Early Italian painting:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
Parkstone Press International
© 2011
|
| Schriftenreihe: | Art of century collection
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | "The following passages originally constituted sections of two books ... both written in 1864-one by Anna Jameson and the other by Giovanni Cavalcaselle and Arthur Crowe"--Note from the editor. - Includes index Introduction : Something about pictures and painters -- Revival of art in Siena. Fundamental difference between Sienese and Florentine art -- Early Christianity and art -- Memoirs of the early Italian painters. Guido da Siena -- Giovanni Cimabue -- Cimabue and the Ruccelai Madonna -- Duccio di Buoninsegna -- Ugolino di Nerio -- Segna di Bonaventura -- Giotto di Bondone -- Pietro Cavallini -- The Campo Santo -- Andrea Orcagna -- Taddeo Gaddi -- Simone Martini (Simone Memmi) -- Conclusion "Vacillating between the majesty of the Greco-Byzantine heritage and the modernity forecasted by Giotto, Early Italian painting summarises the first steps that led to the Renaissance. Trying out new media, those first artists left frescoes for removable panels. If the sacred faces shock us novices, this distance was more than wanted during this era and in order to emphasise the divinity of the characters; it highlighted their divinity and comforted the sanctified with a background covered with gold leaves. The elegance of the line and the colour choice was combined to reinforce the symbolic choices. The half-confessed ultimate goal of the early Italian artists was to make the invisible... visible. In this magnificent book, the author emphasises the importance that the rivalry between the Siennese and Florentine schools played for the evolution of art history. And the reader, in the course of these forgotten masterworks, will discover how, little by little, the sacred became incarnate and more human... opening a discrete but definitive door through the use of anthropomorphism, as was cherished by the Renaissance."-- |
| Beschreibung: | 1 Online-Ressource (199 pages) |
| ISBN: | 1780428057 1844848485 9781780428055 9781783103928 9781844848485 |
Internformat
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| 100 | 1 | |a Crowe, Joseph A. |d 1825-1896 |e Verfasser |0 (DE-588)116741708 |4 aut | |
| 245 | 1 | 0 | |a Early Italian painting |c Joseph Archer Crowe & Giovanni Battista Cavalcaselle, Anna Jameson |
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| 300 | |a 1 Online-Ressource (199 pages) | ||
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| 500 | |a "The following passages originally constituted sections of two books ... both written in 1864-one by Anna Jameson and the other by Giovanni Cavalcaselle and Arthur Crowe"--Note from the editor. - Includes index | ||
| 500 | |a Introduction : Something about pictures and painters -- Revival of art in Siena. Fundamental difference between Sienese and Florentine art -- Early Christianity and art -- Memoirs of the early Italian painters. Guido da Siena -- Giovanni Cimabue -- Cimabue and the Ruccelai Madonna -- Duccio di Buoninsegna -- Ugolino di Nerio -- Segna di Bonaventura -- Giotto di Bondone -- Pietro Cavallini -- The Campo Santo -- Andrea Orcagna -- Taddeo Gaddi -- Simone Martini (Simone Memmi) -- Conclusion | ||
| 500 | |a "Vacillating between the majesty of the Greco-Byzantine heritage and the modernity forecasted by Giotto, Early Italian painting summarises the first steps that led to the Renaissance. Trying out new media, those first artists left frescoes for removable panels. If the sacred faces shock us novices, this distance was more than wanted during this era and in order to emphasise the divinity of the characters; it highlighted their divinity and comforted the sanctified with a background covered with gold leaves. The elegance of the line and the colour choice was combined to reinforce the symbolic choices. The half-confessed ultimate goal of the early Italian artists was to make the invisible... visible. In this magnificent book, the author emphasises the importance that the rivalry between the Siennese and Florentine schools played for the evolution of art history. And the reader, in the course of these forgotten masterworks, will discover how, little by little, the sacred became incarnate and more human... opening a discrete but definitive door through the use of anthropomorphism, as was cherished by the Renaissance."-- | ||
| 650 | 7 | |a ART / History / General |2 bisacsh | |
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| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Painting, Italian | |
| 650 | 4 | |a Painting, Medieval |z Italy | |
| 651 | 4 | |a Italien | |
| 700 | 1 | |a Cavalcaselle, G. B. |d 1819-1897 |e Sonstige |0 (DE-588)118870734 |4 oth | |
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Datensatz im Suchindex
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|---|---|
| any_adam_object | |
| author | Crowe, Joseph A. 1825-1896 |
| author_GND | (DE-588)116741708 (DE-588)118870734 (DE-588)119549662 |
| author_facet | Crowe, Joseph A. 1825-1896 |
| author_role | aut |
| author_sort | Crowe, Joseph A. 1825-1896 |
| author_variant | j a c ja jac |
| building | Verbundindex |
| bvnumber | BV043104299 |
| collection | ZDB-4-EBA |
| ctrlnum | (OCoLC)777401484 (DE-599)BVBBV043104299 |
| dewey-full | 759.5 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 759 - History, geographic treatment, biography |
| dewey-raw | 759.5 |
| dewey-search | 759.5 |
| dewey-sort | 3759.5 |
| dewey-tens | 750 - Painting and paintings |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
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| geographic | Italien |
| geographic_facet | Italien |
| id | DE-604.BV043104299 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:17:33Z |
| institution | BVB |
| isbn | 1780428057 1844848485 9781780428055 9781783103928 9781844848485 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028528489 |
| oclc_num | 777401484 |
| open_access_boolean | |
| owner | DE-1046 DE-1047 |
| owner_facet | DE-1046 DE-1047 |
| physical | 1 Online-Ressource (199 pages) |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 2011 |
| publishDateSearch | 2011 |
| publishDateSort | 2011 |
| publisher | Parkstone Press International |
| record_format | marc |
| series2 | Art of century collection |
| spelling | Crowe, Joseph A. 1825-1896 Verfasser (DE-588)116741708 aut Early Italian painting Joseph Archer Crowe & Giovanni Battista Cavalcaselle, Anna Jameson New York Parkstone Press International © 2011 1 Online-Ressource (199 pages) txt rdacontent c rdamedia cr rdacarrier Art of century collection "The following passages originally constituted sections of two books ... both written in 1864-one by Anna Jameson and the other by Giovanni Cavalcaselle and Arthur Crowe"--Note from the editor. - Includes index Introduction : Something about pictures and painters -- Revival of art in Siena. Fundamental difference between Sienese and Florentine art -- Early Christianity and art -- Memoirs of the early Italian painters. Guido da Siena -- Giovanni Cimabue -- Cimabue and the Ruccelai Madonna -- Duccio di Buoninsegna -- Ugolino di Nerio -- Segna di Bonaventura -- Giotto di Bondone -- Pietro Cavallini -- The Campo Santo -- Andrea Orcagna -- Taddeo Gaddi -- Simone Martini (Simone Memmi) -- Conclusion "Vacillating between the majesty of the Greco-Byzantine heritage and the modernity forecasted by Giotto, Early Italian painting summarises the first steps that led to the Renaissance. Trying out new media, those first artists left frescoes for removable panels. If the sacred faces shock us novices, this distance was more than wanted during this era and in order to emphasise the divinity of the characters; it highlighted their divinity and comforted the sanctified with a background covered with gold leaves. The elegance of the line and the colour choice was combined to reinforce the symbolic choices. The half-confessed ultimate goal of the early Italian artists was to make the invisible... visible. In this magnificent book, the author emphasises the importance that the rivalry between the Siennese and Florentine schools played for the evolution of art history. And the reader, in the course of these forgotten masterworks, will discover how, little by little, the sacred became incarnate and more human... opening a discrete but definitive door through the use of anthropomorphism, as was cherished by the Renaissance."-- ART / History / General bisacsh Painting, Italian fast Painting, Medieval fast Geschichte Painting, Italian Painting, Medieval Italy Italien Cavalcaselle, G. B. 1819-1897 Sonstige (DE-588)118870734 oth Jameson, Anna 1794-1860 Sonstige (DE-588)119549662 oth http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=436191 Aggregator Volltext |
| spellingShingle | Crowe, Joseph A. 1825-1896 Early Italian painting ART / History / General bisacsh Painting, Italian fast Painting, Medieval fast Geschichte Painting, Italian Painting, Medieval Italy |
| title | Early Italian painting |
| title_auth | Early Italian painting |
| title_exact_search | Early Italian painting |
| title_full | Early Italian painting Joseph Archer Crowe & Giovanni Battista Cavalcaselle, Anna Jameson |
| title_fullStr | Early Italian painting Joseph Archer Crowe & Giovanni Battista Cavalcaselle, Anna Jameson |
| title_full_unstemmed | Early Italian painting Joseph Archer Crowe & Giovanni Battista Cavalcaselle, Anna Jameson |
| title_short | Early Italian painting |
| title_sort | early italian painting |
| topic | ART / History / General bisacsh Painting, Italian fast Painting, Medieval fast Geschichte Painting, Italian Painting, Medieval Italy |
| topic_facet | ART / History / General Painting, Italian Painting, Medieval Geschichte Painting, Medieval Italy Italien |
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| work_keys_str_mv | AT crowejosepha earlyitalianpainting AT cavalcasellegb earlyitalianpainting AT jamesonanna earlyitalianpainting |