Tsʻao Yü: the reluctant disciple of Chekhov and O'Neill, a study in literary influence
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
[Hong Kong]
Hong Kong University Press
1970
|
Schriftenreihe: | Centre of Asian Studies series
no. 2 |
Schlagworte: | |
Online-Zugang: | FAW01 FAW02 Volltext |
Beschreibung: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 Added t.p. title in Chinese: Cao Yu Includes bibliographical references (pages 79-83) and index Acknowledgements; Contents; Introduction; I Thunderstorm: Its Source and Form; II Thunderstorm and Desire under the Elms; III Sunrise and the 'Tearful' Art of Chekhov; IV SunriseandThe Cherry Orchard; V The Noble Savage as a Rejuvenative Symbol; VI The Wilderness and The Emperor Jones as Studies of Fear; VII Peking Man and the Decline of Chinese Gentility; VIII Tseng Wen-ch'ing and Ivanov: Portraits of Two 'Superfluous Men'; Conclusion; Bibliography; Index Historians of modern Chinese literature have generally used the year 1907 to mark the inception of Western-style drama in China. For in that year, a small group of Chinese students in Japan, inspired by the Japanese experiments with Western drama, decided to follow suit and form the Spring Willow Society, an amateurish dramatic club for experimental purposes. Their first play, staged in Tokyo in February of the same year, is an adaptation from Dumas' La dame aux camelias. The play had an all-male cast and used a strange mixture of old and new techniques. But to the Chinese audience brought up in the native operatic tradition, what must have seemed strange would not have been so much the mixture of technique old and new as the complete unfamiliarity of the plot and the method of its presentation: for neither the story nor the acting was anything akin to what they used to think, of as drama |
Beschreibung: | 1 Online-Ressource (87 pages) |
ISBN: | 0196431174 9780196431178 9780856560057 9789882202979 9882202977 |
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500 | |a Includes bibliographical references (pages 79-83) and index | ||
500 | |a Acknowledgements; Contents; Introduction; I Thunderstorm: Its Source and Form; II Thunderstorm and Desire under the Elms; III Sunrise and the 'Tearful' Art of Chekhov; IV SunriseandThe Cherry Orchard; V The Noble Savage as a Rejuvenative Symbol; VI The Wilderness and The Emperor Jones as Studies of Fear; VII Peking Man and the Decline of Chinese Gentility; VIII Tseng Wen-ch'ing and Ivanov: Portraits of Two 'Superfluous Men'; Conclusion; Bibliography; Index | ||
500 | |a Historians of modern Chinese literature have generally used the year 1907 to mark the inception of Western-style drama in China. For in that year, a small group of Chinese students in Japan, inspired by the Japanese experiments with Western drama, decided to follow suit and form the Spring Willow Society, an amateurish dramatic club for experimental purposes. Their first play, staged in Tokyo in February of the same year, is an adaptation from Dumas' La dame aux camelias. The play had an all-male cast and used a strange mixture of old and new techniques. But to the Chinese audience brought up in the native operatic tradition, what must have seemed strange would not have been so much the mixture of technique old and new as the complete unfamiliarity of the plot and the method of its presentation: for neither the story nor the acting was anything akin to what they used to think, of as drama | ||
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Datensatz im Suchindex
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---|---|
any_adam_object | |
author | Lau, Joseph S. M. |
author_facet | Lau, Joseph S. M. |
author_role | aut |
author_sort | Lau, Joseph S. M. |
author_variant | j s m l jsm jsml |
building | Verbundindex |
bvnumber | BV043107523 |
collection | ZDB-4-EBA |
ctrlnum | (OCoLC)658230857 (DE-599)BVBBV043107523 |
dewey-full | 895.125 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 895 - Literatures of East and Southeast Asia |
dewey-raw | 895.125 |
dewey-search | 895.125 |
dewey-sort | 3895.125 |
dewey-tens | 890 - Literatures of other languages |
discipline | Außereuropäische Sprachen und Literaturen |
format | Electronic eBook |
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spelling | Lau, Joseph S. M. Verfasser aut Tsʻao Yü the reluctant disciple of Chekhov and O'Neill, a study in literary influence Joseph S.M. Lau Cao Yu [Hong Kong] Hong Kong University Press 1970 1 Online-Ressource (87 pages) txt rdacontent c rdamedia cr rdacarrier Centre of Asian Studies series no. 2 Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 Added t.p. title in Chinese: Cao Yu Includes bibliographical references (pages 79-83) and index Acknowledgements; Contents; Introduction; I Thunderstorm: Its Source and Form; II Thunderstorm and Desire under the Elms; III Sunrise and the 'Tearful' Art of Chekhov; IV SunriseandThe Cherry Orchard; V The Noble Savage as a Rejuvenative Symbol; VI The Wilderness and The Emperor Jones as Studies of Fear; VII Peking Man and the Decline of Chinese Gentility; VIII Tseng Wen-ch'ing and Ivanov: Portraits of Two 'Superfluous Men'; Conclusion; Bibliography; Index Historians of modern Chinese literature have generally used the year 1907 to mark the inception of Western-style drama in China. For in that year, a small group of Chinese students in Japan, inspired by the Japanese experiments with Western drama, decided to follow suit and form the Spring Willow Society, an amateurish dramatic club for experimental purposes. Their first play, staged in Tokyo in February of the same year, is an adaptation from Dumas' La dame aux camelias. The play had an all-male cast and used a strange mixture of old and new techniques. But to the Chinese audience brought up in the native operatic tradition, what must have seemed strange would not have been so much the mixture of technique old and new as the complete unfamiliarity of the plot and the method of its presentation: for neither the story nor the acting was anything akin to what they used to think, of as drama Cao, Yu / 1910-1996 fast Cao, Yu 1910-1996 Knowledge Literature Literature BIOGRAPHY & AUTOBIOGRAPHY / General bisacsh LITERARY CRITICISM / Asian / General bisacsh LITERARY CRITICISM / Asian / Chinese bisacsh Influence (Literary, artistic, etc.) fast Literature fast Literatur Wissen Influence (Literary, artistic, etc.) (DE-588)4006804-3 Biografie gnd-content http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=321981 Aggregator Volltext |
spellingShingle | Lau, Joseph S. M. Tsʻao Yü the reluctant disciple of Chekhov and O'Neill, a study in literary influence Cao, Yu / 1910-1996 fast Cao, Yu 1910-1996 Knowledge Literature Literature BIOGRAPHY & AUTOBIOGRAPHY / General bisacsh LITERARY CRITICISM / Asian / General bisacsh LITERARY CRITICISM / Asian / Chinese bisacsh Influence (Literary, artistic, etc.) fast Literature fast Literatur Wissen Influence (Literary, artistic, etc.) |
subject_GND | (DE-588)4006804-3 |
title | Tsʻao Yü the reluctant disciple of Chekhov and O'Neill, a study in literary influence |
title_alt | Cao Yu |
title_auth | Tsʻao Yü the reluctant disciple of Chekhov and O'Neill, a study in literary influence |
title_exact_search | Tsʻao Yü the reluctant disciple of Chekhov and O'Neill, a study in literary influence |
title_full | Tsʻao Yü the reluctant disciple of Chekhov and O'Neill, a study in literary influence Joseph S.M. Lau |
title_fullStr | Tsʻao Yü the reluctant disciple of Chekhov and O'Neill, a study in literary influence Joseph S.M. Lau |
title_full_unstemmed | Tsʻao Yü the reluctant disciple of Chekhov and O'Neill, a study in literary influence Joseph S.M. Lau |
title_short | Tsʻao Yü |
title_sort | tsʻao yu the reluctant disciple of chekhov and o neill a study in literary influence |
title_sub | the reluctant disciple of Chekhov and O'Neill, a study in literary influence |
topic | Cao, Yu / 1910-1996 fast Cao, Yu 1910-1996 Knowledge Literature Literature BIOGRAPHY & AUTOBIOGRAPHY / General bisacsh LITERARY CRITICISM / Asian / General bisacsh LITERARY CRITICISM / Asian / Chinese bisacsh Influence (Literary, artistic, etc.) fast Literature fast Literatur Wissen Influence (Literary, artistic, etc.) |
topic_facet | Cao, Yu / 1910-1996 Cao, Yu 1910-1996 Knowledge Literature Literature BIOGRAPHY & AUTOBIOGRAPHY / General LITERARY CRITICISM / Asian / General LITERARY CRITICISM / Asian / Chinese Influence (Literary, artistic, etc.) Literatur Wissen Biografie |
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