The historical performance of music: an introduction
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge, UK
Cambridge University Press
1999
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Schriftenreihe: | Cambridge handbooks to the historical performance of music
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Schlagworte: | |
Online-Zugang: | FAW01 FAW02 Volltext |
Beschreibung: | Includes bibliographical references (pages 199-208) and index Music as history. Introduction. The nature and development of historical awareness. Influential reworkings of Bach and Handel. Historical considerations. The pioneers: individuals and institutions. The role of musical expression. Arguments pro and con. Post-war philosophies. Period Mozart and beyond. The current scene -- The application of primary sources. Surviving instruments. Iconographical sources. Historical archives. Literary sources. Practical treatises : uses and limitations. Practical treatises : a summary. Theoretical treatises. The importance of communication. The role of editions. Musical taste -- Changes in musical style. National idioms. Articulation. Melodic inflection. Accentuation. Tempo. Rhythmic alteration. Ornamentation. Extempore embellishment. Improvisation. Continuo accompaniment -- Conditions and practices. Introduction. Pitch. Temperament. Vocal practices. Venues and programmes. Orchestral constitution and placement. Direction. Nineteenth-century changes -- Case studies in ensemble music. J.S. Bach : St Matthew Passion BWV 244. W.A. Mozart : Serenade for 13 instruments K361. Berlioz : Episode de la vie d'un Artiste, Symphonie Fantastique en cinq parties Op. 14. Brahms : Symphony No. 2 in D major Op. 73 -- The continuing debate. Introduction. The social position of historical music. A snapshot from 1983. Authenticity and Early Music. The 1990s. The future? This volume offers an overview of historical performance, surveying current issues, and suggesting future developments. Its kernel comprises discussion of the performer's primary source-materials and their interpretation, aspects of style and technique that combine to make up a well-grounded, period interpretation, and a survey of performance conditions and practices |
Beschreibung: | 1 Online-Ressource (xiii, 219 pages) |
ISBN: | 0511019149 0511050461 0511152361 0511481713 0521621933 0521627389 9780511019142 9780511050466 9780511152368 9780511481710 9780521621939 9780521627382 |
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600 | 1 | 4 | |a Brahms, Johannes / 1833-1897 / Symphonies / no 2, op. 73 / ré majeur |
648 | 7 | |a 1700 - 1899 |2 fast | |
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650 | 4 | |a Geschichte | |
650 | 4 | |a Performance practice (Music) |x History |y 18th century | |
650 | 4 | |a Performance practice (Music) |x History |y 19th century | |
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Datensatz im Suchindex
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any_adam_object | |
author | Lawson, Colin, (Colin James) |
author_facet | Lawson, Colin, (Colin James) |
author_role | aut |
author_sort | Lawson, Colin, (Colin James) |
author_variant | c c j l ccj ccjl |
building | Verbundindex |
bvnumber | BV043109342 |
collection | ZDB-4-EBA |
ctrlnum | (OCoLC)51283852 (DE-599)BVBBV043109342 |
dewey-full | 781.4/3/09 |
dewey-hundreds | 700 - The arts |
dewey-ones | 781 - General principles and musical forms |
dewey-raw | 781.4/3/09 |
dewey-search | 781.4/3/09 |
dewey-sort | 3781.4 13 19 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
era | 1700 - 1899 fast Geschichte 1700-1800 Geschichte 1800-1900 |
era_facet | 1700 - 1899 Geschichte 1700-1800 Geschichte 1800-1900 |
format | Electronic eBook |
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series2 | Cambridge handbooks to the historical performance of music |
spelling | Lawson, Colin, (Colin James) Verfasser aut The historical performance of music an introduction Colin Lawson and Robin Stowell Cambridge, UK Cambridge University Press 1999 1 Online-Ressource (xiii, 219 pages) txt rdacontent c rdamedia cr rdacarrier Cambridge handbooks to the historical performance of music Includes bibliographical references (pages 199-208) and index Music as history. Introduction. The nature and development of historical awareness. Influential reworkings of Bach and Handel. Historical considerations. The pioneers: individuals and institutions. The role of musical expression. Arguments pro and con. Post-war philosophies. Period Mozart and beyond. The current scene -- The application of primary sources. Surviving instruments. Iconographical sources. Historical archives. Literary sources. Practical treatises : uses and limitations. Practical treatises : a summary. Theoretical treatises. The importance of communication. The role of editions. Musical taste -- Changes in musical style. National idioms. Articulation. Melodic inflection. Accentuation. Tempo. Rhythmic alteration. Ornamentation. Extempore embellishment. Improvisation. Continuo accompaniment -- Conditions and practices. Introduction. Pitch. Temperament. Vocal practices. Venues and programmes. Orchestral constitution and placement. Direction. Nineteenth-century changes -- Case studies in ensemble music. J.S. Bach : St Matthew Passion BWV 244. W.A. Mozart : Serenade for 13 instruments K361. Berlioz : Episode de la vie d'un Artiste, Symphonie Fantastique en cinq parties Op. 14. Brahms : Symphony No. 2 in D major Op. 73 -- The continuing debate. Introduction. The social position of historical music. A snapshot from 1983. Authenticity and Early Music. The 1990s. The future? This volume offers an overview of historical performance, surveying current issues, and suggesting future developments. Its kernel comprises discussion of the performer's primary source-materials and their interpretation, aspects of style and technique that combine to make up a well-grounded, period interpretation, and a survey of performance conditions and practices Bach, Johann Sebastian / 1685-1750 Mozart, Wolfgang Amadeus / 1756-1791 Berlioz, Hector / 1803-1869 Brahms, Johannes / 1833-1897 Bach, Johann Sebastian / 1685-1750 / Matthäuspassion Mozart, Wolfgang Amadeus / 1756-1791 / Sérénades / K. 370a (361) / si bémol majeur Berlioz, Hector / 1803-1869 / Lélio Berlioz, Hector / 1803-1869 / Symphonie fantastique Brahms, Johannes / 1833-1897 / Symphonies / no 2, op. 73 / ré majeur 1700 - 1899 fast Geschichte 1700-1800 Geschichte 1800-1900 Pratique de l'exécution (Musique) / 18e siècle Pratique de l'exécution (Musique) / 19e siècle MUSIC / Instruction & Study / Techniques bisacsh Performance practice (Music) fast Uitvoeringspraktijk gtt Geschichte Performance practice (Music) History 18th century Performance practice (Music) History 19th century Historische Musikpraxis (DE-588)4197967-9 gnd rswk-swf 1\p (DE-588)4151278-9 Einführung gnd-content Historische Musikpraxis (DE-588)4197967-9 s 2\p DE-604 Stowell, Robin Sonstige oth http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=74332 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Lawson, Colin, (Colin James) The historical performance of music an introduction Bach, Johann Sebastian / 1685-1750 Mozart, Wolfgang Amadeus / 1756-1791 Berlioz, Hector / 1803-1869 Brahms, Johannes / 1833-1897 Bach, Johann Sebastian / 1685-1750 / Matthäuspassion Mozart, Wolfgang Amadeus / 1756-1791 / Sérénades / K. 370a (361) / si bémol majeur Berlioz, Hector / 1803-1869 / Lélio Berlioz, Hector / 1803-1869 / Symphonie fantastique Brahms, Johannes / 1833-1897 / Symphonies / no 2, op. 73 / ré majeur Pratique de l'exécution (Musique) / 18e siècle Pratique de l'exécution (Musique) / 19e siècle MUSIC / Instruction & Study / Techniques bisacsh Performance practice (Music) fast Uitvoeringspraktijk gtt Geschichte Performance practice (Music) History 18th century Performance practice (Music) History 19th century Historische Musikpraxis (DE-588)4197967-9 gnd |
subject_GND | (DE-588)4197967-9 (DE-588)4151278-9 |
title | The historical performance of music an introduction |
title_auth | The historical performance of music an introduction |
title_exact_search | The historical performance of music an introduction |
title_full | The historical performance of music an introduction Colin Lawson and Robin Stowell |
title_fullStr | The historical performance of music an introduction Colin Lawson and Robin Stowell |
title_full_unstemmed | The historical performance of music an introduction Colin Lawson and Robin Stowell |
title_short | The historical performance of music |
title_sort | the historical performance of music an introduction |
title_sub | an introduction |
topic | Bach, Johann Sebastian / 1685-1750 Mozart, Wolfgang Amadeus / 1756-1791 Berlioz, Hector / 1803-1869 Brahms, Johannes / 1833-1897 Bach, Johann Sebastian / 1685-1750 / Matthäuspassion Mozart, Wolfgang Amadeus / 1756-1791 / Sérénades / K. 370a (361) / si bémol majeur Berlioz, Hector / 1803-1869 / Lélio Berlioz, Hector / 1803-1869 / Symphonie fantastique Brahms, Johannes / 1833-1897 / Symphonies / no 2, op. 73 / ré majeur Pratique de l'exécution (Musique) / 18e siècle Pratique de l'exécution (Musique) / 19e siècle MUSIC / Instruction & Study / Techniques bisacsh Performance practice (Music) fast Uitvoeringspraktijk gtt Geschichte Performance practice (Music) History 18th century Performance practice (Music) History 19th century Historische Musikpraxis (DE-588)4197967-9 gnd |
topic_facet | Bach, Johann Sebastian / 1685-1750 Mozart, Wolfgang Amadeus / 1756-1791 Berlioz, Hector / 1803-1869 Brahms, Johannes / 1833-1897 Bach, Johann Sebastian / 1685-1750 / Matthäuspassion Mozart, Wolfgang Amadeus / 1756-1791 / Sérénades / K. 370a (361) / si bémol majeur Berlioz, Hector / 1803-1869 / Lélio Berlioz, Hector / 1803-1869 / Symphonie fantastique Brahms, Johannes / 1833-1897 / Symphonies / no 2, op. 73 / ré majeur Pratique de l'exécution (Musique) / 18e siècle Pratique de l'exécution (Musique) / 19e siècle MUSIC / Instruction & Study / Techniques Performance practice (Music) Uitvoeringspraktijk Geschichte Performance practice (Music) History 18th century Performance practice (Music) History 19th century Historische Musikpraxis Einführung |
url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=74332 |
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