The Beethoven sonatas and the creative experience:
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Bloomington
Indiana University Press
©1994
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| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Includes bibliographical references (p. 311-315) Preface -- I. The First Raptus, and All Subsequent Ones -- II. Technique as Touch -- III. Tempo and the Pacing of Musical Ideas -- IV. Dynamic Nuance and Musical Line -- V. The Role of Silence -- VI. Sound as Color -- VII. Descriptive Music: Op. 81a, Op. 13 -- VIII. Motivic Development: Op. 2 No. 1, Op. 57, Op. 110 -- IX. Quasi una Fantasia: Op. 27 Nos. 1 and 2, Op. 26 -- X. Line and Space: Op. 2 No. 2, Op. 101 -- XI. Movement as Energized Color: Op. 53 -- XII. The Moment of Creation: Op. 28, Op. 31 Nos. 2 and 3 -- XIII. Facing Two Directions: Op. 49 Nos. 1 and 2, Op. 54, Op. 78, Op. 90 -- XIV. The Enjoyment of Fluency: Op. 10 Nos. 2 and 3, Op. 14 No. 2, Op. 22, Op. 31 No. 1, Op. 79 -- XV. The Cosmopolitan Impostor: Op. 2 No. 3, Op. 14 No. 1 -- XVI. Embracing the Dachstein: Op. 7, Op. 106 -- XVII. A Higher Revelation: Op. 10 No. 1, Op. 109, Op. 111 -- XVIII. The Witness Tree Instead of following the traditional chronological order in studying the Beethoven piano sonatas, Kenneth Drake places them in categories that reflect certain qualities of the music. Approaching the sonatas as an interpreter's search for meaning, he begins with the Classic composers' expressive treatment of the keyboard - such as touches, articulation, line, color, silence, and the pacing of musical ideas He then analyzes individual Beethoven sonatas, exploring such qualities as motivic development, color, philosophic overtones, and technical facility Juxtaposing sonatas of like characteristics, regardless of where they fall in Beethoven's oeuvre, Drake places the very early Op. 2 No. 2 and the monumental Op. 101 in the chapter entitled "Line and Space." Under the heading "Descriptive Music," he discusses Op. 81a and Op 13; under "Motivic Development," Op. 2 No. 1, Op. 57, and Op. 110; and under "Movement as Energized Color," Op. 53 The "Quasi una Fantasia" encompasses not only the Sonata Op. 27 No. 2, to which Beethoven gave that title, but also Sonatas Op. 26 and, Op. 27 No. 1. Drake pursues the emotional and interpretive implications of such elements as rhythm, dynamics, slurs, harmonic effects, and melodic development. He provides hundreds of musical examples and points out the specific measures in which Beethoven so skillfully employed these compositional devices Kenneth Drake regards the Beethoven sonatas as products of an inner necessity that pianists share with the composer. He encourages musicians to exercise intuition and independence of thought in studying the "32" and to seek not just performance skills but logical conclusions about ideas and relationships within the score |
| Beschreibung: | 1 Online-Ressource (xi, 315 pages) |
| ISBN: | 0253011531 0253213827 025331822X 9780253011534 9780253318220 |
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| 500 | |a Includes bibliographical references (p. 311-315) | ||
| 500 | |a Preface -- I. The First Raptus, and All Subsequent Ones -- II. Technique as Touch -- III. Tempo and the Pacing of Musical Ideas -- IV. Dynamic Nuance and Musical Line -- V. The Role of Silence -- VI. Sound as Color -- VII. Descriptive Music: Op. 81a, Op. 13 -- VIII. Motivic Development: Op. 2 No. 1, Op. 57, Op. 110 -- IX. Quasi una Fantasia: Op. 27 Nos. 1 and 2, Op. 26 -- X. Line and Space: Op. 2 No. 2, Op. 101 -- XI. Movement as Energized Color: Op. 53 -- XII. The Moment of Creation: Op. 28, Op. 31 Nos. 2 and 3 -- XIII. Facing Two Directions: Op. 49 Nos. 1 and 2, Op. 54, Op. 78, Op. 90 -- XIV. The Enjoyment of Fluency: Op. 10 Nos. 2 and 3, Op. 14 No. 2, Op. 22, Op. 31 No. 1, Op. 79 -- XV. The Cosmopolitan Impostor: Op. 2 No. 3, Op. 14 No. 1 -- XVI. Embracing the Dachstein: Op. 7, Op. 106 -- XVII. A Higher Revelation: Op. 10 No. 1, Op. 109, Op. 111 -- XVIII. The Witness Tree | ||
| 500 | |a Instead of following the traditional chronological order in studying the Beethoven piano sonatas, Kenneth Drake places them in categories that reflect certain qualities of the music. Approaching the sonatas as an interpreter's search for meaning, he begins with the Classic composers' expressive treatment of the keyboard - such as touches, articulation, line, color, silence, and the pacing of musical ideas | ||
| 500 | |a He then analyzes individual Beethoven sonatas, exploring such qualities as motivic development, color, philosophic overtones, and technical facility | ||
| 500 | |a Juxtaposing sonatas of like characteristics, regardless of where they fall in Beethoven's oeuvre, Drake places the very early Op. 2 No. 2 and the monumental Op. 101 in the chapter entitled "Line and Space." Under the heading "Descriptive Music," he discusses Op. 81a and Op 13; under "Motivic Development," Op. 2 No. 1, Op. 57, and Op. 110; and under "Movement as Energized Color," Op. 53 | ||
| 500 | |a The "Quasi una Fantasia" encompasses not only the Sonata Op. 27 No. 2, to which Beethoven gave that title, but also Sonatas Op. 26 and, Op. 27 No. 1. Drake pursues the emotional and interpretive implications of such elements as rhythm, dynamics, slurs, harmonic effects, and melodic development. He provides hundreds of musical examples and points out the specific measures in which Beethoven so skillfully employed these compositional devices | ||
| 500 | |a Kenneth Drake regards the Beethoven sonatas as products of an inner necessity that pianists share with the composer. He encourages musicians to exercise intuition and independence of thought in studying the "32" and to seek not just performance skills but logical conclusions about ideas and relationships within the score | ||
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Datensatz im Suchindex
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| any_adam_object | |
| author | Drake, Kenneth |
| author_facet | Drake, Kenneth |
| author_role | aut |
| author_sort | Drake, Kenneth |
| author_variant | k d kd |
| building | Verbundindex |
| bvnumber | BV043106011 |
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| dewey-full | 786.2/183/092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 786 - Keyboard & other instruments |
| dewey-raw | 786.2/183/092 |
| dewey-search | 786.2/183/092 |
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| discipline | Musikwissenschaft |
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| id | DE-604.BV043106011 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:17:36Z |
| institution | BVB |
| isbn | 0253011531 0253213827 025331822X 9780253011534 9780253318220 |
| language | English |
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| spelling | Drake, Kenneth Verfasser aut The Beethoven sonatas and the creative experience Kenneth Drake Bloomington Indiana University Press ©1994 1 Online-Ressource (xi, 315 pages) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references (p. 311-315) Preface -- I. The First Raptus, and All Subsequent Ones -- II. Technique as Touch -- III. Tempo and the Pacing of Musical Ideas -- IV. Dynamic Nuance and Musical Line -- V. The Role of Silence -- VI. Sound as Color -- VII. Descriptive Music: Op. 81a, Op. 13 -- VIII. Motivic Development: Op. 2 No. 1, Op. 57, Op. 110 -- IX. Quasi una Fantasia: Op. 27 Nos. 1 and 2, Op. 26 -- X. Line and Space: Op. 2 No. 2, Op. 101 -- XI. Movement as Energized Color: Op. 53 -- XII. The Moment of Creation: Op. 28, Op. 31 Nos. 2 and 3 -- XIII. Facing Two Directions: Op. 49 Nos. 1 and 2, Op. 54, Op. 78, Op. 90 -- XIV. The Enjoyment of Fluency: Op. 10 Nos. 2 and 3, Op. 14 No. 2, Op. 22, Op. 31 No. 1, Op. 79 -- XV. The Cosmopolitan Impostor: Op. 2 No. 3, Op. 14 No. 1 -- XVI. Embracing the Dachstein: Op. 7, Op. 106 -- XVII. A Higher Revelation: Op. 10 No. 1, Op. 109, Op. 111 -- XVIII. The Witness Tree Instead of following the traditional chronological order in studying the Beethoven piano sonatas, Kenneth Drake places them in categories that reflect certain qualities of the music. Approaching the sonatas as an interpreter's search for meaning, he begins with the Classic composers' expressive treatment of the keyboard - such as touches, articulation, line, color, silence, and the pacing of musical ideas He then analyzes individual Beethoven sonatas, exploring such qualities as motivic development, color, philosophic overtones, and technical facility Juxtaposing sonatas of like characteristics, regardless of where they fall in Beethoven's oeuvre, Drake places the very early Op. 2 No. 2 and the monumental Op. 101 in the chapter entitled "Line and Space." Under the heading "Descriptive Music," he discusses Op. 81a and Op 13; under "Motivic Development," Op. 2 No. 1, Op. 57, and Op. 110; and under "Movement as Energized Color," Op. 53 The "Quasi una Fantasia" encompasses not only the Sonata Op. 27 No. 2, to which Beethoven gave that title, but also Sonatas Op. 26 and, Op. 27 No. 1. Drake pursues the emotional and interpretive implications of such elements as rhythm, dynamics, slurs, harmonic effects, and melodic development. He provides hundreds of musical examples and points out the specific measures in which Beethoven so skillfully employed these compositional devices Kenneth Drake regards the Beethoven sonatas as products of an inner necessity that pianists share with the composer. He encourages musicians to exercise intuition and independence of thought in studying the "32" and to seek not just performance skills but logical conclusions about ideas and relationships within the score Beethoven, Ludwig van / 1770-1827 / Sonatas Beethoven, Ludwig van / 1770-1827 / Sonates / piano Beethoven, Ludwig van swd Beethoven, Ludwig van 1770-1827 Sonatas piano Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd rswk-swf MUSIC / Musical Instruments / Piano & Keyboard bisacsh MUSIC / Printed Music / Piano & Keyboard Repertoire bisacsh Sonates gtt Pianomuziek gtt Klaviersonate swd Sonatas (Beethoven, Ludwig van) fast Sonatas (Piano) / Analysis, appreciation fast Sonatas (Piano) Analysis, appreciation Klaviersonate (DE-588)4030995-2 gnd rswk-swf Beethoven, Ludwig van 1770-1827 (DE-588)118508288 p Klaviersonate (DE-588)4030995-2 s 1\p DE-604 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=528963 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Drake, Kenneth The Beethoven sonatas and the creative experience Beethoven, Ludwig van / 1770-1827 / Sonatas Beethoven, Ludwig van / 1770-1827 / Sonates / piano Beethoven, Ludwig van swd Beethoven, Ludwig van 1770-1827 Sonatas piano Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd MUSIC / Musical Instruments / Piano & Keyboard bisacsh MUSIC / Printed Music / Piano & Keyboard Repertoire bisacsh Sonates gtt Pianomuziek gtt Klaviersonate swd Sonatas (Beethoven, Ludwig van) fast Sonatas (Piano) / Analysis, appreciation fast Sonatas (Piano) Analysis, appreciation Klaviersonate (DE-588)4030995-2 gnd |
| subject_GND | (DE-588)118508288 (DE-588)4030995-2 |
| title | The Beethoven sonatas and the creative experience |
| title_auth | The Beethoven sonatas and the creative experience |
| title_exact_search | The Beethoven sonatas and the creative experience |
| title_full | The Beethoven sonatas and the creative experience Kenneth Drake |
| title_fullStr | The Beethoven sonatas and the creative experience Kenneth Drake |
| title_full_unstemmed | The Beethoven sonatas and the creative experience Kenneth Drake |
| title_short | The Beethoven sonatas and the creative experience |
| title_sort | the beethoven sonatas and the creative experience |
| topic | Beethoven, Ludwig van / 1770-1827 / Sonatas Beethoven, Ludwig van / 1770-1827 / Sonates / piano Beethoven, Ludwig van swd Beethoven, Ludwig van 1770-1827 Sonatas piano Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd MUSIC / Musical Instruments / Piano & Keyboard bisacsh MUSIC / Printed Music / Piano & Keyboard Repertoire bisacsh Sonates gtt Pianomuziek gtt Klaviersonate swd Sonatas (Beethoven, Ludwig van) fast Sonatas (Piano) / Analysis, appreciation fast Sonatas (Piano) Analysis, appreciation Klaviersonate (DE-588)4030995-2 gnd |
| topic_facet | Beethoven, Ludwig van / 1770-1827 / Sonatas Beethoven, Ludwig van / 1770-1827 / Sonates / piano Beethoven, Ludwig van Beethoven, Ludwig van 1770-1827 Sonatas piano Beethoven, Ludwig van 1770-1827 MUSIC / Musical Instruments / Piano & Keyboard MUSIC / Printed Music / Piano & Keyboard Repertoire Sonates Pianomuziek Klaviersonate Sonatas (Beethoven, Ludwig van) Sonatas (Piano) / Analysis, appreciation Sonatas (Piano) Analysis, appreciation |
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| work_keys_str_mv | AT drakekenneth thebeethovensonatasandthecreativeexperience |