Dialogue:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Hong Kong
Hong Kong University Press
2010
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Translation of: Dui hua "What forces continue to oppress and restrain women artists in contemporary China? Some powerful answers are provided in this fictional memoir of Xiao Lu, who played an important role in the avant-garde cultural scene during the tumultuous early months of 1989. The acclaimed "China/AvantGarde" exhibition organized by Gao Minglu at the National Art Museum in Beijing was shut down after about three hours from its opening Feb. 5 1989, when Xiao Lu shot live bullets into her mock-up of two telephone booths, turning an edgy installation work into an over-the-edge performance piece and an icon of the modern Chinese art movement. Many questions were left unanswered from where she got the gun to what she meant by all this. As it turns out, the man and the woman pictured in these two phone booths were specific people, and she was one of them the daughter of the director of a provincial art academy. Her father helped her get into the Central Academy in Beijing, where she was abused in various ways. In the 1989 exhibition, symbolically, she shot her nemesis, then went outside to a public telephone, called him, and told him what she had done. These events are naturally at the center of her memoir, but in describing the events and their aftermath, she offers remarkably candid views on the difficulties facing women in contemporary art circles and the way cultural power is exercised in China."--Publisher description |
| Beschreibung: | 1 Online-Ressource (xv, 207 pages) |
| ISBN: | 9789882206816 9789888028122 9789888053513 9882206816 988802812X 9888053515 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804175525012307968 |
|---|---|
| any_adam_object | |
| author | Xiao, lu |
| author_facet | Xiao, lu |
| author_role | aut |
| author_sort | Xiao, lu |
| author_variant | l x lx |
| building | Verbundindex |
| bvnumber | BV043108215 |
| collection | ZDB-4-EBA |
| ctrlnum | (OCoLC)768119685 (DE-599)BVBBV043108215 |
| dewey-full | 895.181 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 895 - Literatures of East and Southeast Asia |
| dewey-raw | X6 C3 d02m 895.181 |
| dewey-search | X6 C3 d02m 895.181 |
| dewey-sort | 3895.181 |
| dewey-tens | 890 - Literatures of other languages |
| discipline | Außereuropäische Sprachen und Literaturen |
| format | Electronic eBook |
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| spelling | Xiao, lu Verfasser aut Dui hua Dialogue Xiao Lu ; translated from the Chinese by Archibald McKenzie Hong Kong Hong Kong University Press 2010 1 Online-Ressource (xv, 207 pages) txt rdacontent c rdamedia cr rdacarrier Translation of: Dui hua "What forces continue to oppress and restrain women artists in contemporary China? Some powerful answers are provided in this fictional memoir of Xiao Lu, who played an important role in the avant-garde cultural scene during the tumultuous early months of 1989. The acclaimed "China/AvantGarde" exhibition organized by Gao Minglu at the National Art Museum in Beijing was shut down after about three hours from its opening Feb. 5 1989, when Xiao Lu shot live bullets into her mock-up of two telephone booths, turning an edgy installation work into an over-the-edge performance piece and an icon of the modern Chinese art movement. Many questions were left unanswered from where she got the gun to what she meant by all this. As it turns out, the man and the woman pictured in these two phone booths were specific people, and she was one of them the daughter of the director of a provincial art academy. Her father helped her get into the Central Academy in Beijing, where she was abused in various ways. In the 1989 exhibition, symbolically, she shot her nemesis, then went outside to a public telephone, called him, and told him what she had done. These events are naturally at the center of her memoir, but in describing the events and their aftermath, she offers remarkably candid views on the difficulties facing women in contemporary art circles and the way cultural power is exercised in China."--Publisher description In English translated from the Chinese Xiao, lu / 1962- Xiao, lu 1962- Fiction FICTION / General bisacsh Installations (Art) Fiction 1\p (DE-588)1071854844 Fiktionale Darstellung gnd-content McKenzie, Archibald Sonstige oth http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=410612 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Xiao, lu Dialogue Xiao, lu / 1962- Xiao, lu 1962- Fiction FICTION / General bisacsh Installations (Art) Fiction |
| subject_GND | (DE-588)1071854844 |
| title | Dialogue |
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| title_auth | Dialogue |
| title_exact_search | Dialogue |
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| title_full_unstemmed | Dialogue Xiao Lu ; translated from the Chinese by Archibald McKenzie |
| title_short | Dialogue |
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| topic | Xiao, lu / 1962- Xiao, lu 1962- Fiction FICTION / General bisacsh Installations (Art) Fiction |
| topic_facet | Xiao, lu / 1962- Xiao, lu 1962- Fiction FICTION / General Installations (Art) Fiction Fiktionale Darstellung |
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