Seeing things: from Shakespeare to Pixar
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Toronto [Ont.]
University of Toronto Press
c2011 (2012)
|
Schlagworte: | |
Online-Zugang: | FAW01 FAW02 Volltext |
Beschreibung: | Includes bibliographical references and index 1 A Spirit of Giving in A Midsummer Night 's Dream -- 2 Visualizing Hamlet's Ghost: The Theatrical Spirit of Modern Subjectivity -- 3 Samuel Beckett's spectres du noir: The Being of Painting and The Flatness of Film -- 4 The Spirit of Toys: Resurrection, Redemption, and Consumption in Toy Story, Toy Story 2, and Beyond "A technological revolution has changed the way we see things. The storytelling media employed by Pixar Animation Studios, Samuel Beckett, and William Shakespeare differ greatly, yet these creators share a collective fascination with the nebulous boundary between material objects and our imaginative selves. How do the acts of seeing and believing remain linked? Alan Ackerman charts the dynamic history of interactions between showing and knowing in Seeing Things, a richly interdisciplinary study which illuminates changing modes of perception and modern representational media. Seeing Things demonstrates that the airy nothings of A Midsummer Night's Dream, the Ghost in Hamlet, and soulless bodies in Beckett's media experiments, alongside Toy Story's digitally animated toys, all serve to illustrate the modern problem of visualizing, as Hamlet put it, 'that within which passes show.' Ackerman carefully analyses such ghostly appearances and disappearances across cultural forms and contexts from the early modern period to the present, investigating the tension between our distrust of shadows and our abiding desire to believe in invisible realities. Seeing Things provides a fresh and surprising cultural history through theatrical, verbal, pictorial, and cinematic representations."--Pub. desc |
Beschreibung: | 1 Online-Ressource (x, 169 p.) |
ISBN: | 1442696524 9781442696525 |
Internformat
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500 | |a "A technological revolution has changed the way we see things. The storytelling media employed by Pixar Animation Studios, Samuel Beckett, and William Shakespeare differ greatly, yet these creators share a collective fascination with the nebulous boundary between material objects and our imaginative selves. How do the acts of seeing and believing remain linked? Alan Ackerman charts the dynamic history of interactions between showing and knowing in Seeing Things, a richly interdisciplinary study which illuminates changing modes of perception and modern representational media. Seeing Things demonstrates that the airy nothings of A Midsummer Night's Dream, the Ghost in Hamlet, and soulless bodies in Beckett's media experiments, alongside Toy Story's digitally animated toys, all serve to illustrate the modern problem of visualizing, as Hamlet put it, 'that within which passes show.' Ackerman carefully analyses such ghostly appearances and disappearances across cultural forms and contexts from the early modern period to the present, investigating the tension between our distrust of shadows and our abiding desire to believe in invisible realities. Seeing Things provides a fresh and surprising cultural history through theatrical, verbal, pictorial, and cinematic representations."--Pub. desc | ||
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Datensatz im Suchindex
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---|---|
any_adam_object | |
author | Ackerman, Alan L., (Alan Louis) |
author_facet | Ackerman, Alan L., (Alan Louis) |
author_role | aut |
author_sort | Ackerman, Alan L., (Alan Louis) |
author_variant | a l a l a alal alala |
building | Verbundindex |
bvnumber | BV043114875 |
collection | ZDB-4-EBA |
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dewey-ones | 700 - The arts |
dewey-raw | 700.1/05 |
dewey-search | 700.1/05 |
dewey-sort | 3700.1 15 |
dewey-tens | 700 - The arts |
discipline | Kunstgeschichte |
format | Electronic eBook |
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id | DE-604.BV043114875 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T07:17:53Z |
institution | BVB |
isbn | 1442696524 9781442696525 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028539066 |
oclc_num | 776812432 |
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owner_facet | DE-1046 DE-1047 |
physical | 1 Online-Ressource (x, 169 p.) |
psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
publishDate | 2011 |
publishDateSearch | 2011 |
publishDateSort | 2011 |
publisher | University of Toronto Press |
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spelling | Ackerman, Alan L., (Alan Louis) Verfasser aut Seeing things from Shakespeare to Pixar Alan Ackerman Toronto [Ont.] University of Toronto Press c2011 (2012) 1 Online-Ressource (x, 169 p.) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index 1 A Spirit of Giving in A Midsummer Night 's Dream -- 2 Visualizing Hamlet's Ghost: The Theatrical Spirit of Modern Subjectivity -- 3 Samuel Beckett's spectres du noir: The Being of Painting and The Flatness of Film -- 4 The Spirit of Toys: Resurrection, Redemption, and Consumption in Toy Story, Toy Story 2, and Beyond "A technological revolution has changed the way we see things. The storytelling media employed by Pixar Animation Studios, Samuel Beckett, and William Shakespeare differ greatly, yet these creators share a collective fascination with the nebulous boundary between material objects and our imaginative selves. How do the acts of seeing and believing remain linked? Alan Ackerman charts the dynamic history of interactions between showing and knowing in Seeing Things, a richly interdisciplinary study which illuminates changing modes of perception and modern representational media. Seeing Things demonstrates that the airy nothings of A Midsummer Night's Dream, the Ghost in Hamlet, and soulless bodies in Beckett's media experiments, alongside Toy Story's digitally animated toys, all serve to illustrate the modern problem of visualizing, as Hamlet put it, 'that within which passes show.' Ackerman carefully analyses such ghostly appearances and disappearances across cultural forms and contexts from the early modern period to the present, investigating the tension between our distrust of shadows and our abiding desire to believe in invisible realities. Seeing Things provides a fresh and surprising cultural history through theatrical, verbal, pictorial, and cinematic representations."--Pub. desc ART / Performance bisacsh ART / Reference bisacsh LITERARY CRITICISM / General bisacsh Technology and the arts fast Visual communication fast Visual perception fast Technology and the arts Visual communication Visual perception Visuelle Wahrnehmung (DE-588)4078921-4 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Visuelle Kommunikation (DE-588)4131112-7 gnd rswk-swf Technologie (DE-588)4059276-5 gnd rswk-swf Visuelle Wahrnehmung (DE-588)4078921-4 s Visuelle Kommunikation (DE-588)4131112-7 s Kunst (DE-588)4114333-4 s Technologie (DE-588)4059276-5 s 1\p DE-604 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=468995 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Ackerman, Alan L., (Alan Louis) Seeing things from Shakespeare to Pixar ART / Performance bisacsh ART / Reference bisacsh LITERARY CRITICISM / General bisacsh Technology and the arts fast Visual communication fast Visual perception fast Technology and the arts Visual communication Visual perception Visuelle Wahrnehmung (DE-588)4078921-4 gnd Kunst (DE-588)4114333-4 gnd Visuelle Kommunikation (DE-588)4131112-7 gnd Technologie (DE-588)4059276-5 gnd |
subject_GND | (DE-588)4078921-4 (DE-588)4114333-4 (DE-588)4131112-7 (DE-588)4059276-5 |
title | Seeing things from Shakespeare to Pixar |
title_auth | Seeing things from Shakespeare to Pixar |
title_exact_search | Seeing things from Shakespeare to Pixar |
title_full | Seeing things from Shakespeare to Pixar Alan Ackerman |
title_fullStr | Seeing things from Shakespeare to Pixar Alan Ackerman |
title_full_unstemmed | Seeing things from Shakespeare to Pixar Alan Ackerman |
title_short | Seeing things |
title_sort | seeing things from shakespeare to pixar |
title_sub | from Shakespeare to Pixar |
topic | ART / Performance bisacsh ART / Reference bisacsh LITERARY CRITICISM / General bisacsh Technology and the arts fast Visual communication fast Visual perception fast Technology and the arts Visual communication Visual perception Visuelle Wahrnehmung (DE-588)4078921-4 gnd Kunst (DE-588)4114333-4 gnd Visuelle Kommunikation (DE-588)4131112-7 gnd Technologie (DE-588)4059276-5 gnd |
topic_facet | ART / Performance ART / Reference LITERARY CRITICISM / General Technology and the arts Visual communication Visual perception Visuelle Wahrnehmung Kunst Visuelle Kommunikation Technologie |
url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=468995 |
work_keys_str_mv | AT ackermanalanlalanlouis seeingthingsfromshakespearetopixar |