McLuhan, or, Modernism in reverse:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Toronto, Ont.
University of Toronto Press
c1996
|
| Schriftenreihe: | Theory/culture series
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 Includes bibliographical references (p. [245]-253) and index Introduction: McLuhan's Medium -- 1. The Art of Criticism -- 2. The Art of Montage -- 3. Symbolic Reversals -- 4. The Art of Politics -- 5. Technological Reversals -- 6. The Modern Primitive -- 7. The Postmodern Mask -- 8. The Postmodern Medium -- 9. Being There -- Conclusion: McLuhan's Message Our lives are increasingly dominated by new forms of image, sound, data, and language media. Marshall McLuhan called this new order of things the Global Village, and he strove to be true to it as the media-popular 'McLuhan.' Having little use for traditional critical forms or values, and courting instead the discourses of popular culture and big business, McLuhan displayed the authentic, ambivalent place of critical self-reflection in our media-centred world. McLuhan, according to Willmott, must be understood as a vital link in a generation of modern and postmodern critics, one who extracted modernist forms and values from the deconstructions of postmodern culture, and one who forced into public view the emergence of the critical intellectual as 'being-in-media.' Willmott's book fills the need for a first critical, historical, and theoretical re-reading of McLuhan's literary and cultural projects He re-evaluates McLuhan as a thinker and writer who moved along the borders of academic and popular culture, and locates him as an integral presence in the history of modern critical thought. The book is divided into two parts, representing modern and postmodern periods. Willmott examines McLuhan's relationship to critical and aesthetic modernism, and political and historical sense of modernity in North America, from the early 1930s to the 1950s. This relationship led McLuhan to articulate and practise what Willmott calls a 'modernism in reverse.' Willmott examines the postmodern practice of this critical aesthetic, from the 1950s to the 1970s, which entailed McLuhan's self-commodification in art, business, and popular culture |
| Beschreibung: | 1 Online-Ressource (xv, 262 p.) |
| ISBN: | 1442677147 9780802008015 9781442677142 |
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| 500 | |a Our lives are increasingly dominated by new forms of image, sound, data, and language media. Marshall McLuhan called this new order of things the Global Village, and he strove to be true to it as the media-popular 'McLuhan.' Having little use for traditional critical forms or values, and courting instead the discourses of popular culture and big business, McLuhan displayed the authentic, ambivalent place of critical self-reflection in our media-centred world. McLuhan, according to Willmott, must be understood as a vital link in a generation of modern and postmodern critics, one who extracted modernist forms and values from the deconstructions of postmodern culture, and one who forced into public view the emergence of the critical intellectual as 'being-in-media.' Willmott's book fills the need for a first critical, historical, and theoretical re-reading of McLuhan's literary and cultural projects | ||
| 500 | |a He re-evaluates McLuhan as a thinker and writer who moved along the borders of academic and popular culture, and locates him as an integral presence in the history of modern critical thought. The book is divided into two parts, representing modern and postmodern periods. Willmott examines McLuhan's relationship to critical and aesthetic modernism, and political and historical sense of modernity in North America, from the early 1930s to the 1950s. This relationship led McLuhan to articulate and practise what Willmott calls a 'modernism in reverse.' Willmott examines the postmodern practice of this critical aesthetic, from the 1950s to the 1970s, which entailed McLuhan's self-commodification in art, business, and popular culture | ||
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Datensatz im Suchindex
| _version_ | 1804175545687080960 |
|---|---|
| any_adam_object | |
| author | Willmott, Glenn |
| author_facet | Willmott, Glenn |
| author_role | aut |
| author_sort | Willmott, Glenn |
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| building | Verbundindex |
| bvnumber | BV043118604 |
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| dewey-raw | 302.23/092 |
| dewey-search | 302.23/092 |
| dewey-sort | 3302.23 292 |
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| discipline | Soziologie Literaturwissenschaft |
| format | Electronic eBook |
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| id | DE-604.BV043118604 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:18:00Z |
| institution | BVB |
| isbn | 1442677147 9780802008015 9781442677142 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028542795 |
| oclc_num | 244766353 |
| open_access_boolean | |
| owner | DE-1046 DE-1047 |
| owner_facet | DE-1046 DE-1047 |
| physical | 1 Online-Ressource (xv, 262 p.) |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 1996 |
| publishDateSearch | 1996 |
| publishDateSort | 1996 |
| publisher | University of Toronto Press |
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| series2 | Theory/culture series |
| spelling | Willmott, Glenn Verfasser aut McLuhan, or, Modernism in reverse Glenn Willmott Modernism in reverse Toronto, Ont. University of Toronto Press c1996 1 Online-Ressource (xv, 262 p.) txt rdacontent c rdamedia cr rdacarrier Theory/culture series Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 Includes bibliographical references (p. [245]-253) and index Introduction: McLuhan's Medium -- 1. The Art of Criticism -- 2. The Art of Montage -- 3. Symbolic Reversals -- 4. The Art of Politics -- 5. Technological Reversals -- 6. The Modern Primitive -- 7. The Postmodern Mask -- 8. The Postmodern Medium -- 9. Being There -- Conclusion: McLuhan's Message Our lives are increasingly dominated by new forms of image, sound, data, and language media. Marshall McLuhan called this new order of things the Global Village, and he strove to be true to it as the media-popular 'McLuhan.' Having little use for traditional critical forms or values, and courting instead the discourses of popular culture and big business, McLuhan displayed the authentic, ambivalent place of critical self-reflection in our media-centred world. McLuhan, according to Willmott, must be understood as a vital link in a generation of modern and postmodern critics, one who extracted modernist forms and values from the deconstructions of postmodern culture, and one who forced into public view the emergence of the critical intellectual as 'being-in-media.' Willmott's book fills the need for a first critical, historical, and theoretical re-reading of McLuhan's literary and cultural projects He re-evaluates McLuhan as a thinker and writer who moved along the borders of academic and popular culture, and locates him as an integral presence in the history of modern critical thought. The book is divided into two parts, representing modern and postmodern periods. Willmott examines McLuhan's relationship to critical and aesthetic modernism, and political and historical sense of modernity in North America, from the early 1930s to the 1950s. This relationship led McLuhan to articulate and practise what Willmott calls a 'modernism in reverse.' Willmott examines the postmodern practice of this critical aesthetic, from the 1950s to the 1970s, which entailed McLuhan's self-commodification in art, business, and popular culture McLuhan, Marshall / (1911-1980) / Critique et interprétation ram McLuhan, Marshall swd McLuhan, Marshall / 1911-1980 fast McLuhan, Marshall / 1911-1980 McLuhan, Marshall McLuhan, Marshall 1911-1980 Criticism and interpretation McLuhan, Marshall 1911-1980 McLuhan, Marshall 1911-1980 (DE-588)118729977 gnd rswk-swf Médias / Philosophie Médias / Évaluation Modernisme (Esthétique) Postmodernisme Cultuurfilosofie gtt Postmodernisme gtt Médias / Philosophie ram Communication / Philosophie ram Postmodernisme ram Literaturkritik swd Moderne swd Literatur swd PHILOSOPHY / History & Surveys / General bisacsh PSYCHOLOGY / Social Psychology bisacsh Postmoderne Literaturkritik (DE-588)4036020-9 gnd rswk-swf Moderne (DE-588)4039827-4 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf McLuhan, Marshall 1911-1980 (DE-588)118729977 p Literaturkritik (DE-588)4036020-9 s Moderne (DE-588)4039827-4 s Literatur (DE-588)4035964-5 s 1\p DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 0-8020-0801-1 Erscheint auch als Druck-Ausgabe, Paperback 0-8020-7163-5 Erscheint auch als Druck-Ausgabe, Paperback 978-0-8020-7163-7 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=682248 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Willmott, Glenn McLuhan, or, Modernism in reverse McLuhan, Marshall / (1911-1980) / Critique et interprétation ram McLuhan, Marshall swd McLuhan, Marshall / 1911-1980 fast McLuhan, Marshall / 1911-1980 McLuhan, Marshall McLuhan, Marshall 1911-1980 Criticism and interpretation McLuhan, Marshall 1911-1980 McLuhan, Marshall 1911-1980 (DE-588)118729977 gnd Médias / Philosophie Médias / Évaluation Modernisme (Esthétique) Postmodernisme Cultuurfilosofie gtt Postmodernisme gtt Médias / Philosophie ram Communication / Philosophie ram Postmodernisme ram Literaturkritik swd Moderne swd Literatur swd PHILOSOPHY / History & Surveys / General bisacsh PSYCHOLOGY / Social Psychology bisacsh Postmoderne Literaturkritik (DE-588)4036020-9 gnd Moderne (DE-588)4039827-4 gnd Literatur (DE-588)4035964-5 gnd |
| subject_GND | (DE-588)118729977 (DE-588)4036020-9 (DE-588)4039827-4 (DE-588)4035964-5 |
| title | McLuhan, or, Modernism in reverse |
| title_alt | Modernism in reverse |
| title_auth | McLuhan, or, Modernism in reverse |
| title_exact_search | McLuhan, or, Modernism in reverse |
| title_full | McLuhan, or, Modernism in reverse Glenn Willmott |
| title_fullStr | McLuhan, or, Modernism in reverse Glenn Willmott |
| title_full_unstemmed | McLuhan, or, Modernism in reverse Glenn Willmott |
| title_short | McLuhan, or, Modernism in reverse |
| title_sort | mcluhan or modernism in reverse |
| topic | McLuhan, Marshall / (1911-1980) / Critique et interprétation ram McLuhan, Marshall swd McLuhan, Marshall / 1911-1980 fast McLuhan, Marshall / 1911-1980 McLuhan, Marshall McLuhan, Marshall 1911-1980 Criticism and interpretation McLuhan, Marshall 1911-1980 McLuhan, Marshall 1911-1980 (DE-588)118729977 gnd Médias / Philosophie Médias / Évaluation Modernisme (Esthétique) Postmodernisme Cultuurfilosofie gtt Postmodernisme gtt Médias / Philosophie ram Communication / Philosophie ram Postmodernisme ram Literaturkritik swd Moderne swd Literatur swd PHILOSOPHY / History & Surveys / General bisacsh PSYCHOLOGY / Social Psychology bisacsh Postmoderne Literaturkritik (DE-588)4036020-9 gnd Moderne (DE-588)4039827-4 gnd Literatur (DE-588)4035964-5 gnd |
| topic_facet | McLuhan, Marshall / (1911-1980) / Critique et interprétation McLuhan, Marshall McLuhan, Marshall / 1911-1980 McLuhan, Marshall 1911-1980 Criticism and interpretation McLuhan, Marshall 1911-1980 Médias / Philosophie Médias / Évaluation Modernisme (Esthétique) Postmodernisme Cultuurfilosofie Communication / Philosophie Literaturkritik Moderne Literatur PHILOSOPHY / History & Surveys / General PSYCHOLOGY / Social Psychology Postmoderne |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=682248 |
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