremy Collecting as modernist practice BUSINESS & ECONOMICS / Museum Administration & Museology bisacsh REFERENCE / General bisacsh TRAVEL / Museums, Tours, Points of Interest bisacsh Anthologies fast Collectors and collecting fast Modernism (Literature) fast Wirtschaft Anthologies History and criticism Collectors and collecting Modernism (Literature) Kunst (DE-588)4114333-4 gnd Sammlung (DE-588)4128844-0 gnd |
| subject_GND | (DE-588)4114333-4 (DE-588)4128844-0 (DE-588)4078704-7 |
| title | Collecting as modernist practice |
| title_auth | Collecting as modernist practice |
| title_exact_search | Collecting as modernist practice |
| title_full | Collecting as modernist practice Jeremy Braddock |
| title_fullStr | Collecting as modernist practice Jeremy Braddock |
| title_full_unstemmed | Collecting as modernist practice Jeremy Braddock |
| title_short | Collecting as modernist practice |
| title_sort | collecting as modernist practice |
| topic | BUSINESS & ECONOMICS / Museum Administration & Museology bisacsh REFERENCE / General bisacsh TRAVEL / Museums, Tours, Points of Interest bisacsh Anthologies fast Collectors and collecting fast Modernism (Literature) fast Wirtschaft Anthologies History and criticism Collectors and collecting Modernism (Literature) Kunst (DE-588)4114333-4 gnd Sammlung (DE-588)4128844-0 gnd |
| topic_facet | BUSINESS & ECONOMICS / Museum Administration & Museology REFERENCE / General TRAVEL / Museums, Tours, Points of Interest Anthologies Collectors and collecting Modernism (Literature) Wirtschaft Anthologies History and criticism Kunst Sammlung USA |
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