Compositional crossroads: music, McGill, Montréal
Gespeichert in:
Bibliographische Detailangaben
Format: Elektronisch E-Book
Sprache:English
Veröffentlicht: Montreal McGill-Queen's University Press c2008
Schlagworte:
Online-Zugang:FAW01
FAW02
Volltext
Beschreibung:Includes bibliographical references, discography (p. [349]-357) and index
Part one - Mapping the infrastructures of the Faculty of Music, McGill University, as a centre for new music - István Anhalt and new music at McGill - Robin Elliott - A brief history of McGill University's Electronic Music Studio, 1964-2004 - alcides lanza and Meg Sheppard - alcides lanza in conversation with Meg Sheppard - Better than a thousand days of diligent study is one day with a great teacher: Visiting Foreign Artist Residencies at McGill's Faculty of Music, 1975-1981 - John Rea - McGill University Records, 1976-1990: a brief history - Paul Pedersen - The making of new music: Composer as collaborator - James Harley - From mixed up to mixin' it up: Evolving paradigms in electronic music performance practice - Laurie Radford -- - Part two - Composer-work studies - The lost recital: An analysis of Bengt Hambraeus's Carillon for Two Pianos - Bruce Mather - The soles of the feet: alcides lanza reconnects with his roots - Pamela Jones - Hidden meaning in Brian Cherney's Die klingende Zeit - Neil Middleton - Bruce Mather's Théâtre de l'âme - Steven Huebner - Music under the Influence: On la nécessité extérieure in the music of John Rea - Jérôme Blais - Illusions, collapsing worlds, and magic realism: The music of Denys Bouliane - Patrick Levesque -- - Epilogue - The Schulich School of Music: hearing the future
Beschreibung:1 Online-Ressource (viii, 369 p.)
ISBN:0773575049
9780773575042

Es ist kein Print-Exemplar vorhanden.

Fernleihe Bestellen Achtung: Nicht im THWS-Bestand! Volltext öffnen