Musical meaning in Beethoven: markedness, correlation, and interpretation
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bloomington
Indiana University Press
©1994
|
| Schriftenreihe: | Advances in semiotics
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Includes bibliographical references (pages 328-341) and indexes Foreword - David Lidov -- - I.A Case Study for Interpretation: The Third Movement of Op. 106 (Hammerklavier) -- - II. Correlation, Interpretation, and the Markedness of Oppositions -- - III. From Topic to Expressive Genre -- - IV. The Pastoral Expressive Genre: The Four Movements of Op. 101 -- - V. The Thematic Level and the Markedness of Classical Material -- - VI. Thematic Markedness: The First Movements of Op. 130 and Op. 131 -- - VII. Beyond the Hierarchies of Correlation: Troping, Irony, Levels of Discourse, and Intertextuality -- - VIII. Analysis and Synthesis: The Cavatina from Op. 130 -- - IX. From the Aesthetic to the Semiotic -- - X. Further Perspectives on Musical Meaning and Cognition -- - Appendix: Abnegation and the New Genre "Musical Meaning in Beethoven offers a fresh approach to the interpretation and explanation of musical expressive meaning. Beginning with a provocative analysis of the slow movement from Beethoven's Hammerklavier piano sonata, the investigation examines the role of markedness, Classical topics, expressive genres, and musical tropes in fostering expressive interpretation at all levels of structure. Along the way, close readings of movements from Beethoven's late piano sonatas and string quartets highlight less-obvious expressive meanings and explain how more-familiar piano meanings are consistently cued from one work to the next." "The model of musical meaning that Robert S. Hatten puts forth is grounded in the semiotic contributions of Charles Sanders Peirce, Umberto Eco, and Michael Shapiro; and in the theoretical and historical contributions of Leonard B. Meyer, Charles Rosen, and Leonard Ratner. In addition, the latest musicological scholarship is brought to bear on a stylistic approach of considerable interpretive depth. Radically departing from both the nineteenth-century Formalist aesthetics of Eduard Hanslick and Formalist theories underlying tonal analysis in the twentieth century, the author argues that expressive meaning is not extramusical but fundamental to the reconstruction of compositional practice and stylistic understanding, even for the "absolute" works of Beethoven."--Jacket |
| Beschreibung: | 1 Online-Ressource (xvi, 349 pages) |
| ISBN: | 0253327423 0585231869 9780253327420 9780585231860 |
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| 490 | 0 | |a Advances in semiotics | |
| 500 | |a Includes bibliographical references (pages 328-341) and indexes | ||
| 500 | |a Foreword - David Lidov -- - I.A Case Study for Interpretation: The Third Movement of Op. 106 (Hammerklavier) -- - II. Correlation, Interpretation, and the Markedness of Oppositions -- - III. From Topic to Expressive Genre -- - IV. The Pastoral Expressive Genre: The Four Movements of Op. 101 -- - V. The Thematic Level and the Markedness of Classical Material -- - VI. Thematic Markedness: The First Movements of Op. 130 and Op. 131 -- - VII. Beyond the Hierarchies of Correlation: Troping, Irony, Levels of Discourse, and Intertextuality -- - VIII. Analysis and Synthesis: The Cavatina from Op. 130 -- - IX. From the Aesthetic to the Semiotic -- - X. Further Perspectives on Musical Meaning and Cognition -- - Appendix: Abnegation and the New Genre | ||
| 500 | |a "Musical Meaning in Beethoven offers a fresh approach to the interpretation and explanation of musical expressive meaning. Beginning with a provocative analysis of the slow movement from Beethoven's Hammerklavier piano sonata, the investigation examines the role of markedness, Classical topics, expressive genres, and musical tropes in fostering expressive interpretation at all levels of structure. Along the way, close readings of movements from Beethoven's late piano sonatas and string quartets highlight less-obvious expressive meanings and explain how more-familiar piano meanings are consistently cued from one work to the next." "The model of musical meaning that Robert S. Hatten puts forth is grounded in the semiotic contributions of Charles Sanders Peirce, Umberto Eco, and Michael Shapiro; and in the theoretical and historical contributions of Leonard B. Meyer, Charles Rosen, and Leonard Ratner. In addition, the latest musicological scholarship is brought to bear on a stylistic approach of considerable interpretive depth. Radically departing from both the nineteenth-century Formalist aesthetics of Eduard Hanslick and Formalist theories underlying tonal analysis in the twentieth century, the author argues that expressive meaning is not extramusical but fundamental to the reconstruction of compositional practice and stylistic understanding, even for the "absolute" works of Beethoven."--Jacket | ||
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Datensatz im Suchindex
| _version_ | 1804175516610068480 |
|---|---|
| any_adam_object | |
| author | Hatten, Robert S. |
| author_facet | Hatten, Robert S. |
| author_role | aut |
| author_sort | Hatten, Robert S. |
| author_variant | r s h rs rsh |
| building | Verbundindex |
| bvnumber | BV043103832 |
| collection | ZDB-4-EBA |
| ctrlnum | (OCoLC)45729748 (DE-599)BVBBV043103832 |
| dewey-full | 780/.92 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780/.92 |
| dewey-search | 780/.92 |
| dewey-sort | 3780 292 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| id | DE-604.BV043103832 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:17:32Z |
| institution | BVB |
| isbn | 0253327423 0585231869 9780253327420 9780585231860 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028528023 |
| oclc_num | 45729748 |
| open_access_boolean | |
| owner | DE-1046 DE-1047 |
| owner_facet | DE-1046 DE-1047 |
| physical | 1 Online-Ressource (xvi, 349 pages) |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 1994 |
| publishDateSearch | 1994 |
| publishDateSort | 1994 |
| publisher | Indiana University Press |
| record_format | marc |
| series2 | Advances in semiotics |
| spelling | Hatten, Robert S. Verfasser aut Musical meaning in Beethoven markedness, correlation, and interpretation Robert S. Hatten Bloomington Indiana University Press ©1994 1 Online-Ressource (xvi, 349 pages) txt rdacontent c rdamedia cr rdacarrier Advances in semiotics Includes bibliographical references (pages 328-341) and indexes Foreword - David Lidov -- - I.A Case Study for Interpretation: The Third Movement of Op. 106 (Hammerklavier) -- - II. Correlation, Interpretation, and the Markedness of Oppositions -- - III. From Topic to Expressive Genre -- - IV. The Pastoral Expressive Genre: The Four Movements of Op. 101 -- - V. The Thematic Level and the Markedness of Classical Material -- - VI. Thematic Markedness: The First Movements of Op. 130 and Op. 131 -- - VII. Beyond the Hierarchies of Correlation: Troping, Irony, Levels of Discourse, and Intertextuality -- - VIII. Analysis and Synthesis: The Cavatina from Op. 130 -- - IX. From the Aesthetic to the Semiotic -- - X. Further Perspectives on Musical Meaning and Cognition -- - Appendix: Abnegation and the New Genre "Musical Meaning in Beethoven offers a fresh approach to the interpretation and explanation of musical expressive meaning. Beginning with a provocative analysis of the slow movement from Beethoven's Hammerklavier piano sonata, the investigation examines the role of markedness, Classical topics, expressive genres, and musical tropes in fostering expressive interpretation at all levels of structure. Along the way, close readings of movements from Beethoven's late piano sonatas and string quartets highlight less-obvious expressive meanings and explain how more-familiar piano meanings are consistently cued from one work to the next." "The model of musical meaning that Robert S. Hatten puts forth is grounded in the semiotic contributions of Charles Sanders Peirce, Umberto Eco, and Michael Shapiro; and in the theoretical and historical contributions of Leonard B. Meyer, Charles Rosen, and Leonard Ratner. In addition, the latest musicological scholarship is brought to bear on a stylistic approach of considerable interpretive depth. Radically departing from both the nineteenth-century Formalist aesthetics of Eduard Hanslick and Formalist theories underlying tonal analysis in the twentieth century, the author argues that expressive meaning is not extramusical but fundamental to the reconstruction of compositional practice and stylistic understanding, even for the "absolute" works of Beethoven."--Jacket Beethoven, Ludwig van / 1770-1827 / Critique et interprétation Beethoven, Ludwig van swd Beethoven, Ludwig van / 1770-1827 fast Beethoven, Ludwig van / 1770-1827 Beethoven, Ludwig van 1770-1827 Criticism and interpretation Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd rswk-swf Sémiotique et musique MUSIC / Individual Composer & Musician bisacsh Semiotiek gtt Structuuranalyse gtt Expressie gtt Musik swd Interpretation swd Musikalische Analyse swd Musikalische Semiotik swd Music / Semiotics fast Musik Music Semiotics Interpretation (DE-588)4072905-9 gnd rswk-swf Musikalische Analyse (DE-588)4040814-0 gnd rswk-swf Bedeutung (DE-588)4005184-5 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Musikalische Semiotik (DE-588)4195308-3 gnd rswk-swf Beethoven, Ludwig van 1770-1827 (DE-588)118508288 p Musik (DE-588)4040802-4 s Interpretation (DE-588)4072905-9 s 1\p DE-604 Bedeutung (DE-588)4005184-5 s 2\p DE-604 Musikalische Semiotik (DE-588)4195308-3 s 3\p DE-604 Musikalische Analyse (DE-588)4040814-0 s 4\p DE-604 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=23175 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 4\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Hatten, Robert S. Musical meaning in Beethoven markedness, correlation, and interpretation Beethoven, Ludwig van / 1770-1827 / Critique et interprétation Beethoven, Ludwig van swd Beethoven, Ludwig van / 1770-1827 fast Beethoven, Ludwig van / 1770-1827 Beethoven, Ludwig van 1770-1827 Criticism and interpretation Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd Sémiotique et musique MUSIC / Individual Composer & Musician bisacsh Semiotiek gtt Structuuranalyse gtt Expressie gtt Musik swd Interpretation swd Musikalische Analyse swd Musikalische Semiotik swd Music / Semiotics fast Musik Music Semiotics Interpretation (DE-588)4072905-9 gnd Musikalische Analyse (DE-588)4040814-0 gnd Bedeutung (DE-588)4005184-5 gnd Musik (DE-588)4040802-4 gnd Musikalische Semiotik (DE-588)4195308-3 gnd |
| subject_GND | (DE-588)118508288 (DE-588)4072905-9 (DE-588)4040814-0 (DE-588)4005184-5 (DE-588)4040802-4 (DE-588)4195308-3 |
| title | Musical meaning in Beethoven markedness, correlation, and interpretation |
| title_auth | Musical meaning in Beethoven markedness, correlation, and interpretation |
| title_exact_search | Musical meaning in Beethoven markedness, correlation, and interpretation |
| title_full | Musical meaning in Beethoven markedness, correlation, and interpretation Robert S. Hatten |
| title_fullStr | Musical meaning in Beethoven markedness, correlation, and interpretation Robert S. Hatten |
| title_full_unstemmed | Musical meaning in Beethoven markedness, correlation, and interpretation Robert S. Hatten |
| title_short | Musical meaning in Beethoven |
| title_sort | musical meaning in beethoven markedness correlation and interpretation |
| title_sub | markedness, correlation, and interpretation |
| topic | Beethoven, Ludwig van / 1770-1827 / Critique et interprétation Beethoven, Ludwig van swd Beethoven, Ludwig van / 1770-1827 fast Beethoven, Ludwig van / 1770-1827 Beethoven, Ludwig van 1770-1827 Criticism and interpretation Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd Sémiotique et musique MUSIC / Individual Composer & Musician bisacsh Semiotiek gtt Structuuranalyse gtt Expressie gtt Musik swd Interpretation swd Musikalische Analyse swd Musikalische Semiotik swd Music / Semiotics fast Musik Music Semiotics Interpretation (DE-588)4072905-9 gnd Musikalische Analyse (DE-588)4040814-0 gnd Bedeutung (DE-588)4005184-5 gnd Musik (DE-588)4040802-4 gnd Musikalische Semiotik (DE-588)4195308-3 gnd |
| topic_facet | Beethoven, Ludwig van / 1770-1827 / Critique et interprétation Beethoven, Ludwig van Beethoven, Ludwig van / 1770-1827 Beethoven, Ludwig van 1770-1827 Criticism and interpretation Beethoven, Ludwig van 1770-1827 Sémiotique et musique MUSIC / Individual Composer & Musician Semiotiek Structuuranalyse Expressie Musik Interpretation Musikalische Analyse Musikalische Semiotik Music / Semiotics Music Semiotics Bedeutung |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=23175 |
| work_keys_str_mv | AT hattenroberts musicalmeaninginbeethovenmarkednesscorrelationandinterpretation |