Futures past: thirty years of arts computing
Gespeichert in:
| Format: | Elektronisch E-Book |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Bristol, UK
Intellect
©2007
|
| Schriftenreihe: | Computers and the history of art
v. 2 |
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Contains papers originally presented at the CHArt Conference, held at Birkbeck College on 11-12 November 2004 Includes bibliographical references Introduction - by Trish Cashen -- - Painting digital, letting go - by James Faure Walker -- - Microanalysis as a means to mediate digital arts - by Matthias Weiss -- - Indexed lights - by Pierre R. Auboiron -- - A computer in the art room - by Catherine Mason -- - Learning resources for teaching history of art in higher education - by Jutta Vinzent -- - Sourcing the index : iconography and its debt to photography - by Colum Hourihane -- - The medium was the method : photography and iconography at the Index of Christian Art - by Andrew E. Hershberger -- - The good, the bad and the accessible : thirty years of using new technologies in BIAD archives - by Sian Everitt -- - Object information at the Victoria and Albert Museum : successes and failures in web delivery - by Melanie Rowntree -- - This is the modern world : collaborating with ARTstor - by Vickie O'Riordan -- - Towards a semantic web : the role of ontologies in the literary domain - by Lisa Bordoni Eleven contributors to this volume reflect upon the unprecedented ways in which digital media have been transforming art practice, study and education. The authors - researchers, teachers, custodians of art collections and picture libraries, and an artist - cover a wide range of issues, arguing for a more profound understanding of digital culture. With the benefit of hindsight it is now possible to look at futures past and assess the disparities between earlier visions of the future and reality. Frank accounts are given of projects which had promised great advances but failed to deliver, and others that have not only survived but continue to flourish. Another account demonstrates how an individual can make a difference to students' learning by applying new technologies in a very pragmatic way. One of the most exciting advancements hinted at in this volume are the ways in which communities of interest are developing shared resources and cultivating a richer use of common vocabulary and standards to transmit an abundance of knowledge and experience. A look forward to the Semantic Web promises an even wider sharing of knowledge |
| Beschreibung: | 1 Online-Ressource (ix, 128 pages) |
| ISBN: | 1280763019 1841501689 1841509809 9781280763014 9781841501680 9781841509808 |
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| spelling | Futures past thirty years of arts computing edited by Anna Bentkowska-Kafel, Trish Cashen and Hazel Gardiner Futures past : 30 years of arts computing Bristol, UK Intellect ©2007 1 Online-Ressource (ix, 128 pages) txt rdacontent c rdamedia cr rdacarrier Computers and the history of art v. 2 Contains papers originally presented at the CHArt Conference, held at Birkbeck College on 11-12 November 2004 Includes bibliographical references Introduction - by Trish Cashen -- - Painting digital, letting go - by James Faure Walker -- - Microanalysis as a means to mediate digital arts - by Matthias Weiss -- - Indexed lights - by Pierre R. Auboiron -- - A computer in the art room - by Catherine Mason -- - Learning resources for teaching history of art in higher education - by Jutta Vinzent -- - Sourcing the index : iconography and its debt to photography - by Colum Hourihane -- - The medium was the method : photography and iconography at the Index of Christian Art - by Andrew E. Hershberger -- - The good, the bad and the accessible : thirty years of using new technologies in BIAD archives - by Sian Everitt -- - Object information at the Victoria and Albert Museum : successes and failures in web delivery - by Melanie Rowntree -- - This is the modern world : collaborating with ARTstor - by Vickie O'Riordan -- - Towards a semantic web : the role of ontologies in the literary domain - by Lisa Bordoni Eleven contributors to this volume reflect upon the unprecedented ways in which digital media have been transforming art practice, study and education. The authors - researchers, teachers, custodians of art collections and picture libraries, and an artist - cover a wide range of issues, arguing for a more profound understanding of digital culture. With the benefit of hindsight it is now possible to look at futures past and assess the disparities between earlier visions of the future and reality. Frank accounts are given of projects which had promised great advances but failed to deliver, and others that have not only survived but continue to flourish. Another account demonstrates how an individual can make a difference to students' learning by applying new technologies in a very pragmatic way. One of the most exciting advancements hinted at in this volume are the ways in which communities of interest are developing shared resources and cultivating a richer use of common vocabulary and standards to transmit an abundance of knowledge and experience. A look forward to the Semantic Web promises an even wider sharing of knowledge Art and technology Art / Data processing ART / General bisacsh Art and technology fast Art / Data processing fast Arts / Computer-assisted instruction fast Datenverarbeitung Geschichte Kunst Art and technology Congresses Art Data processing Congresses Arts History Computer-assisted instruction Information und Dokumentation (DE-588)4026901-2 gnd rswk-swf (DE-588)1071861417 Konferenzschrift gnd-content Information und Dokumentation (DE-588)4026901-2 s 1\p DE-604 Bentkowska-Kafel, Anna Sonstige oth Cashen, Trish Sonstige oth Gardiner, Hazel Sonstige oth CHArt (Group) Sonstige oth http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=189752 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Futures past thirty years of arts computing Art and technology Art / Data processing ART / General bisacsh Art and technology fast Art / Data processing fast Arts / Computer-assisted instruction fast Datenverarbeitung Geschichte Kunst Art and technology Congresses Art Data processing Congresses Arts History Computer-assisted instruction Information und Dokumentation (DE-588)4026901-2 gnd |
| subject_GND | (DE-588)4026901-2 (DE-588)1071861417 |
| title | Futures past thirty years of arts computing |
| title_alt | Futures past : 30 years of arts computing |
| title_auth | Futures past thirty years of arts computing |
| title_exact_search | Futures past thirty years of arts computing |
| title_full | Futures past thirty years of arts computing edited by Anna Bentkowska-Kafel, Trish Cashen and Hazel Gardiner |
| title_fullStr | Futures past thirty years of arts computing edited by Anna Bentkowska-Kafel, Trish Cashen and Hazel Gardiner |
| title_full_unstemmed | Futures past thirty years of arts computing edited by Anna Bentkowska-Kafel, Trish Cashen and Hazel Gardiner |
| title_short | Futures past |
| title_sort | futures past thirty years of arts computing |
| title_sub | thirty years of arts computing |
| topic | Art and technology Art / Data processing ART / General bisacsh Art and technology fast Art / Data processing fast Arts / Computer-assisted instruction fast Datenverarbeitung Geschichte Kunst Art and technology Congresses Art Data processing Congresses Arts History Computer-assisted instruction Information und Dokumentation (DE-588)4026901-2 gnd |
| topic_facet | Art and technology Art / Data processing ART / General Arts / Computer-assisted instruction Datenverarbeitung Geschichte Kunst Art and technology Congresses Art Data processing Congresses Arts History Computer-assisted instruction Information und Dokumentation Konferenzschrift |
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