Love and money: queers, class, and cultural production
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
New York University Press
c2013
|
| Schriftenreihe: | Critical cultural communication
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Includes bibliographical references, filmography and index Includes bibliographical references (p. 169-185), filmography (p. 187-189), and index Introduction: love and money, queerness and class -- The class character of Boys don't cry -- Queer visibility and social class -- Every queer thing we know -- Recognition: queers, class, and Dorothy Allison -- Queer relay -- Plausible optimism -- Conclusion: a cultural politics of love and solidarity "Love and Money argues that we can't understand contemporary queer cultures without looking through the lens of social class. Resisting old divisions between culture and economy, identity and privilege, left and queer, recognition and redistribution, Love and Money offers supple approaches to capturing class experience and class form in and around queerness. Contrary to familiar dismissals, not every queer television or movie character is like Will Truman on Will and Grace--rich, white, healthy, professional, detached from politics, community, and sex. Through ethnographic encounters with readers and cultural producers and such texts as Boys Don't Cry, Brokeback Mountain, By Hook or By Crook, and wedding announcements in the New York Times, Love and Money sees both queerness and class across a range of idioms and practices in everyday life. How, it asks, do readers of Dorothy Allison's novels use her work to find a queer class voice? How do gender and race broker queer class fantasy? How do independent filmmakers cross back and forth between industry and queer sectors, changing both places as they go and challenging queer ideas about bad commerce and bad taste? With an eye to the nuances and harms of class difference in queerness and a wish to use culture to forge queer and class affinities, Love and Money returns class and its politics to the study of queer life."--Publisher's website |
| Beschreibung: | 1 Online-Ressource (xii, 201 p.) |
| ISBN: | 0814744672 0814790593 9780814744673 9780814790595 |
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| 500 | |a Introduction: love and money, queerness and class -- The class character of Boys don't cry -- Queer visibility and social class -- Every queer thing we know -- Recognition: queers, class, and Dorothy Allison -- Queer relay -- Plausible optimism -- Conclusion: a cultural politics of love and solidarity | ||
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| spelling | Henderson, Lisa Verfasser aut Love and money queers, class, and cultural production Lisa Henderson New York New York University Press c2013 1 Online-Ressource (xii, 201 p.) txt rdacontent c rdamedia cr rdacarrier Critical cultural communication Includes bibliographical references, filmography and index Includes bibliographical references (p. 169-185), filmography (p. 187-189), and index Introduction: love and money, queerness and class -- The class character of Boys don't cry -- Queer visibility and social class -- Every queer thing we know -- Recognition: queers, class, and Dorothy Allison -- Queer relay -- Plausible optimism -- Conclusion: a cultural politics of love and solidarity "Love and Money argues that we can't understand contemporary queer cultures without looking through the lens of social class. Resisting old divisions between culture and economy, identity and privilege, left and queer, recognition and redistribution, Love and Money offers supple approaches to capturing class experience and class form in and around queerness. Contrary to familiar dismissals, not every queer television or movie character is like Will Truman on Will and Grace--rich, white, healthy, professional, detached from politics, community, and sex. Through ethnographic encounters with readers and cultural producers and such texts as Boys Don't Cry, Brokeback Mountain, By Hook or By Crook, and wedding announcements in the New York Times, Love and Money sees both queerness and class across a range of idioms and practices in everyday life. How, it asks, do readers of Dorothy Allison's novels use her work to find a queer class voice? How do gender and race broker queer class fantasy? How do independent filmmakers cross back and forth between industry and queer sectors, changing both places as they go and challenging queer ideas about bad commerce and bad taste? With an eye to the nuances and harms of class difference in queerness and a wish to use culture to forge queer and class affinities, Love and Money returns class and its politics to the study of queer life."--Publisher's website SOCIAL SCIENCE / Gay Studies bisacsh Gays in mass media fast Gays / Social conditions fast Homosexuality / Social aspects fast Social classes fast Gesellschaft Gays Social conditions Homosexuality Social aspects Social classes Gays in mass media Fernsehserie (DE-588)4154072-4 gnd rswk-swf Soziale Klasse (DE-588)4077571-9 gnd rswk-swf Homosexualität (DE-588)4025798-8 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Soziale Situation (DE-588)4077575-6 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Homosexualität (DE-588)4025798-8 s Soziale Situation (DE-588)4077575-6 s Soziale Klasse (DE-588)4077571-9 s Film (DE-588)4017102-4 s Fernsehserie (DE-588)4154072-4 s 1\p DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 0-8147-9057-7 Erscheint auch als Druck-Ausgabe, Paperback 0-8147-9058-5 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-8147-9057-1 Erscheint auch als Druck-Ausgabe, Paperback 978-0-8147-9058-8 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=529619 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Henderson, Lisa Love and money queers, class, and cultural production SOCIAL SCIENCE / Gay Studies bisacsh Gays in mass media fast Gays / Social conditions fast Homosexuality / Social aspects fast Social classes fast Gesellschaft Gays Social conditions Homosexuality Social aspects Social classes Gays in mass media Fernsehserie (DE-588)4154072-4 gnd Soziale Klasse (DE-588)4077571-9 gnd Homosexualität (DE-588)4025798-8 gnd Film (DE-588)4017102-4 gnd Soziale Situation (DE-588)4077575-6 gnd |
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| title | Love and money queers, class, and cultural production |
| title_auth | Love and money queers, class, and cultural production |
| title_exact_search | Love and money queers, class, and cultural production |
| title_full | Love and money queers, class, and cultural production Lisa Henderson |
| title_fullStr | Love and money queers, class, and cultural production Lisa Henderson |
| title_full_unstemmed | Love and money queers, class, and cultural production Lisa Henderson |
| title_short | Love and money |
| title_sort | love and money queers class and cultural production |
| title_sub | queers, class, and cultural production |
| topic | SOCIAL SCIENCE / Gay Studies bisacsh Gays in mass media fast Gays / Social conditions fast Homosexuality / Social aspects fast Social classes fast Gesellschaft Gays Social conditions Homosexuality Social aspects Social classes Gays in mass media Fernsehserie (DE-588)4154072-4 gnd Soziale Klasse (DE-588)4077571-9 gnd Homosexualität (DE-588)4025798-8 gnd Film (DE-588)4017102-4 gnd Soziale Situation (DE-588)4077575-6 gnd |
| topic_facet | SOCIAL SCIENCE / Gay Studies Gays in mass media Gays / Social conditions Homosexuality / Social aspects Social classes Gesellschaft Gays Social conditions Homosexuality Social aspects Fernsehserie Soziale Klasse Homosexualität Film Soziale Situation USA |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=529619 |
| work_keys_str_mv | AT hendersonlisa loveandmoneyqueersclassandculturalproduction |